Vitali, V. 2021. ‘But Are They All Horrid?’ On the Intermittent Use of the Gothic in Hindi Horror Cinema. in: Ancuta, K. and Valančiūnas, D. (ed.) South Asian Gothic: Haunted Cultures, Histories and Media Cardiff University of Wales Press.
Vitali, V. 2019. Meanings of Failed Action: A Reassessment of the 1946 Royal Indian Navy Uprising. South Asia: Journal of South Asian Studies. 41 (4), pp. 763-788. https://doi.org/10.1080/00856401.2018.1523106
Vitali, V. 2017. Variables of Transnational Authorship: Hou Hsiao-hsien and Wei Te-sheng. in: Chiu, Kuei-fen, Rawnsley, Ming-yeh and Rawnsley, Gary (ed.) Taiwan Cinema: International Reception and Social Change Abingdon, Oxon and New York, NY Routledge. pp. 25-38
Vitali, V. 2016. Michelangelo Antonioni’s Chung Kuo — Cina (1972): A Moment of ‘Explicitation’. in: Chan, Felicia and Willis, Andy (ed.) Chinese Cinemas: International Perspectives Abingdon, Oxon and New York, NY Routledge Taylor & Francis Group. pp. 143-158