Contesting "Le corps militaire": Antimilitarism, Pacificism, Anarcho-Communism and 'Le Douanier' Rousseau's La Guerre

Article

Brauer, F. 2012. Contesting "Le corps militaire": Antimilitarism, Pacificism, Anarcho-Communism and 'Le Douanier' Rousseau's La Guerre. RIHA Journal.
AuthorsBrauer, F.
Abstract

When the 1889 Military Law was passed, it established three-year universal conscriptionand a greater army of citizens to boost military preparedness for war in French coloniesand against Germany. Far from its ramifications being of no concern to neo-impressionists, it was the subject of bightingly bitter antimilitarist cartoons byMaximilien Luce and antimilitarist paintings by the neo-impressionist outsider, 'Ledouanier' Rousseau. Far from picturing the patriotic honor of becoming a soldier and thevictories of war, as did Edouard Detaille, Rousseau did the opposite. In the heat ofmilitary slaughter of families at Fourmies, Rousseau revealed how conscription wouldtransform French citizens into le corps militaire to fight not just against their arch-enemy with machine-like precision but against their very own people

JournalRIHA Journal
Year2012
PublisherRIHA – International Asso­ciation of Research Institutes in the History of Art
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CC BY-NC-ND
Web address (URL)http://www.riha-journal.org/articles/2012/2012-jul-sep/special-issue-neo-impressionism/brauer-contesting-le-corps-militaire/
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Print24 Jul 2012
Publication process dates
Deposited08 Dec 2014
Accepted2012
Copyright information© The author. This article is provided under the terms of the Creative Commons License CC-BY-NC-ND 3.0.
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This article is part of the Special Issue "New Directions in Neo-Impressionism." The issue is guest-edited by Tania Woloshyn and Anne Dymond in cooperation with Regina Wenninger and Anne-Laure Brisac-Chraïbi from RIHA Journal. External peer reviewers for this Special Issue were Hollis Clayson, André Dombrowski, Chantal Georgel, Catherine Meneux, Robyn Roslak, and Michael Zimmermann.

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Magnetic Modernism František Kupka’s Mesmeric Abstraction and Anarcho-Cosmic Utopia
Brauer, F. 2015. Magnetic Modernism František Kupka’s Mesmeric Abstraction and Anarcho-Cosmic Utopia. in: Ayers, David, Hjartarson, Benedikt, Huttunen, Tomi and Veivo, Harri (ed.) Utopia: The Avant-Garde, Modernism and (Im)possible Life Berlin/Boston Walter de Gruyter.
Picasso, Pablo (1881-1973)
Brauer, F. 2016. Picasso, Pablo (1881-1973). in: Routledge Encyclopedia of Modernism London Routledge.
Virilizing and Valorizing Homoeroticism: Eugen Sandow’s Queering of Body Cultures Before and After the Wilde Trials
Brauer, F. 2017. Virilizing and Valorizing Homoeroticism: Eugen Sandow’s Queering of Body Cultures Before and After the Wilde Trials. Visual Culture in Britain. 18 (1), pp. 35-67. https://doi.org/10.1080/14714787.2017.1321224
Dealing with Cubism: Daniel-Henry Kahnweiler’s Perilous Internationalism
Brauer, F. 2017. Dealing with Cubism: Daniel-Henry Kahnweiler’s Perilous Internationalism. in: Catterson, Lynn (ed.) Dealing Art on Both Sides of the Atlantic, 1860-1940 Boston BRILL.
The Pasted Paper Devolution: The Dialogism of Sexual Degeneration and Neoregulation in Picasso's and Braque's Cubist Collages
Brauer, F. 2017. The Pasted Paper Devolution: The Dialogism of Sexual Degeneration and Neoregulation in Picasso's and Braque's Cubist Collages. Art Bulletin.
The Einsteinian Eclipse: The Paradigmatic Fourth Dimension in Modern Art Before and After Relativity
Brauer, F. 2016. The Einsteinian Eclipse: The Paradigmatic Fourth Dimension in Modern Art Before and After Relativity. Art History. 39 (1), pp. 182-188. https://doi.org/10.1111/1467-8365.12224