Virginia Woolf and Vanessa Bell: "the same pair of eyes, only different spectacles"

Book chapter


Humm, M. 2005. Virginia Woolf and Vanessa Bell: "the same pair of eyes, only different spectacles". in: Kukil, K (ed.) Woolf in the Real World: Selected Papers from the Thirteenth International Conference on Virginia Woolf Clemson University Digital Press. pp. 24-30
AuthorsHumm, M.
EditorsKukil, K
Abstract

Writing to Vanessa Bell in 1937, Woolf imagined ‘do you think we have the same pair of eyes, only different spectacles?’
From the age of fifteen, both Woolf and Bell took, developed and mounted photographs in albums throughout their careers. There are over 1,000 photographs in Woolf’s Monk’s House Albums and a similar number in the albums of Vanessa Bell. Both sisters wrote about photography and photography influenced their aesthetics and art. The modernist sisters used photography not simply as a documentary device but as a means of crossing the border between the visual and the unconscious.
The photographs reveal Woolf and Bell’s struggles with the public and the private, with formal aesthetics and everyday moments. The albums offer a crucial insight into those psychic mechanisms structuring Woolf and Bell’s aesthetics. For example Bell’s erotic photographs of her naked children are her ‘unconscious optics’ as well as a record of her world.
The paper shows how album photographs are vivid examples of Woolf and Bell’s ideas about aesthetics, the maternal, the erotic and identity.

KeywordsVirginia Woolf; Vanessa Bell; modernism; aesthetics; Roger Fry; photography album; paintings; maternal; childhood
Book titleWoolf in the Real World: Selected Papers from the Thirteenth International Conference on Virginia Woolf
Page range24-30
Year2005
PublisherClemson University Digital Press
Publication dates
PrintJun 2005
Publication process dates
Deposited29 Oct 2009
Web address (URL)http://hdl.handle.net/10552/356
Additional information

Citation:
Humm, M. (2005) 'Virginia Woolf and Vanessa Bell: "the same pair of eyes, only different spectacles"', Published in Kukil, K (ed.) Woolf in the Real World: Selected Papers from the Thirteenth International Conference on Virginia Woolf, Clemson University Digital Press, 2005 pp 24-30.

Accepted author manuscript
License
CC BY-ND
Permalink -

https://repository.uel.ac.uk/item/867zy

Download files

  • 322
    total views
  • 281
    total downloads
  • 1
    views this month
  • 0
    downloads this month

Export as

Related outputs

Virginia Woolf and Visual Culture
Humm, M. 2010. Virginia Woolf and Visual Culture. in: Sellars, S. (ed.) The Cambridge Companion to Virginia Woolf, 2nd edn Cambridge Cambridge University Press. pp. 214-230
My Own Ghost Met Me: Woolf’s 1930s Photographs, Death and Freud’s Acropolis
Humm, M. 2010. My Own Ghost Met Me: Woolf’s 1930s Photographs, Death and Freud’s Acropolis. in: Potts, G, Shahriari, L (ed.) Virginia Woolf’s Bloomsbury: Volume 1: Aesthetic Theory and Literary Practice Palgrave Macmillan. pp. 86-103
Vanessa Bell's Photographs: Modernism, the Maternal and the Erotic
Humm, M. 2002. Vanessa Bell's Photographs: Modernism, the Maternal and the Erotic. in: Hansom, P (ed.) Literary Modernism and Photography Praeger. pp. 93-106
Simone de Beauvoir, Virginia Woolf and the Maternal
Humm, M. 2007. Simone de Beauvoir, Virginia Woolf and the Maternal. in: Giorgio, A and Waters, J (ed.) Women's Writing in Western Europe: Gender, Generation and Legacy Cambridge Scholars Press. pp. 170-185
Memory, Photography, and Modernism: The “dead bodies and ruined houses” of Virginia Woolf’s Three Guineas
Humm, M. 2003. Memory, Photography, and Modernism: The “dead bodies and ruined houses” of Virginia Woolf’s Three Guineas. Signs. 28 (2), pp. 645-663.
Memory and Photography in the Photo Albums of Virginia Woolf
Humm, M. 2005. Memory and Photography in the Photo Albums of Virginia Woolf. in: Fisher,, D and Mays, A (ed.) Photography and Literature in the Twentieth Century, Cunningham Newcastle upon Tyne Cambridge Scholars Press. pp. 42-51
Beauty and Woolf
Humm, M. 2006. Beauty and Woolf. Feminist Theory. 7 (3), pp. 237-254.
"Memory Hole" or "Heterotopias"?: the Bloomsbury photographs
Humm, M. 2007. "Memory Hole" or "Heterotopias"?: the Bloomsbury photographs. in: Burrells, A, Ellis, S, Parsons, D and Simpson, K (ed.) Woolfian Boundaries: Selected Papers from the Sixteenth Annual International Conference on Virginia Woolf Clemson University Digital Press. pp. 150-156
Editing Virginia Woolf and the Arts: Woolf and the Royal Academy
Humm, M. 2009. Editing Virginia Woolf and the Arts: Woolf and the Royal Academy. in: McNees, E and Veglahn, S (ed.) Woolf Editing/Editing Woolf: Selected Papers from the Eighteenth Annual Conference on Virginia Woolf Clemson, SC Clemson University Digital Press. pp. 154-159
Photography
Humm, M. 2006. Photography. in: Bradshaw, D. and Dettmar, K. (ed.) A Companion to Modernist Literature and Culture Wiley Blackwell. pp. 278-283