Drink Full and Descend: The Horror of Twin Peaks: The Return

Article


Hallam, L. 2020. Drink Full and Descend: The Horror of Twin Peaks: The Return. NANO: New American Notes Online. 15.
AuthorsHallam, L.
Abstract

Throughout the work of director and co-creator David Lynch images of horror recur, as the mundane and the ordinary becomes ominous and terrifying. The home and the self–central to feelings of safety and security–are destabilized in Lynch’s works, revealed as inherently unstable and subject to constant change. The fragmented self destabilizes everything around it, reverberating throughout the home and even further still, destabilizing deep-rooted ideas about America’s sense of itself as a place of steadfast reason and righteous justice. This paper explores the use of horror in Twin Peaks: The Return, from its employment of common genre tropes to its engagement with deeper philosophical ideas about horror as something that goes deeper than just thrills and scares.

JournalNANO: New American Notes Online
Journal citation15
ISSN2160-0104
Year2020
PublisherNew York City College of Technology
Accepted author manuscript
License
File Access Level
Anyone
Web address (URL)https://nanocrit.com/issues/issue15/Drink-Full-and-Descend-The-Horror-of-Twin-Peaks-The-Return
Publication dates
OnlineFeb 2020
Publication process dates
Accepted25 Nov 2019
Deposited26 Nov 2019
Copyright holder© 2020 The Author
Permalink -

https://repository.uel.ac.uk/item/87532

Download files


Accepted author manuscript
Drink Full and Descend - The Horror of Twin Peaks revision.pdf
License: CC BY-NC-SA 4.0
File access level: Anyone

  • 537
    total views
  • 502
    total downloads
  • 4
    views this month
  • 0
    downloads this month

Export as

Related outputs

From a Dark Place: Indigenous Australian Horror
Hallam, L. 2025. From a Dark Place: Indigenous Australian Horror. in: Çakırlar, C. (ed.) Transnational Horror: Folklore, Genre, and Cultural Politics Liverpool University Press. pp. In Press
The Euro-Vampire
Hallam, L. 2024. The Euro-Vampire. in: Bacon, S. (ed.) The Palgrave Handbook of the Vampire Palgrave Macmillan. pp. 485-505
Predators Far and Near: The Sadean Gothic in Penny Dreadful
Hallam, L. 2023. Predators Far and Near: The Sadean Gothic in Penny Dreadful. in: Grossman, J. and Scheibel, W. (ed.) Penny Dreadful and Adaptation: Reanimating and Transforming the Monster Palgrave Macmillan, Cham. pp. 217–232
"So You've Taken Someone Else's Nostalgia": Trauma, Nostalgia, and American Hero Stories
Hallam, L. 2022. "So You've Taken Someone Else's Nostalgia": Trauma, Nostalgia, and American Hero Stories. in: Morton, D. (ed.) After Midnight: Watchmen after Watchmen University Press of Mississippi. pp. 225-236
Digital Witness: Found Footage and Desktop Horror as Post-Cinematic Experience
Hallam, L. 2021. Digital Witness: Found Footage and Desktop Horror as Post-Cinematic Experience. in: Falvey, E., Wroot, J. and Hickinbottom, J. (ed.) New Blood: Critical Approaches to Contemporary Horror University of Wales Press.
Down Under Rises Up: Nature's Revenge in Ozploitation Cinema
Hallam, L. 2020. Down Under Rises Up: Nature's Revenge in Ozploitation Cinema. Cine-Excess. 4, pp. 11-23.
Touching the Colour and Sound of Your Body’s Tears: Affect and Homage in the Neo-Giallo
Hallam, L. 2017. Touching the Colour and Sound of Your Body’s Tears: Affect and Homage in the Neo-Giallo. 16:9.
‘Why are there always three?’: The Gothic Occult in Dario Argento’s Three Mothers Trilogy
Hallam, L. 2017. ‘Why are there always three?’: The Gothic Occult in Dario Argento’s Three Mothers Trilogy. Journal of Italian Cinema and Media Studies. 5 (2), pp. 211-227. https://doi.org/10.1386/jicms.5.2.211_1
May the Giant Be With You: Twin Peaks Season Two, Episode One and the Television Auteur
Hallam, L. 2016. May the Giant Be With You: Twin Peaks Season Two, Episode One and the Television Auteur. Senses of Cinema.