Strategies of Interruption: Slowing Down and Becoming Sensate in Site Responsive Dance

Book chapter

Garrett Brown, N. 2015. Strategies of Interruption: Slowing Down and Becoming Sensate in Site Responsive Dance. in: Hunter, V. (ed.) Moving Sites: Investigating Site-Specific Dance Performance Routledge.
AuthorsGarrett Brown, N.
EditorsHunter, V.
Book titleMoving Sites: Investigating Site-Specific Dance Performance
Year2015
PublisherRoutledge
File
License
File Access Level
Anyone
Publication dates
Print27 Mar 2015
Publication process dates
Deposited21 Jan 2020
ISBN9781315724959
Web address (URL)https://www.routledge.com/9781315724959
Copyright holder© 2015 The Author
Copyright informationThis is an Accepted Manuscript of a book chapter published by Routledge in Moving Sites: Investigating Site-Specific Dance Performance on 27/3/2015, available online: https://www.routledge.com/9781315724959.
Permalink -

https://repository.uel.ac.uk/item/877w7

Log in to edit

Download files

File
Site Chapter Draft June 25 2014 NGB copy.pdf
License: All rights reserved
File access level: Anyone

  • 101
    total views
  • 76
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

flockOmania
Robertson, Z., Voris, A. and Garrett Brown, N. flockOmania. Coventry, UK Jan 2015
Nomadic Making; enacting difference through collaborative performance practice
Garrett Brown, N. 2020. Nomadic Making; enacting difference through collaborative performance practice. Choreographic Practices . 11 (1), pp. 149-161. https://doi.org/10.1386/chor_00016_1
Fast Failing; considering embodied exchange in collaborative arts practice
Garrett Brown, N. 2016. Fast Failing; considering embodied exchange in collaborative arts practice. Undisciplining Dance Symposium. University of Auckland, NZ 30 Jun - 02 Jul 2016
Corporeal Knowing; dance, embodiment and ‘being’ the body
Garrett Brown, N. 2016. Corporeal Knowing; dance, embodiment and ‘being’ the body. Doing the Body in the 21st Century: International Conference. University of Pittsburgh, USA 31 Mar - 02 Apr 2016
flockOmania 2: Exhibition Catalogue
Robertson, Z., Garrett Brown, N., Voris, A., Whatley, S., Journeaux, J. and Chamberlain, S. 2016. flockOmania 2: Exhibition Catalogue. Birmingham City University.
Nomadic Making; moving through the digital and live in collaborative performance practice
Garrett Brown, N. 2015. Nomadic Making; moving through the digital and live in collaborative performance practice. Does it Matter? Composite Bodies and Posthuman Prototypes in Contemporary Perfoming Arts. Ghent University, BE 17 - 19 Mar 2015
flockOmania: Exhibition Catalogue
Robertson, Z., Garrett Brown, N. and Voris, A. 2015. flockOmania: Exhibition Catalogue. Birmingham City University.
At Dusk, the Collaborative Spills and Cycles of L219
Cullinane, C., Garrett Brown, N., Kipp, C. and Voris, A. 2015. At Dusk, the Collaborative Spills and Cycles of L219. in: Whatley, S., Garrett Brown, N. and Alexander, K. (ed.) Attending to Movement: Somatic Perspectives on Living in this World Triarchy Press.
Dancing with Dirt and Wires: Reconciling the Embodied and the Digital in Site-responsive Collaborative Practice
Garrett Brown, N., Kipp, C. and Voris, A. 2015. Dancing with Dirt and Wires: Reconciling the Embodied and the Digital in Site-responsive Collaborative Practice. in: Causey, M., Meehan, E. and O'Dwyer, N. (ed.) The Performing Subject in the Space of Technology: Through the Virtual, Towards the Real Palgrave. pp. 174-186