Resonant Objects

Prof Doc Thesis


Groothuizen, C. 2021. Resonant Objects. Prof Doc Thesis University of East London School of Architecture, Computing & Engineering https://doi.org/10.15123/uel.8q2v9
AuthorsGroothuizen, C.
TypeProf Doc Thesis
Abstract

The artworks developed in this report, explore a critical engagement with sound installation and its realisation within architectural spaces. Sound installations engage with site through architectural and sonic interventions that embody a durational occupation with how sites, spaces and territories resonate with the memory of their social and cultural occupation. This report further considers how the properties of three sonic effects: reverberation, resonance and reflection, define acoustic territories and instigate sculptural objects of contemplation. It explores sound’s role in the determination of ‘place’ by investigating sound’s rich association with architectural space and how sound acts on, and is affected by, the built environment.
The report investigates phenomenology’s application to place making and human experience in the writings of Merleau-Ponty and his argument for the role that perception plays in how we understand and engage with the world. The Fold, Liebniz and the Baroque, by Gilles Deleuze, prompts an investigation into allegory within the Baroque House. It’s potential to creatively inform sculptural practice is explored by applying allegorical concepts to architectural models and sculptural objects. Pierre Schaeffer’s compositional technique of Musique Concrète, using the material of processed recorded sounds, is examined alongside the indeterminacy and non-intentionality of John Cage. The site of La Monte Young’s Dream House plays an essential role in developing ideas for transcendental, immersive sound experiences. Sound’s wider social, political and cultural contexts are explored through a study of ‘acoustic communities’, as described by R. Murray Schafer in The Soundscape: The Tuning of the World (1993). This culminates in the production of dematerialised sound derived objects encapsulated in an audio-visual transcendental realm, experienced through augmented reality.

Year2021
PublisherUniversity of East London
Digital Object Identifier (DOI)https://doi.org/10.15123/uel.8q2v9
File
License
File Access Level
Anyone
Publication dates
Online27 Jan 2022
Publication process dates
Submitted2021
Deposited27 Jan 2022
Copyright holder© 2021 The Author
Permalink -

https://repository.uel.ac.uk/item/8q2v9

Download files


File
2021_DFA_Groothuizen.pdf
License: CC BY-NC-ND 4.0
File access level: Anyone

  • 31
    total views
  • 37
    total downloads
  • 5
    views this month
  • 6
    downloads this month

Export as

Related outputs

Resonant Objects: Communicating Vessels
Groothuizen, C. 2020. Resonant Objects: Communicating Vessels. Un/Sounding the Relational City: New York University GSAS Department of Music Conference. New York, USA 28 Feb - 29 Mar 2020
Resonant Objects: Communicating Vessels, Family Piano, Interval
Groothuizen, C. 2019. Resonant Objects: Communicating Vessels, Family Piano, Interval. Way Out East Gallery, London, UK. 15 - 28 Nov 2019
Resonant Objects: Communicating Vessels
Groothuizen, C. 2019. Resonant Objects: Communicating Vessels. University of Greenwich, London, UK. 09 - 10 Nov 2019