Introduction: Queer Visual Historiographies

Article


Lewis, Raina and Stephenson, A. 2017. Introduction: Queer Visual Historiographies. Visual Culture in Britain. 18 (1), pp. 1-17. https://doi.org/10.1080/14714787.2017.1307695
AuthorsLewis, Raina and Stephenson, A.
Abstract

This introduction 'Queer Historiographies' is for a special issue of Visual Culture in Britain, 2017, 18(1): pp.1-17, co-written and co-edited by Andrew Stephenson and Reina Lewis.

KeywordsQueer Politics; Queer Historiography
JournalVisual Culture in Britain
Journal citation18 (1), pp. 1-17
ISSN1471-4787
Year2017
PublisherTaylor & Francis
Digital Object Identifier (DOI)https://doi.org/10.1080/14714787.2017.1307695
Web address (URL)https://doi.org/10.1080/14714787.2017.1307695
Publication dates
Online06 Jun 2017
Publication process dates
Deposited28 Feb 2018
Accepted03 Jan 2017
Accepted03 Jan 2017
Permalink -

https://repository.uel.ac.uk/item/84v66

  • 127
    total views
  • 0
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

‘But the Coat is the Picture’: Issues of masculine fashioning, politics and sexual identity in portraiture in England c. 1890-1905
Stephenson, A. 2017. ‘But the Coat is the Picture’: Issues of masculine fashioning, politics and sexual identity in portraiture in England c. 1890-1905. in: De Young, Justine (ed.) Fashion in European Art: Dress and Identity, Politics and the Body 1775-1925 Aldershot I.B. Taurus 2017. pp. 178-206
Locating cosmopolitanism within a Trans-Atlantic interpretive frame: the critical evaluation of John Singer Sargent’s portraits and figure studies in Britain and the United States from c.1886–1926.
Stephenson, A. 2017. Locating cosmopolitanism within a Trans-Atlantic interpretive frame: the critical evaluation of John Singer Sargent’s portraits and figure studies in Britain and the United States from c.1886–1926. Tate Papers. 27.
‘Our jolly marin wear’: The queer fashionability of the sailor uniform in interwar France and Britain
Stephenson, A. 2016. ‘Our jolly marin wear’: The queer fashionability of the sailor uniform in interwar France and Britain. Fashion, Style & Popular Culture. 3 (2), pp. 157-172.
Fashioning a Post-War Reputation: Henry Moore as a Civic Sculptor c.1943–58
Stephenson, A. 2015. Fashioning a Post-War Reputation: Henry Moore as a Civic Sculptor c.1943–58. London Tate.