Fashioning a Post-War Reputation: Henry Moore as a Civic Sculptor c.1943–58

Project report

Stephenson, A. 2015. Fashioning a Post-War Reputation: Henry Moore as a Civic Sculptor c.1943–58. London Tate.

Publication dates
Authors	Stephenson, A.
Type	Project report
Abstract	During and after the Second World War Moore became known for his commitment to communicating with a broad public and for his public service. This essay explores the different ways in which Moore’s reputation as a civic sculptor was built and how, in a changing political and economic climate, this identity evolved over the course of the 1950s.
Keywords	1943-1958
Year	2015
Publisher	Tate
Place of publication	London
Web address (URL)	http://www.tate.org.uk/art/research-publications/henry-moore/andrew-stephenson-fashioning-a-post-war-reputation-henry-moore-as-a-civic-sculptor-c1943-r1151305
Print	10 Feb 2015
Publication process dates
Deposited	08 May 2015
Accepted	10 Feb 2015
Copyright information	© Andrew Stephenson 2015. Copyright images, reproduced here with permission, are excluded from the Creative Commons licence for this publication.
Journal	Tate Papers
Journal citation	24
Accepted author manuscript	2015_Stephenson_Fashioning-a-Post-War-Reputation.pdf License CC BY

Permalink -

https://repository.uel.ac.uk/item/8572v

Download files

180
total views
389
total downloads
3
views this month
10
downloads this month

Export as

Related outputs

‘But the Coat is the Picture’: Issues of masculine fashioning, politics and sexual identity in portraiture in England c. 1890-1905

Stephenson, A. 2017. ‘But the Coat is the Picture’: Issues of masculine fashioning, politics and sexual identity in portraiture in England c. 1890-1905. in: De Young, Justine (ed.) Fashion in European Art: Dress and Identity, Politics and the Body 1775-1925 Aldershot I.B. Taurus 2017. pp. 178-206

Locating cosmopolitanism within a Trans-Atlantic interpretive frame: the critical evaluation of John Singer Sargent’s portraits and figure studies in Britain and the United States from c.1886–1926.

Stephenson, A. 2017. Locating cosmopolitanism within a Trans-Atlantic interpretive frame: the critical evaluation of John Singer Sargent’s portraits and figure studies in Britain and the United States from c.1886–1926. Tate Papers. 27.

Introduction: Queer Visual Historiographies

Lewis, Raina and Stephenson, A. 2017. Introduction: Queer Visual Historiographies. Visual Culture in Britain. 18 (1), pp. 1-17. https://doi.org/10.1080/14714787.2017.1307695

‘Our jolly marin wear’: The queer fashionability of the sailor uniform in interwar France and Britain

Stephenson, A. 2016. ‘Our jolly marin wear’: The queer fashionability of the sailor uniform in interwar France and Britain. Fashion, Style & Popular Culture. 3 (2), pp. 157-172.