Context-Based Sound and the Ecological Theory of Perception
Chapman, D. 2017. Context-Based Sound and the Ecological Theory of Perception. Organised Sound. 22 (1), pp. 42-50.
This paper aims to investigate the ways in which context-based sonic art is capable of furthering a knowledge and understanding of place based on the initial perceptual encounter. How might this perceptual encounter operate in terms of a sound work’s affective dimension? To explore these issues I draw upon James J. Gibson’s ecological theory of perception and Gernot Böhme’s concept of an ‘aesthetic of atmospheres’.
|Journal citation||22 (1), pp. 42-50|
|Publisher||Cambridge University Press|
|Accepted author manuscript|
|Digital Object Identifier (DOI)||doi:10.1017/S1355771816000327|
|Web address (URL)||https://doi.org/10.1017/S1355771816000327|
|07 Mar 2017|
|Publication process dates|
|Deposited||11 Oct 2016|
|Accepted||22 Sep 2016|
|Copyright information||This article has been accepted for publication in a revised form in Organised Sound https://doi.org/10.1017/S1355771816000327. This version is free to view and download for private research and study only. Not for re-distribution, re-sale or use in derivative works. © Cambridge University Press|
|License||All rights reserved|
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