Art as Problematic Waste: Video Tryptich

Exhibition


Chapman, D. and Hyvärinen, A. Art as Problematic Waste: Video Tryptich. Turun Taidehalli, Turku, Finland 04 - 27 Oct 2019
CreatorsChapman, D. and Hyvärinen, A.
Description

Lots of art everywhere - it can be a problem too. When an artist dies, his studio is full of old artworks and even when alive some of the works need a lot of space. Where can we put all these probably interesting works? Museums cannot and will not take it all, and you cannot sell even good art easily. At what point does art become waste? How might art as waste even cause an additional ecological problem: the overproduction of art as another form of consumerism?

KeywordsArt practice; installation; documentary; Art economics
Exhibition titleArt as Problematic Waste
Art as Problematic Waste
Web address (URL)http://www.artasproblematicwaste.com/
FunderInvestissements d’Avenir
Files
Image credit
Chapman / Hyvärinen
Measurements
1030x579
Media type
Image
License
File Access Level
Anyone
Copyright holder© 2019 Chapman / Hyvärinen. All Rights Reserved.
Publication process dates
Deposited21 Oct 2019
Permalink -

https://repository.uel.ac.uk/item/87305

Download files


Files
OssiSommaPark-1030x579.jpg
License: All rights reserved
File access level: Anyone

  • 104
    total views
  • 86
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

The Marsh
Chapman, D. 2023. The Marsh. SoundFjord.
Meaning of Failed Action: Insurrection 1946
Chapman, D., Sundaram. V, Rajadhyaksha,A and Vitali, V. Meaning of Failed Action: Insurrection 1946. Mumbai, IN 17 - 26 Mar 2017
Chance Encounters: Serendipity and the Use of Music in the Films of Jean Cocteau and Harry Smith
Chapman, D. 2009. Chance Encounters: Serendipity and the Use of Music in the Films of Jean Cocteau and Harry Smith. The Soundtrack. 2 (1), pp. 5-18. https://doi.org/10.1386/st.2.1.5_1
Falkland: a sonic investigation of place
Chapman, D. and Wilson, Louise K 2010. Falkland: a sonic investigation of place. Journal of Media Practice. 11 (3), pp. 231-242. https://doi.org/10.1386/jmpr.11.3.231_1
The caress of the audible: Re-sounding Falkland
Chapman, D. and Wilson, Louise K. 2011. The caress of the audible: Re-sounding Falkland. Social Semiotics. 21 (4), pp. 517-529. https://doi.org/10.1080/10350330.2011.592045
Context-Based Sound and the Ecological Theory of Perception
Chapman, D. 2017. Context-Based Sound and the Ecological Theory of Perception. Organised Sound. 22 (1), pp. 42-50. https://doi.org/10.1017/S1355771816000327
The Undersea World of the Sound Department: the Construction of Sonic Conventions in Sub-aqua Screen Environments
Chapman, D. 2016. The Undersea World of the Sound Department: the Construction of Sonic Conventions in Sub-aqua Screen Environments. The New Soundtrack. 6 (2), pp. 143-157. https://doi.org/10.3366/sound.2016.0088
Microphones in a Landscape: Sound, Place And the Ecological Model of Perception
Chapman, D. 2014. Microphones in a Landscape: Sound, Place And the Ecological Model of Perception. PhD Thesis University of East London School of Arts and Digital Industries https://doi.org/10.15123/PUB.3969