Behind the White Glasses, Valerio Ruiz (dir.) (2015), Italy: White Glasses Production and Recalcati Multimedia

Article

Signorelli, V. 2020. Behind the White Glasses, Valerio Ruiz (dir.) (2015), Italy: White Glasses Production and Recalcati Multimedia. Journal of Italian Cinema and Media Studies. 8 (3), pp. 441-446. https://doi.org/10.1386/jicms_00038_5
AuthorsSignorelli, V.
JournalJournal of Italian Cinema and Media Studies
Journal citation8 (3), pp. 441-446
ISSN2047-7368
Year2020
PublisherIntellect Press
Accepted author manuscript
License
File Access Level
Anyone
Digital Object Identifier (DOI)https://doi.org/10.1386/jicms_00038_5
Publication dates
Online01 Jun 2020
Publication process dates
Accepted04 Mar 2020
Deposited16 Apr 2021
Copyright holder© 2020 The Author
Additional information

The definitive, peer reviewed and edited version of this article is published in Journal of Italian Cinema and Media Studies, 8 (3), pp. 441-446, 2020, https://doi.org/10.1386/jicms_00038_5

Permalink -

https://repository.uel.ac.uk/item/89379

Log in to edit

Download files

Accepted author manuscript
ACCEPTED MANUSCRIPT 2 SIGNORELLI_Valerio Ruiz’ “Behind The White Glasses” - Film Review - 4th March 2020.pdf
License: All rights reserved
File access level: Anyone

  • 100
    total views
  • 110
    total downloads
  • 1
    views this month
  • 1
    downloads this month

Export as

Related outputs

Heroes or criminals? The legitimacy of humanitarian organisations rescuing lives in the Central Mediterranean Sea after 2017
Catena Mancuso, M. and Signorelli, V. 2021. Heroes or criminals? The legitimacy of humanitarian organisations rescuing lives in the Central Mediterranean Sea after 2017. Journal of Italian Cinema and Media Studies. 10 (1), pp. 37-58. https://doi.org/10.1386/jicms_00101_1
Daitona: Meet the most innovative Italian production company
Signorelli, V. 2020. Daitona: Meet the most innovative Italian production company. Journal of Italian Cinema and Media Studies. 8 (3), pp. 437-439. https://doi.org/10.1386/jicms_00037_7
Visualising transformative spaces for education: a focus on lecture halls, computer rooms and studios
Signorelli, V., Ekrem, E, Overin, L., Lim, C., Muirhead, N. and Demetriou, A. 2020. Visualising transformative spaces for education: a focus on lecture halls, computer rooms and studios. JUICE: Journal of Useful Investigations in Creative Education. 3.
Famous Last Words - A Comparative Focus on Resignation Speeches to Trace Contemporary European Instability: The Cases of David Cameron and Matteo Renzi
Signorelli, V. 2019. Famous Last Words - A Comparative Focus on Resignation Speeches to Trace Contemporary European Instability: The Cases of David Cameron and Matteo Renzi. in: Desecrating Celebrity. Proceedings of the IV International Celebrity Studies Journal Conference Nuova Cultura. pp. 109-130
Adaptation as defense against film censorship: Pasolini’s Salò – 120 Days of Sodom in Italy and the UK
Signorelli, V. 2018. Adaptation as defense against film censorship: Pasolini’s Salò – 120 Days of Sodom in Italy and the UK. in: Hermansson, C. and Zepernick, J. (ed.) Where is Adaptation? Mapping cultures, texts, and contexts John Benjamins Publishing Company. pp. 271–286
Film Review: The making of Where is Europe? directed by Valentina Signorelli (Italy, 2018)
Signorelli, V. 2018. Film Review: The making of Where is Europe? directed by Valentina Signorelli (Italy, 2018). Journal of African Media Studies. 10 (2), pp. 215-219. https://doi.org/10.1386/jams.10.2.215_7
L' essere-per-la-morte in Buffy the vampire slayer. Analisi ontologico-esistenziale dell'universo audiovisivo creato da Joss Whedon
Signorelli, V. 2012. L' essere-per-la-morte in Buffy the vampire slayer. Analisi ontologico-esistenziale dell'universo audiovisivo creato da Joss Whedon. Universitalia.