Caryatid Unplugged: A Cabaret on Performing and Negotiating Belonging and Otherness in Exile

Book chapter

Stamatiou, E. 2017. Caryatid Unplugged: A Cabaret on Performing and Negotiating Belonging and Otherness in Exile. in: Rudakoff, J. (ed.) Performing Exile: Foreign Bodies Intellect Press. pp. 195-216
AuthorsStamatiou, E.
EditorsRudakoff, J.
Book titlePerforming Exile: Foreign Bodies
Page range195-216
Year2017
PublisherIntellect Press
File
License
File Access Level
Anyone
Publication dates
Online01 Nov 2017
Publication process dates
Deposited10 Jan 2023
ISBN9781783208180
Digital Object Identifier (DOI)https://doi.org/10.2307/j.ctv9hj90p
Web address (URL)https://library.oapen.org/handle/20.500.12657/30537
https://www.intellectbooks.com/performing-exile
Copyright holder© 2017
Permalink -

https://repository.uel.ac.uk/item/8v6w6

Log in to edit

Download files

File
645370.pdf
License: CC BY-NC-ND 4.0
File access level: Anyone

  • 45
    total views
  • 68
    total downloads
  • 2
    views this month
  • 6
    downloads this month

Export as

Related outputs

Emotion Memory versus Physical Action Towards Anti-racist Pedagogies that Make Way for Critical Praxis
Stamatiou, E. 2023. Emotion Memory versus Physical Action Towards Anti-racist Pedagogies that Make Way for Critical Praxis. in: Scott, S. and Skelton, J. (ed.) Stanislavski and Race: Questioning the “System” in the 21st Century Routledge Taylor & Francis Group. pp. 62-79
Bourdieu in the Studio: Decolonising and Decentering Actor Training through Ludic Activism
Stamatiou, E. 2023. Bourdieu in the Studio: Decolonising and Decentering Actor Training through Ludic Activism. London and New York Routledge Taylor & Francis Group.
Albania
Jonka, E. and Stamatiou, E. 2023. Albania. in: Remshardt, R. and Mancewicz, A. (ed.) The Routledge Companion to Contemporary European Theatre and Performance Routledge Taylor & Francis Group.
A screen actor prepares: Self-taping by reversing Stanislavsky’s Method of Physical Actions
Stamatiou, E. 2023. A screen actor prepares: Self-taping by reversing Stanislavsky’s Method of Physical Actions. Stanislavski Studies. 11 (1), pp. 63-79. https://doi.org/10.1080/20567790.2023.2196297
Developing the Critical Verbatim Theater Artist during the Pandemic: A Transatlantic Collaboration
Stamatiou, E., Kildow, E., Spearing, F., Nodding, G. and Price, J-P. 2022. Developing the Critical Verbatim Theater Artist during the Pandemic: A Transatlantic Collaboration. Artspraxis. 9 (1), pp. 13-33.
Joan Littlewood and Ariane Mnouchkine against the canon: developing the actors’ social representations through clowning
Stamatiou, E. 2022. Joan Littlewood and Ariane Mnouchkine against the canon: developing the actors’ social representations through clowning. Theatre, Dance and Performance Training. 13 (4), pp. 519-535. https://doi.org/10.1080/19443927.2021.1968026
Pierre Bourdieu and actor training: towards decolonising and decentering actor training pedagogies
Stamatiou, E. 2022. Pierre Bourdieu and actor training: towards decolonising and decentering actor training pedagogies. Theatre, Dance and Performance Training. 13 (1), pp. 96-114. https://doi.org/10.1080/19443927.2021.1943509
Stepping Forward: An Exploration of Devised Theatre’s Democratic Designs in an Actor-Training Setting
Stamatiou, E. 2020. Stepping Forward: An Exploration of Devised Theatre’s Democratic Designs in an Actor-Training Setting. in: Aragay, M., Botham, P. and Prado-Pérez, J. R. (ed.) World Political Theatre and Performance: Theories, Histories, Practices BRILL. pp. 98-113
A Materialist Feminist Perspective on Time in Actor Training: The commodity of illusion
Stamatiou, E. 2019. A Materialist Feminist Perspective on Time in Actor Training: The commodity of illusion. in: Evans, M., Thomaidis, K. and Worth, L. (ed.) Time and Performer Training Routledge. pp. 50-61
A Brechtian perspective on London Road: Class representations, dialectics and the ‘gestic’ character of music from stage to screen
Stamatiou, E. 2019. A Brechtian perspective on London Road: Class representations, dialectics and the ‘gestic’ character of music from stage to screen. Studies in Musical Theatre. 13 (3), pp. 287-298. https://doi.org/10.1386/smt_00007_1
The Economic Communities of Edinburgh’s August Festivals: An Exclusive ‘Global Sense of Place’ and an Inclusive ‘Local Sense of Space’
Stamatiou, E. 2019. The Economic Communities of Edinburgh’s August Festivals: An Exclusive ‘Global Sense of Place’ and an Inclusive ‘Local Sense of Space’. in: Galea, M. and Musca, S. (ed.) Redefining Theatre Communities: International Perspectives on Community-Conscious Theatre-Making Bristol, UK; Chicago, USA Intellect Press. pp. 133-148