Encountering Olympic landscapes: walking as a pedagogic tool in Stratford, London

Article


Qualmann, C. and Morris, B. 2025. Encountering Olympic landscapes: walking as a pedagogic tool in Stratford, London. Research in Drama Education: The Journal of Applied Theatre and Performance. p. In press.
AuthorsQualmann, C. and Morris, B.
Abstract

Through an examination of our pedagogic practices while working in the department of Performing Arts at the University of East London, we discuss how the specificities of walking in sites of local regeneration, specifically around London’s Queen Elizabeth Olympic Park, challenged and expanded our understandings as artists and teachers. We position walking as an artistic medium that engages students in experimental processes and forms that explore space, place and politics. We argue that walking is a flexible and transformative pedagogy that can be applied across disciplines to get students thinking deeply about the context of the places in which they are working and living.

Keywordswalking, Olympics, pedagogy, site-specific performance, audio-walks
JournalResearch in Drama Education: The Journal of Applied Theatre and Performance
Journal citationp. In press
ISSN1356-9783
Year2025
PublisherTaylor & Francis
Accepted author manuscript
License
File Access Level
Anyone
Publication process dates
Accepted02 Sep 2025
Deposited16 Sep 2025
Copyright holder© 2025 The Authors
Permalink -

https://repository.uel.ac.uk/item/902x8

Restricted files

Accepted author manuscript

  • 160
    total views
  • 2
    total downloads
  • 160
    views this month
  • 2
    downloads this month

Export as

Related outputs

Creative walking; repetition, rhythm and respite in pandemic times
Qualmann, C. 2025. Creative walking; repetition, rhythm and respite in pandemic times . in: Snellgrove, M. (ed.) Leisured Walking: Mobilities, Encounters and Critical Engagement Routledge. pp. In Press
WalkCreate: Walking Together as Site Specific Performance
Rose, M., Qualmann, C., Heddon, D., Wilson, H. and O'Neill, M. 2024. WalkCreate: Walking Together as Site Specific Performance . in: Hunter, V. and Turner, C. (ed.) The Routledge Companion to Site-Specific Performance Oxon/New York/London Routledge.
Carrying the motherload: A walking artist looks back on a decade of pram-pushing
Qualmann, C. 2024. Carrying the motherload: A walking artist looks back on a decade of pram-pushing. The Sociological Review Magazine. https://doi.org/10.51428/tsr.pvrh3063
Just walking: Creative methods towards pedestrian equity
Heddon, D., O'Neill, M., Qualmann, C., Rose, M. and Wilson, H. 2024. Just walking: Creative methods towards pedestrian equity. in: Gray, K. and Tischler, V. (ed.) Creative approaches to wellbeing: The pandemic and beyond Manchester Manchester University Press. pp. 65-88
Data & Analysis of Artists’ Walking Survey: A Supplement to ARTISTS’ WALKING WORK AND COVID-19
Heddon, D., Qualmann, C., Rose, M., Wilson, H. and O'Neill, M. 2023. Data & Analysis of Artists’ Walking Survey: A Supplement to ARTISTS’ WALKING WORK AND COVID-19. Glasgow University of Glasgow.
#WalkCreate: Artists Walking Work and COVID-19
Heddon, D., Qualmann, C., Rose, M., Wilson, H. and O'Neill, M. 2023. #WalkCreate: Artists Walking Work and COVID-19. Glasgow University of Glasgow.
Perambulator
Qualmann, C. 2023. Perambulator. in: Encyclopaedia of Mobilities Edward Elgar Publishing.
An agenda for creative practice in the new mobilities paradigm
Barry, K, Southern, J., Baxter, T., Blondin, S., Booker, C., Bowstead, J., Butler, C., Dillon, R., Ferguson, N., Filipska, G., Hieslmair, M., Hunt, L., Ianchenko, A., Johnson, P., Keane, J., Koszolko, M. K., Qualmann, C., Rumsby, C., Oliveira, C. S., Schleser, M., Sodero, S., Soliz, A., Wilson, L. A., Wood, H. and Zinganel, M. 2023. An agenda for creative practice in the new mobilities paradigm. Mobilities. 18 (3), pp. 349-373. https://doi.org/10.1080/17450101.2022.2136996
East End Jam: A Multi-Sensory Urban Foraging Artwork
Qualmann, C. and Vogel, A. 2023. East End Jam: A Multi-Sensory Urban Foraging Artwork. in: Edwards, F., Popartan, L. A. and Pettersen, I. N. (ed.) Urban Natures: Living the More-than-Human City Berghahn Books. pp. 88-104
Wander: Score
Qualmann, C. and Hind, C. 2022. Wander: Score.
#WalkCreate: Understanding Walking and Creativity during COVID-19
Rose, M., Heddon, D., Law, M., O'Neill, M., Qualmann, C. and Wilson, H. 2022. #WalkCreate: Understanding Walking and Creativity during COVID-19. Glasgow University of Glasgow.
Artists’ Mapping under COVID-19: Work from the Walk Create Gallery
Qualmann, C., Heddon, D., Rose, M., Wilson, H. and O’Neill, M. 2022. Artists’ Mapping under COVID-19: Work from the Walk Create Gallery. Living Maps Review. (13).
She Walked to Sculpt, Interlope, Wrap, Lick & Squeeze Into Space
Hind, C. and Qualmann, C. 2022. She Walked to Sculpt, Interlope, Wrap, Lick & Squeeze Into Space. Green Letters: Studies in Ecocriticism. 26 (3), pp. 272-280. https://doi.org/10.1080/14688417.2022.2114521
Chip Walks
Ramsden, H. and Qualmann, C. 2020. Chip Walks. in: Billinghurst, H., Hind, C. and Smith, P. (ed.) Walking Bodies Triarchy Press.
Letter from the Guest Editor
Qualmann, C. 2019. Letter from the Guest Editor. CSPA Quarterly. 26.
Perambulator
Qualmann, C. 2014. Perambulator.
Perambulator: Borders
Qualmann, C. 2016. Perambulator: Borders. in: Live Art and Motherhood: A Study Room Guide on Live Art and the Maternal Live Art Development Agency (LADA). pp. 13-14
Walking Women: A Study Room Guide on women using walking in their practice
Sharrocks, Amy and Qualmann, C. 2017. Walking Women: A Study Room Guide on women using walking in their practice. Live Art Development Agency.
The Artist in the Library
Qualmann, C. 2017. The Artist in the Library. Performance Research. 22 (1), pp. 12-24. https://doi.org/10.1080/13528165.2017.1285557
Perambulator: An Artist’s Statement
Qualmann, C. 2016. Perambulator: An Artist’s Statement. Studies in the Maternal. 8 (2), p. 20. https://doi.org/10.16995/sim.231
Perambulator Huntly: Pram Walks
Qualmann, C. 2015. Perambulator Huntly: Pram Walks. Deveron Projects.