Visualising Globalisation in Documenta 11's Exhibition Catalogue

Book chapter


Memou, A. 2018. Visualising Globalisation in Documenta 11's Exhibition Catalogue. in: Dornhof, Sarah, Hopfener, Birgit, Lutz, Barbara and Buurman, Nanne (ed.) Situating Global Art: Topologies, Temporalities,Trajectories Transcript Verlag. pp. 75-90
AuthorsMemou, A.
EditorsDornhof, Sarah, Hopfener, Birgit, Lutz, Barbara and Buurman, Nanne
Book titleSituating Global Art: Topologies, Temporalities,Trajectories
Page range75-90
Year2018
PublisherTranscript Verlag
Publication dates
Print27 Jun 2018
Publication process dates
Deposited25 Jul 2016
ISBN978-3-8376-3397-9
Web address (URL)https://www.transcript-verlag.de/en/978-3-8376-3397-9/situating-global-art/?number=978-3-8376-3397-9
Additional information

This text was published as Memou, Antigoni, "A Collage of Globalization”
in Documenta11's Exhibition Catalogue, in: S. Dornhof, B. Hopfener, B. Lutz, N. Buurman (Eds.), Situating Global Art: Topologies, Temporalities,Trajectories, transcript Bielefeld, 2018. The text is posted here by permission of transcript Verlag for personal use only, not for redistribution.

Accepted author manuscript
Permalink -

https://repository.uel.ac.uk/item/847v1

Download files

  • 321
    total views
  • 1069
    total downloads
  • 1
    views this month
  • 5
    downloads this month

Export as

Related outputs

Photography, Memory and Women in May ’68
Memou, A. 2023. Photography, Memory and Women in May ’68. in: Rigney, A. and Smits, T. (ed.) The Visual Memory of Protest Amsterdam, Netherlands Amsterdam University Press. pp. 97-113
The Repressed Visual Legacies of May ’68
Memou, A. 2022. The Repressed Visual Legacies of May ’68. in: Vidal, Á. J., Shingler, K. and Sharman, A. (ed.) Other '68s: Lineages and Legacies of May '68 Peter Lang. pp. In Press
Photography, Borders and the Fear of the ‘Racialised Other’
Memou, A. 2020. Photography, Borders and the Fear of the ‘Racialised Other’. Liminalities: A Journal of Performance Studies. 16 (2).
Forgotten Solidarities in the Atelier Populaire Posters
Memou, A. 2019. Forgotten Solidarities in the Atelier Populaire Posters. Art and the Public Sphere. 8 (1), pp. 7-21. https://doi.org/10.1386/aps_00002_1
Protest Photography from 1968 to Today
Memou, A. 2018. Protest Photography from 1968 to Today. in: Resist! The 1960s Protests, Photography and Visual Legacy: Exhibition Catalogue BOZAR. pp. 9-19
Art, Activism and the Tate
Memou, A. 2018. Art, Activism and the Tate. Third Text. 31 (5-6), pp. 619-631. https://doi.org/10.1080/09528822.2018.1435086
Spectacular Images of the ‘Refugee Crisis’
Memou, A. 2018. Spectacular Images of the ‘Refugee Crisis’. Photographies. 12 (1), pp. 81-97. https://doi.org/10.1080/17540763.2018.1501728
Revolt in Photos: The French ‘68 in the Student Press and the Mainstream Media
Memou, A. 2014. Revolt in Photos: The French ‘68 in the Student Press and the Mainstream Media. in: Fahlenbrach, Kathrin, Sivertsen, Erling and Werenskjold, Rolf (ed.) Media and Revolt: Strategies and Performances from the 1960s to the Present New York Berghahn Books.
La Culture est l’Inversion de la Vie
Memou, A. 2015. La Culture est l’Inversion de la Vie. Philosophy of Photography. 6 (1-2), pp. 159-163. https://doi.org/10.1386/pop.6.1-2.159_5