La Culture est l’Inversion de la Vie

Article

Memou, A. 2015. La Culture est l’Inversion de la Vie. Philosophy of Photography. 6 (1-2), pp. 159-163. https://doi.org/10.1386/pop.6.1-2.159_5
AuthorsMemou, A.
Abstract

Frances Stracey, Constructed Situations: A New History of the Situationist International, London: Pluto, 2014

JournalPhilosophy of Photography
Journal citation6 (1-2), pp. 159-163
ISSN2040-3682
Year2015
PublisherIntellect Press
Accepted author manuscript
Digital Object Identifier (DOI)https://doi.org/10.1386/pop.6.1-2.159_5
Web address (URL)https://doi.org/10.1386/pop.6.1-2.159_5
Publication dates
Print01 Dec 2015
Publication process dates
Deposited25 Oct 2017
Copyright information© 2015 Intellect
Permalink -

https://repository.uel.ac.uk/item/853v8

Log in to edit

Download files

Accepted author manuscript
A. Memou, La Culture Es L' Inversion de la Vie.pdf

  • 201
    total views
  • 409
    total downloads
  • 0
    views this month
  • 2
    downloads this month

Export as

Related outputs

Photography, Memory and Women in May ’68
Memou, A. 2023. Photography, Memory and Women in May ’68. in: Rigney, A. and Smits, T. (ed.) The Visual Memory of Protest Amsterdam, Netherlands Amsterdam University Press. pp. 97-113
The Repressed Visual Legacies of May ’68
Memou, A. 2022. The Repressed Visual Legacies of May ’68. in: Vidal, Á. J., Shingler, K. and Sharman, A. (ed.) Other '68s: Lineages and Legacies of May '68 Peter Lang. pp. In Press
Photography, Borders and the Fear of the ‘Racialised Other’
Memou, A. 2020. Photography, Borders and the Fear of the ‘Racialised Other’. Liminalities: A Journal of Performance Studies. 16 (2).
Forgotten Solidarities in the Atelier Populaire Posters
Memou, A. 2019. Forgotten Solidarities in the Atelier Populaire Posters. Art and the Public Sphere. 8 (1), pp. 7-21. https://doi.org/10.1386/aps_00002_1
Protest Photography from 1968 to Today
Memou, A. 2018. Protest Photography from 1968 to Today. in: Resist! The 1960s Protests, Photography and Visual Legacy: Exhibition Catalogue BOZAR. pp. 9-19
Art, Activism and the Tate
Memou, A. 2018. Art, Activism and the Tate. Third Text. 31 (5-6), pp. 619-631. https://doi.org/10.1080/09528822.2018.1435086
Spectacular Images of the ‘Refugee Crisis’
Memou, A. 2018. Spectacular Images of the ‘Refugee Crisis’. Photographies. 12 (1), pp. 81-97. https://doi.org/10.1080/17540763.2018.1501728
Revolt in Photos: The French ‘68 in the Student Press and the Mainstream Media
Memou, A. 2014. Revolt in Photos: The French ‘68 in the Student Press and the Mainstream Media. in: Fahlenbrach, Kathrin, Sivertsen, Erling and Werenskjold, Rolf (ed.) Media and Revolt: Strategies and Performances from the 1960s to the Present New York Berghahn Books.
Visualising Globalisation in Documenta 11's Exhibition Catalogue
Memou, A. 2018. Visualising Globalisation in Documenta 11's Exhibition Catalogue. in: Dornhof, Sarah, Hopfener, Birgit, Lutz, Barbara and Buurman, Nanne (ed.) Situating Global Art: Topologies, Temporalities,Trajectories Transcript Verlag. pp. 75-90