Photography, Borders and the Fear of the ‘Racialised Other’

Article

Memou, A. 2020. Photography, Borders and the Fear of the ‘Racialised Other’. Liminalities: A Journal of Performance Studies. 16 (2).
AuthorsMemou, A.
JournalLiminalities: A Journal of Performance Studies
Journal citation16 (2)
ISSN1557-2935
Year2020
PublisherLiminalities
Publisher's version
License
File Access Level
Anyone
Web address (URL)http://liminalities.net/16-2/borders.pdf
Publication dates
Online2020
Publication process dates
Accepted17 Oct 2019
Deposited29 Jan 2020
Copyright holder© 2020 The Author
Permalink -

https://repository.uel.ac.uk/item/87976

Log in to edit

Download files

Publisher's version
Photography, Borders and the Fear of the ‘Racialised Other’.pdf
License: CC BY-NC-SA 4.0
File access level: Anyone

  • 196
    total views
  • 175
    total downloads
  • 5
    views this month
  • 0
    downloads this month

Export as

Related outputs

Photographs of Solidarity and Archival Memory in the Miners' Strike 1984-1985
Memou, A. 2024. Photographs of Solidarity and Archival Memory in the Miners' Strike 1984-1985. Visual Culture in Britain. p. in press. https://doi.org/10.1080/14714787.2024.2428063
Photography, Memory and Women in May ’68
Memou, A. 2023. Photography, Memory and Women in May ’68. in: Rigney, A. and Smits, T. (ed.) The Visual Memory of Protest Amsterdam, Netherlands Amsterdam University Press. pp. 97-113
The Repressed Visual Legacies of May ’68
Memou, A. 2022. The Repressed Visual Legacies of May ’68. in: Vidal, Á. J., Shingler, K. and Sharman, A. (ed.) Other '68s: Lineages and Legacies of May '68 Peter Lang. pp. In Press
Forgotten Solidarities in the Atelier Populaire Posters
Memou, A. 2019. Forgotten Solidarities in the Atelier Populaire Posters. Art and the Public Sphere. 8 (1), pp. 7-21. https://doi.org/10.1386/aps_00002_1
Protest Photography from 1968 to Today
Memou, A. 2018. Protest Photography from 1968 to Today. in: Resist! The 1960s Protests, Photography and Visual Legacy: Exhibition Catalogue BOZAR. pp. 9-19
Art, Activism and the Tate
Memou, A. 2018. Art, Activism and the Tate. Third Text. 31 (5-6), pp. 619-631. https://doi.org/10.1080/09528822.2018.1435086
Spectacular Images of the ‘Refugee Crisis’
Memou, A. 2018. Spectacular Images of the ‘Refugee Crisis’. Photographies. 12 (1), pp. 81-97. https://doi.org/10.1080/17540763.2018.1501728
Revolt in Photos: The French ‘68 in the Student Press and the Mainstream Media
Memou, A. 2014. Revolt in Photos: The French ‘68 in the Student Press and the Mainstream Media. in: Fahlenbrach, Kathrin, Sivertsen, Erling and Werenskjold, Rolf (ed.) Media and Revolt: Strategies and Performances from the 1960s to the Present New York Berghahn Books.
La Culture est l’Inversion de la Vie
Memou, A. 2015. La Culture est l’Inversion de la Vie. Philosophy of Photography. 6 (1-2), pp. 159-163. https://doi.org/10.1386/pop.6.1-2.159_5
Visualising Globalisation in Documenta 11's Exhibition Catalogue
Memou, A. 2018. Visualising Globalisation in Documenta 11's Exhibition Catalogue. in: Dornhof, Sarah, Hopfener, Birgit, Lutz, Barbara and Buurman, Nanne (ed.) Situating Global Art: Topologies, Temporalities,Trajectories Transcript Verlag. pp. 75-90