Variables of Transnational Authorship: Hou Hsiao-hsien and Wei Te-sheng

Book chapter


Vitali, V. 2017. Variables of Transnational Authorship: Hou Hsiao-hsien and Wei Te-sheng. in: Chiu, Kuei-fen, Rawnsley, Ming-yeh and Rawnsley, Gary (ed.) Taiwan Cinema: International Reception and Social Change Abingdon, Oxon and New York, NY Routledge. pp. 25-38
AuthorsVitali, V.
EditorsChiu, Kuei-fen, Rawnsley, Ming-yeh and Rawnsley, Gary
Abstract

About the Book

The book examines recent developments in Taiwan cinema, with particular focus on a leading contemporary Taiwan filmmaker, Wei Te-sheng, who is responsible for such Asian blockbusters as Cape No.7, Warriors of the Rainbow: Seediq Bale and Kano. The book discusses key issues, including: why (until about 2008) Taiwan cinema underwent a decline, and how cinema is portraying current social changes in Taiwan, including changing youth culture and how it represents indigenous people in the historical narrative of Taiwan. The book also explores the reasons why current Taiwan cinema is receiving a much less enthusiastic response globally compared to its reception in previous decades.

Book titleTaiwan Cinema: International Reception and Social Change
Page range25-38
Year2017
PublisherRoutledge
Publication dates
Print26 Jun 2017
Publication process dates
Deposited16 Jun 2017
Place of publicationAbingdon, Oxon and New York, NY
ISBN978-1138668164
1138668168
Web address (URL)https://www.routledge.com/Taiwan-Cinema-International-Reception-and-Social-Change/Chiu-Rawnsley-Rawnsley/p/book/9781138668164
Permalink -

https://repository.uel.ac.uk/item/84v51

  • 207
    total views
  • 0
    total downloads
  • 4
    views this month
  • 0
    downloads this month

Export as

Related outputs

South Asian Cinema and VOD Network
Vitali, V. South Asian Cinema and VOD Network.
South Asian Women's Cinema: Between Festivals and Streaming
Vitali, V. 2023. South Asian Women's Cinema: Between Festivals and Streaming. NO NIIN Magazine. (16).
The Hindi Horror Film
Vitali, V. 2023. The Hindi Horror Film. in: Alkassim, S. and Foty, Z. E. (ed.) Global Horror Film: Hybridity and Alterity in Transnational Horror Film Cognella Press. pp. 204-217
B & C Circuit
Vitali, V. 2021. B & C Circuit. BioScope: South Asian Screen Studies. 12 (1-2), pp. 31-34. https://doi.org/10.1177/09749276211026140
‘But Are They All Horrid?’ On the Intermittent Use of the Gothic in Hindi Horror Cinema
Vitali, V. 2021. ‘But Are They All Horrid?’ On the Intermittent Use of the Gothic in Hindi Horror Cinema. in: Ancuta, K. and Valančiūnas, D. (ed.) South Asian Gothic: Haunted Cultures, Histories and Media Cardiff University of Wales Press.
Why a Special Issue on Women’s Cinema?
Vitali, V. 2020. Why a Special Issue on Women’s Cinema? BioScope: South Asian Screen Studies. 11 (1), pp. 7-14. https://doi.org/10.1177/0974927620935596
Contemporary Women Filmmakers in Myanmar: Reflections on a Visit in February 2019
Vitali, V. 2020. Contemporary Women Filmmakers in Myanmar: Reflections on a Visit in February 2019. BioScope: South Asian Screen Studies. 11 (1), pp. 78-91. https://doi.org/10.1177/0974927620935754
Meaning of Failed Action: Insurrection 1946
Chapman, D., Sundaram. V, Rajadhyaksha,A and Vitali, V. Meaning of Failed Action: Insurrection 1946. Mumbai, IN 17 - 26 Mar 2017
The Women’s Royal Indian Naval Service: Picturing India’s New Woman
Vitali, V. 2019. The Women’s Royal Indian Naval Service: Picturing India’s New Woman. Women's History Review. 29 (7), pp. 1114-1148. https://doi.org/10.1080/09612025.2019.1674468
Meanings of Failed Action: A Reassessment of the 1946 Royal Indian Navy Uprising
Vitali, V. 2019. Meanings of Failed Action: A Reassessment of the 1946 Royal Indian Navy Uprising. South Asia: Journal of South Asian Studies. 41 (4), pp. 763-788. https://doi.org/10.1080/00856401.2018.1523106
Michelangelo Antonioni’s Chung Kuo — Cina (1972): A Moment of ‘Explicitation’
Vitali, V. 2016. Michelangelo Antonioni’s Chung Kuo — Cina (1972): A Moment of ‘Explicitation’. in: Chan, Felicia and Willis, Andy (ed.) Chinese Cinemas: International Perspectives Abingdon, Oxon and New York, NY Routledge Taylor & Francis Group. pp. 143-158
Capital and popular cinema: The dollars are coming!
Vitali, V. 2016. Capital and popular cinema: The dollars are coming! Manchester Manchester University Press.