‘But Are They All Horrid?’ On the Intermittent Use of the Gothic in Hindi Horror Cinema

Book chapter

Vitali, V. 2021. ‘But Are They All Horrid?’ On the Intermittent Use of the Gothic in Hindi Horror Cinema. in: Ancuta, K. and Valančiūnas, D. (ed.) South Asian Gothic: Haunted Cultures, Histories and Media Cardiff University of Wales Press.
AuthorsVitali, V.
EditorsAncuta, K. and Valančiūnas, D.
Book titleSouth Asian Gothic: Haunted Cultures, Histories and Media
Year2021
PublisherUniversity of Wales Press
File
License
File Access Level
Anyone
Publication dates
PrintNov 2021
Publication process dates
Deposited09 Jul 2020
Place of publicationCardiff
SeriesGothic Literary Studies
ISBN9781786838001
Web address (URL)https://www.uwp.co.uk/book/south-asian-gothic
Copyright holder© University of Wales Press
Permalink -

https://repository.uel.ac.uk/item/88273

Log in to edit

Download files

File
But Are They All Horrid - On the Intermittent Use of the Gothic in Hindi Horror Cinema.pdf
License: All rights reserved
File access level: Anyone

  • 176
    total views
  • 88
    total downloads
  • 4
    views this month
  • 9
    downloads this month

Export as

Related outputs

South Asian Cinema and VOD Network
Vitali, V. South Asian Cinema and VOD Network.
South Asian Women's Cinema: Between Festivals and Streaming
Vitali, V. 2023. South Asian Women's Cinema: Between Festivals and Streaming. NO NIIN Magazine. (16).
The Hindi Horror Film
Vitali, V. 2023. The Hindi Horror Film. in: Alkassim, S. and Foty, Z. E. (ed.) Global Horror Film: Hybridity and Alterity in Transnational Horror Film Cognella Press. pp. 204-217
B & C Circuit
Vitali, V. 2021. B & C Circuit. BioScope: South Asian Screen Studies. 12 (1-2), pp. 31-34. https://doi.org/10.1177/09749276211026140
Why a Special Issue on Women’s Cinema?
Vitali, V. 2020. Why a Special Issue on Women’s Cinema? BioScope: South Asian Screen Studies. 11 (1), pp. 7-14. https://doi.org/10.1177/0974927620935596
Contemporary Women Filmmakers in Myanmar: Reflections on a Visit in February 2019
Vitali, V. 2020. Contemporary Women Filmmakers in Myanmar: Reflections on a Visit in February 2019. BioScope: South Asian Screen Studies. 11 (1), pp. 78-91. https://doi.org/10.1177/0974927620935754
Meaning of Failed Action: Insurrection 1946
Chapman, D., Sundaram. V, Rajadhyaksha,A and Vitali, V. Meaning of Failed Action: Insurrection 1946. Mumbai, IN 17 - 26 Mar 2017
The Women’s Royal Indian Naval Service: Picturing India’s New Woman
Vitali, V. 2019. The Women’s Royal Indian Naval Service: Picturing India’s New Woman. Women's History Review. 29 (7), pp. 1114-1148. https://doi.org/10.1080/09612025.2019.1674468
Meanings of Failed Action: A Reassessment of the 1946 Royal Indian Navy Uprising
Vitali, V. 2019. Meanings of Failed Action: A Reassessment of the 1946 Royal Indian Navy Uprising. South Asia: Journal of South Asian Studies. 41 (4), pp. 763-788. https://doi.org/10.1080/00856401.2018.1523106
Variables of Transnational Authorship: Hou Hsiao-hsien and Wei Te-sheng
Vitali, V. 2017. Variables of Transnational Authorship: Hou Hsiao-hsien and Wei Te-sheng. in: Chiu, Kuei-fen, Rawnsley, Ming-yeh and Rawnsley, Gary (ed.) Taiwan Cinema: International Reception and Social Change Abingdon, Oxon and New York, NY Routledge. pp. 25-38
Michelangelo Antonioni’s Chung Kuo — Cina (1972): A Moment of ‘Explicitation’
Vitali, V. 2016. Michelangelo Antonioni’s Chung Kuo — Cina (1972): A Moment of ‘Explicitation’. in: Chan, Felicia and Willis, Andy (ed.) Chinese Cinemas: International Perspectives Abingdon, Oxon and New York, NY Routledge Taylor & Francis Group. pp. 143-158
Capital and popular cinema: The dollars are coming!
Vitali, V. 2016. Capital and popular cinema: The dollars are coming! Manchester Manchester University Press.