My Private Life II
Article
Daniels, J. 2017. My Private Life II. Screenworks. 7.
| Authors | Daniels, J. |
|---|---|
| Abstract | We are delighted to publish the second work of Volume 7, Jill Daniels’ My Private Life II – an autobiographical feature documentary which focuses on her parents’ relationship, from their early married life, through their divorce and subsequent decision to life together again. This brave and, at times, uncomfortable project uses the device of the split screen triptych to juxtapose interviews and archive photographs, alongside interior and exterior shots of the houses she grew up in and imagery of the construction of a scale model of a typical family home. The accumulative effect works to expose painful family secrets, acknowledge the often contested act of remembering and trouble the domestic sphere. |
| Journal | Screenworks |
| Journal citation | 7 |
| ISSN | 978-1-86043-528-7 |
| Year | 2017 |
| Publisher | Screenworks |
| Web address (URL) | http://screenworks.org.uk/archive/volume-7/my-private-life-ii |
| Publication dates | |
| Feb 2017 | |
| Publication process dates | |
| Deposited | 20 Mar 2017 |
| Additional information | Research statement and peer reviews regarding Jill Daniels' film, My Private Life II. |
Permalink -
https://repository.uel.ac.uk/item/84x3z
249
total views0
total downloads3
views this month0
downloads this month
Export as
Related outputs
If Not Now
Daniels, J. 2024. If Not Now. AustraliaArchive Tales: Negotiating the Radical Personal Film Archive
Daniels, J. 2024. Archive Tales: Negotiating the Radical Personal Film Archive . Archives of Radical Cinema: Radical Film Network Conference 2024. Madrid, España 19 - 22 Jun 2024Cinematic Aesthetics of Resistance: Reframing the Non-fiction Oppositional Film
Daniels, J. 2023. Cinematic Aesthetics of Resistance: Reframing the Non-fiction Oppositional Film. in: Rogers, C., Munro, K., Burke, L. and Gough-Brady, C. (ed.) Constructions of the Real: Intersections of Documentary-Based Film Practice and Theory Bristol Intellect Press. pp. 144-154Resisters
Daniels, J. 2023. Resisters. Screenworks. 13 (1). https://doi.org/10.37186/swrks/13.1/10Dwoskin and Me: Halting the Flow of Time
Daniels, J. 2022. Dwoskin and Me: Halting the Flow of Time. Jewish Film & New Media: An International Journal. 10 (1), pp. 141-159. https://doi.org/10.1353/jfn.2022.a914339The way of the bricoleuse: experiments in documentary filmmaking
Daniels, J. 2022. The way of the bricoleuse: experiments in documentary filmmaking. Studies in Documentary Film. 16 (2), pp. 127-139. https://doi.org/10.1080/17503280.2022.2048232Resisters
Daniels, J. 2021. Resisters. LondonScripting the Experimental Documentary Film: Developing the “Script” for Not Reconciled
Daniels, J. 2021. Scripting the Experimental Documentary Film: Developing the “Script” for Not Reconciled. in: Taylor, S. and Batty, C. (ed.) The Palgrave Handbook of Script Development Palgrave Macmillan. pp. 103-119Breathing Still 2020
Daniels, J. 2020. Breathing Still 2020.Against the Grain: Women Film Practitioners and Theorists Talk Creative Practice and Theory
Daniels, J., Velody, R. and Atakav, E. 2020. Against the Grain: Women Film Practitioners and Theorists Talk Creative Practice and Theory. in: Piotrowska, A. (ed.) Creative Practice Research in the Age of Neoliberal Hopelessness Edinburgh University Press.Subject, memory and place: Jill Daniels in conversation with Matthias Kispert
Daniels, J. 2020. Subject, memory and place: Jill Daniels in conversation with Matthias Kispert. Hyphen Journal. 2.Memory, Place and Autobiography: Experiments in Documentary Filmmaking
Daniels, J. 2019. Memory, Place and Autobiography: Experiments in Documentary Filmmaking. Cambridge Scholars Publishing.The Subjective Voice and Hybrid Documentary Filmmaking Strategies: A Case Study
Daniels, J. 2019. The Subjective Voice and Hybrid Documentary Filmmaking Strategies: A Case Study. Alphaville: Journal of Film and Screen Media. 17, pp. 97-110. https://doi.org/10.33178/alpha.17.06The Border Crossing: Experiments in the Cinematic Representation of Memory
Daniels, J. 2013. The Border Crossing: Experiments in the Cinematic Representation of Memory. in: Truth, Dare or Promise: Art and Documentary Revisited Cambridge Scholars. pp. 20-34Trauma and silence: strategies of mediation in the aftermath of civil war
Daniels, J. 2014. Trauma and silence: strategies of mediation in the aftermath of civil war. Rethinking History. 18 (3), pp. 391-399. https://doi.org/10.1080/13642529.2014.898416Journey to the South
Daniels, J. 2017. Journey to the South.Blurred Boundaries: Remediation of Found Footage in Experimental Autobiographical Documentary Filmmaking
Daniels, J. 2017. Blurred Boundaries: Remediation of Found Footage in Experimental Autobiographical Documentary Filmmaking. Journal of Media Practice. 18 (1), pp. 73-82. https://doi.org/10.1080/14682753.2017.1306338My Private Life II
Daniels, J. 2015. My Private Life II. The University of East London. https://doi.org/10.15123/DATA.146The Border Crossing
Daniels, J. 2014. The Border Crossing. The University of East London. https://doi.org/10.15123/DATA.17not reconciled
Daniels, J. 2014. not reconciled. The University of East London. https://doi.org/10.15123/DATA.18