Resisters

Article

Daniels, J. 2023. Resisters. Screenworks. 13 (1). https://doi.org/10.37186/swrks/13.1/10
AuthorsDaniels, J.
Abstract

Research Questions:
What aesthetic approaches may I adopt in my cinematic practice against the background of the looming climate catastrophe and economic crisis of global capitalism?

How may I bring the past into the present without recourse to extensive exposition and archive footage?

How might I move spectators to act in response to what they see and hear on screen?

JournalScreenworks
Journal citation13 (1)
ISSN2514-3123
Year2023
PublisherScreenworks
Publisher's version
License
File Access Level
Anyone
Digital Object Identifier (DOI)https://doi.org/10.37186/swrks/13.1/10
Web address (URL)https://screenworks.org.uk/volume-13-1/resisters
Publication dates
OnlineJul 2023
Publication process dates
Deposited15 Aug 2023
Copyright holder© 2023, The Author
Permalink -

https://repository.uel.ac.uk/item/8w6x6

Log in to edit

Download files

Publisher's version
Transcript-audio-visuals-Screenworks.docx.pdf
License: CC BY-NC-ND 4.0
File access level: Anyone

  • 45
    total views
  • 13
    total downloads
  • 1
    views this month
  • 0
    downloads this month

Export as

Related outputs

Cinematic Aesthetics of Resistance: Reframing the Non-fiction Oppositional Film
Daniels, J. 2023. Cinematic Aesthetics of Resistance: Reframing the Non-fiction Oppositional Film. in: Rogers, C., Munro, K., Burke, L. and Gough-Brady, C. (ed.) Constructions of the Real: Intersections of Documentary-Based Film Practice and Theory Bristol Intellect Press. pp. 144-154
Dwoskin and Me: Halting the Flow of Time
Daniels, J. 2022. Dwoskin and Me: Halting the Flow of Time. Jewish Film & New Media: An International Journal. 10 (1), pp. 141-159. https://doi.org/10.1353/jfn.2022.a914339
The way of the bricoleuse: experiments in documentary filmmaking
Daniels, J. 2022. The way of the bricoleuse: experiments in documentary filmmaking. Studies in Documentary Film. 16 (2), pp. 127-139. https://doi.org/10.1080/17503280.2022.2048232
Resisters
Daniels, J. 2021. Resisters. London
Scripting the Experimental Documentary Film: Developing the “Script” for Not Reconciled
Daniels, J. 2021. Scripting the Experimental Documentary Film: Developing the “Script” for Not Reconciled. in: Taylor, S. and Batty, C. (ed.) The Palgrave Handbook of Script Development Palgrave Macmillan. pp. 103-119
Breathing Still 2020
Daniels, J. 2020. Breathing Still 2020.
Against the Grain: Women Film Practitioners and Theorists Talk Creative Practice and Theory
Daniels, J., Velody, R. and Atakav, E. 2020. Against the Grain: Women Film Practitioners and Theorists Talk Creative Practice and Theory. in: Piotrowska, A. (ed.) Creative Practice Research in the Age of Neoliberal Hopelessness Edinburgh University Press.
Subject, memory and place: Jill Daniels in conversation with Matthias Kispert
Daniels, J. 2020. Subject, memory and place: Jill Daniels in conversation with Matthias Kispert. Hyphen Journal. 2.
Memory, Place and Autobiography: Experiments in Documentary Filmmaking
Daniels, J. 2019. Memory, Place and Autobiography: Experiments in Documentary Filmmaking. Cambridge Scholars Publishing.
The Subjective Voice and Hybrid Documentary Filmmaking Strategies: A Case Study
Daniels, J. 2019. The Subjective Voice and Hybrid Documentary Filmmaking Strategies: A Case Study. Alphaville: Journal of Film and Screen Media. 17, pp. 97-110. https://doi.org/10.33178/alpha.17.06
The Border Crossing: Experiments in the Cinematic Representation of Memory
Daniels, J. 2013. The Border Crossing: Experiments in the Cinematic Representation of Memory. in: Truth, Dare or Promise: Art and Documentary Revisited Cambridge Scholars. pp. 20-34
Trauma and silence: strategies of mediation in the aftermath of civil war
Daniels, J. 2014. Trauma and silence: strategies of mediation in the aftermath of civil war. Rethinking History. 18 (3), pp. 391-399. https://doi.org/10.1080/13642529.2014.898416
My Private Life II
Daniels, J. 2017. My Private Life II. Screenworks. 7.
Journey to the South
Daniels, J. 2017. Journey to the South.
Blurred Boundaries: Remediation of Found Footage in Experimental Autobiographical Documentary Filmmaking
Daniels, J. 2017. Blurred Boundaries: Remediation of Found Footage in Experimental Autobiographical Documentary Filmmaking. Journal of Media Practice. 18 (1), pp. 73-82. https://doi.org/10.1080/14682753.2017.1306338
My Private Life II
Daniels, J. 2015. My Private Life II. The University of East London. https://doi.org/10.15123/DATA.146
The Border Crossing
Daniels, J. 2014. The Border Crossing. The University of East London. https://doi.org/10.15123/DATA.17
not reconciled
Daniels, J. 2014. not reconciled. The University of East London. https://doi.org/10.15123/DATA.18
My Private Life
Daniels, J. 2014. My Private Life. University of East London. https://doi.org/10.15123/DATA.00000241
The Border Crossing: the Cinematic Representation of Memory in the Autobiographical Documentary
Daniels, J. 2012. The Border Crossing: the Cinematic Representation of Memory in the Autobiographical Documentary. in: Esin, Cigdem, Hawkins, Matthew, Salami, Iwa, Tamboukou, Maria, Townley, Lynn and Wells, Marianne (ed.) Crossing Conceptual Boundaries IV London University of East London, School of Law and Social Sciences. pp. 8-16