Dr Jill Daniels
| Name | Dr Jill Daniels |
|---|---|
| ORCID | https://orcid.org/0000-0003-3332-1321 |
| Job title | Senior Lecturer |
| Email address | j.daniels2@uel.ac.uk |
| Research institute | Arts & Creative Industries |
Research outputs
Resisters
Daniels, J. 2023. Resisters. Screenworks. 13 (1). https://doi.org/10.37186/swrks/13.1/10Cinematic Aesthetics of Resistance: Reframing the Non-fiction Oppositional Film
Daniels, J. 2023. Cinematic Aesthetics of Resistance: Reframing the Non-fiction Oppositional Film. in: Rogers, C., Munro, K., Burke, L. and Gough-Brady, C. (ed.) Constructions of the Real: Intersections of Documentary-Based Film Practice and Theory Bristol Intellect Press. pp. 144-154The way of the bricoleuse: experiments in documentary filmmaking
Daniels, J. 2022. The way of the bricoleuse: experiments in documentary filmmaking. Studies in Documentary Film. 16 (2), pp. 127-139. https://doi.org/10.1080/17503280.2022.2048232Dwoskin and Me: Halting the Flow of Time
Daniels, J. 2022. Dwoskin and Me: Halting the Flow of Time. Jewish Film & New Media: An International Journal. 10 (1), pp. 141-159. https://doi.org/10.1353/jfn.2022.a914339Scripting the Experimental Documentary Film: Developing the “Script” for Not Reconciled
Daniels, J. 2021. Scripting the Experimental Documentary Film: Developing the “Script” for Not Reconciled. in: Taylor, S. and Batty, C. (ed.) The Palgrave Handbook of Script Development Palgrave Macmillan. pp. 103-119Resisters
Daniels, J. 2021. Resisters. LondonAgainst the Grain: Women Film Practitioners and Theorists Talk Creative Practice and Theory
Daniels, J., Velody, R. and Atakav, E. 2020. Against the Grain: Women Film Practitioners and Theorists Talk Creative Practice and Theory. in: Piotrowska, A. (ed.) Creative Practice Research in the Age of Neoliberal Hopelessness Edinburgh University Press.Subject, memory and place: Jill Daniels in conversation with Matthias Kispert
Daniels, J. 2020. Subject, memory and place: Jill Daniels in conversation with Matthias Kispert. Hyphen Journal. 2.Breathing Still 2020
Daniels, J. 2020. Breathing Still 2020.The Subjective Voice and Hybrid Documentary Filmmaking Strategies: A Case Study
Daniels, J. 2019. The Subjective Voice and Hybrid Documentary Filmmaking Strategies: A Case Study. Alphaville: Journal of Film and Screen Media. 17, pp. 97-110. https://doi.org/10.33178/alpha.17.06Memory, Place and Autobiography: Experiments in Documentary Filmmaking
Daniels, J. 2019. Memory, Place and Autobiography: Experiments in Documentary Filmmaking. Cambridge Scholars Publishing.Blurred Boundaries: Remediation of Found Footage in Experimental Autobiographical Documentary Filmmaking
Daniels, J. 2017. Blurred Boundaries: Remediation of Found Footage in Experimental Autobiographical Documentary Filmmaking. Journal of Media Practice. 18 (1), pp. 73-82. https://doi.org/10.1080/14682753.2017.1306338My Private Life II
Daniels, J. 2017. My Private Life II. Screenworks. 7.Journey to the South
Daniels, J. 2017. Journey to the South.My Private Life II
Daniels, J. 2015. My Private Life II. The University of East London. https://doi.org/10.15123/DATA.146Trauma and silence: strategies of mediation in the aftermath of civil war
Daniels, J. 2014. Trauma and silence: strategies of mediation in the aftermath of civil war. Rethinking History. 18 (3), pp. 391-399. https://doi.org/10.1080/13642529.2014.898416The Border Crossing
Daniels, J. 2014. The Border Crossing. The University of East London. https://doi.org/10.15123/DATA.17not reconciled
Daniels, J. 2014. not reconciled. The University of East London. https://doi.org/10.15123/DATA.18My Private Life
Daniels, J. 2014. My Private Life. University of East London. https://doi.org/10.15123/DATA.00000241The Border Crossing: Experiments in the Cinematic Representation of Memory
Daniels, J. 2013. The Border Crossing: Experiments in the Cinematic Representation of Memory. in: Truth, Dare or Promise: Art and Documentary Revisited Cambridge Scholars. pp. 20-34The Border Crossing: the Cinematic Representation of Memory in the Autobiographical Documentary
Daniels, J. 2012. The Border Crossing: the Cinematic Representation of Memory in the Autobiographical Documentary. in: Esin, Cigdem, Hawkins, Matthew, Salami, Iwa, Tamboukou, Maria, Townley, Lynn and Wells, Marianne (ed.) Crossing Conceptual Boundaries IV London University of East London, School of Law and Social Sciences. pp. 8-164250
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