Decolonising Disco: Counterculture, Postindustrial Creativity, the 1970s Dance Floor and Disco

Book chapter

Lawrence, T. 2020. Decolonising Disco: Counterculture, Postindustrial Creativity, the 1970s Dance Floor and Disco. in: Zubak, M. and Pitrolo, F. (ed.) Disco Heterotopias Bloomsbury.
AuthorsLawrence, T.
EditorsZubak, M. and Pitrolo, F.
Book titleDisco Heterotopias
Year2020
PublisherBloomsbury
File
License
File Access Level
Anyone
Publication dates
Print2020
Publication process dates
Deposited16 Sep 2019
Copyright holder© 2020 Bloomsbury
Permalink -

https://repository.uel.ac.uk/item/870q8

Log in to edit

File access - Request a copy

Restricted files

File

  • 165
    total views
  • 0
    total downloads
  • 2
    views this month
  • 0
    downloads this month

Export as

Related outputs

Richard Long und zie Paradise Garage
Lawrence, T. 2016. Richard Long und zie Paradise Garage. Groove: Elektronische Musik und Clubkultur.
Danceteria: Where Studio 54 Met CBGB In 1980s New York
Lawrence, T. 2016. Danceteria: Where Studio 54 Met CBGB In 1980s New York. Electronic Beats.
Planet Rock
Lawrence, T. 2016. Planet Rock. Hot Stuff. 3.
Subterranean dance: David Mancuso and The Loft
Lawrence, T. 2016. Subterranean dance: David Mancuso and The Loft. Resident Advisor.
Nightclubbing: Danceteria
Lawrence, T. 2016. Nightclubbing: Danceteria. Red Bull Music Academy Daily.
Club 57: Film, Performance and Art in the East Village, 1978-1983
Lawrence, T. 2017. Club 57: Film, Performance and Art in the East Village, 1978-1983. Love Injection. 33, pp. 16-20.
Edward Said, Late Style and the Aesthetic of Exile
Lawrence, T. 1997. Edward Said, Late Style and the Aesthetic of Exile. Third Text. 11 (38), pp. 15-24. https://doi.org/10.1080/09528829708576655
Beyond the Hustle: Seventies Social Dancing, Discotheque Culture and the Emergence of the Contemporary Club Dancer
Lawrence, T. 2008. Beyond the Hustle: Seventies Social Dancing, Discotheque Culture and the Emergence of the Contemporary Club Dancer. in: Malnig, Julie (ed.) Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader University of Illinois Press. pp. 199-214
The Forging of a White Gay Aesthetic at the Saint, 1980–84
Lawrence, T. 2011. The Forging of a White Gay Aesthetic at the Saint, 1980–84. Dancecult: Journal of Electronic Dance Music Culture. 3 (1), pp. 4-27. https://doi.org/10.12801/1947-5403.2011.03.01.01
Disco and the Queering of the Dance Floor
Lawrence, T. 2011. Disco and the Queering of the Dance Floor. Cultural Studies. 25 (2), pp. 230-243. https://doi.org/10.1080/09502386.2011.535989
Big Business, Real Estate Determinism, and Dance Culture in New York, 1980-88
Lawrence, T. 2011. Big Business, Real Estate Determinism, and Dance Culture in New York, 1980-88. Journal of Popular Music Studies. 23 (3), pp. 288-306. https://doi.org/10.1111/j.1533-1598.2011.01294.x
I Want to See All My Friends At Once’: Arthur Russell and the Queering of Gay Disco
Lawrence, T. 2012. I Want to See All My Friends At Once’: Arthur Russell and the Queering of Gay Disco. in: Butler, Mark J. (ed.) Electronica, Dance and Club Music Routledge. pp. 141-164
Disco
Lawrence, T. 2012. Disco. in: Shepherd, John and Horn, David (ed.) Continuum Encyclopedia of Popular Music of the World Volume 8: Genres: North America Continuum.
The Forging of a White Gay Aesthetic at the Saint, 1980-84
Lawrence, T. 2013. The Forging of a White Gay Aesthetic at the Saint, 1980-84. in: Attias, Bernardo, Gavanas, Anna and Rietveld, Hillegonda (ed.) DJ Culture in the Mix: Power, Technology, and Social Change in Electronic Dance Music Bloomsbury. pp. 219-246
Love Saves the Day: A History of American Dance Music Culture, 1970–1979
Lawrence, T. 2004. Love Saves the Day: A History of American Dance Music Culture, 1970–1979. Duke University Press.
Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992
Lawrence, T. 2009. Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992. Duke University Press.
Russell, (Charles) Arthur (21 May 1951)
Lawrence, T. 2013. Russell, (Charles) Arthur (21 May 1951). in: Garrett, Charles Hiroshi (ed.) The Grove Dictionary of American Music Oxford University Press. pp. 269-270
Levan, Larry (20 July 1954)
Lawrence, T. 2013. Levan, Larry (20 July 1954). in: Garrett, Charles Hiroshi (ed.) The Grove Dictionary of American Music Oxford University Press. pp. 107
Knuckles, Frankie (18 Jan 1955)
Lawrence, T. 2013. Knuckles, Frankie (18 Jan 1955). in: Garrett, Charles Hiroshi (ed.) The Grove Dictionary of American Music Oxford University Press. pp. 647
Life and Death on the New York Dance Floor, 1980–1983
Lawrence, T. 2016. Life and Death on the New York Dance Floor, 1980–1983. Duke University Press.
Vie et mort sur le dancefloor du Pulse
Lawrence, T. 2017. Vie et mort sur le dancefloor du Pulse. in: Heuguet, Guillaume, Loncon, Hervé and Menu, Étienne (ed.) Audimat Revue Audimat.
Dance Floor Transformation: Counterculture, Post-industrialism, and Environmental Design in New York City during the 1970s and Early 1980s
Lawrence, T. 2018. Dance Floor Transformation: Counterculture, Post-industrialism, and Environmental Design in New York City during the 1970s and Early 1980s. in: Kries, Mateo, Eisenbrand, Jochen and Rossi, Catharine (ed.) Night fever : designing club culture, 1960-today Vitra Design Museum. pp. 88-97
Life and Death on the Pulse Dance Floor: Transglocal Politics and Erasure of the Latinx in the History of Queer Dance Culture
Lawrence, T. 2016. Life and Death on the Pulse Dance Floor: Transglocal Politics and Erasure of the Latinx in the History of Queer Dance Culture. Dancecult: Journal of Electronic Dance Music Culture. 8 (1), pp. 1-25. https://doi.org/10.12801/1947-5403.2016.08.01.01
Pluralism, Minor Deviations, and Radical Change: The Challenge to Experimental Music in Downtown New York, 1971–85
Lawrence, T. 2014. Pluralism, Minor Deviations, and Radical Change: The Challenge to Experimental Music in Downtown New York, 1971–85. in: Piekut, Benjamin (ed.) Tomorrow is the Question: New Directions in Experimental Music Studies Ann Arbor University of Michigan Press. pp. 63-85
AIDS, the Problem of Representation, and Plurality in Derek Jarman's Blue
Lawrence, T. 1997. AIDS, the Problem of Representation, and Plurality in Derek Jarman's Blue. Social Text.
“I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco
Lawrence, T. 2006. “I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco. Journal of Popular Music Studies. 18 (2), pp. 144-166.
Connecting with the Cosmic: Arthur Russell, Rhizomatic Musicianship, and the Downtown Music Scene, 1973-92
Lawrence, T. 2007. Connecting with the Cosmic: Arthur Russell, Rhizomatic Musicianship, and the Downtown Music Scene, 1973-92. Liminalities: A Journal of Performance Studies. 3 (3).
In Defence Of Disco (Again)
Lawrence, T. 2006. In Defence Of Disco (Again). New Formations.
Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology
Lawrence, T. 2008. Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology. Journal of Popular Music Studies. 20 (3), pp. 276-329.