Decolonising Disco: Counterculture, Postindustrial Creativity, the 1970s Dance Floor and Disco

Book chapter

Lawrence, T. 2020. Decolonising Disco: Counterculture, Postindustrial Creativity, the 1970s Dance Floor and Disco. in: Zubak, M. and Pitrolo, F. (ed.) Disco Heterotopias Bloomsbury.

Publication dates
Authors	Lawrence, T.
Editors	Zubak, M. and Pitrolo, F.
Book title	Disco Heterotopias
Year	2020
Publisher	Bloomsbury
File	License All rights reserved File Access Level Anyone
Print	2020
Publication process dates
Deposited	16 Sep 2019
Copyright holder	© 2020 Bloomsbury

Permalink -

https://repository.uel.ac.uk/item/870q8

File access - Request a copy

Restricted files

File

Under embargo indefinitely

333
total views
0
total downloads
2
views this month
0
downloads this month

Export as

Related outputs

Richard Long und zie Paradise Garage

Lawrence, T. 2016. Richard Long und zie Paradise Garage. Groove: Elektronische Musik und Clubkultur.

Danceteria: Where Studio 54 Met CBGB In 1980s New York

Lawrence, T. 2016. Danceteria: Where Studio 54 Met CBGB In 1980s New York. Electronic Beats.

Planet Rock

Lawrence, T. 2016. Planet Rock. Hot Stuff. 3.

Subterranean dance: David Mancuso and The Loft

Lawrence, T. 2016. Subterranean dance: David Mancuso and The Loft. Resident Advisor.

Nightclubbing: Danceteria

Lawrence, T. 2016. Nightclubbing: Danceteria. Red Bull Music Academy Daily.

Club 57: Film, Performance and Art in the East Village, 1978-1983

Lawrence, T. 2017. Club 57: Film, Performance and Art in the East Village, 1978-1983. Love Injection. 33, pp. 16-20.

Edward Said, Late Style and the Aesthetic of Exile

Lawrence, T. 1997. Edward Said, Late Style and the Aesthetic of Exile. Third Text. 11 (38), pp. 15-24. https://doi.org/10.1080/09528829708576655

Beyond the Hustle: Seventies Social Dancing, Discotheque Culture and the Emergence of the Contemporary Club Dancer

Lawrence, T. 2008. Beyond the Hustle: Seventies Social Dancing, Discotheque Culture and the Emergence of the Contemporary Club Dancer. in: Malnig, Julie (ed.) Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader University of Illinois Press. pp. 199-214

The Forging of a White Gay Aesthetic at the Saint, 1980–84

Lawrence, T. 2011. The Forging of a White Gay Aesthetic at the Saint, 1980–84. Dancecult: Journal of Electronic Dance Music Culture. 3 (1), pp. 4-27. https://doi.org/10.12801/1947-5403.2011.03.01.01

Disco and the Queering of the Dance Floor

Lawrence, T. 2011. Disco and the Queering of the Dance Floor. Cultural Studies. 25 (2), pp. 230-243. https://doi.org/10.1080/09502386.2011.535989

Big Business, Real Estate Determinism, and Dance Culture in New York, 1980-88

Lawrence, T. 2011. Big Business, Real Estate Determinism, and Dance Culture in New York, 1980-88. Journal of Popular Music Studies. 23 (3), pp. 288-306. https://doi.org/10.1111/j.1533-1598.2011.01294.x

I Want to See All My Friends At Once’: Arthur Russell and the Queering of Gay Disco

Lawrence, T. 2012. I Want to See All My Friends At Once’: Arthur Russell and the Queering of Gay Disco. in: Butler, Mark J. (ed.) Electronica, Dance and Club Music Routledge. pp. 141-164

Disco

Lawrence, T. 2012. Disco. in: Shepherd, John and Horn, David (ed.) Continuum Encyclopedia of Popular Music of the World Volume 8: Genres: North America Continuum.

The Forging of a White Gay Aesthetic at the Saint, 1980-84

Lawrence, T. 2013. The Forging of a White Gay Aesthetic at the Saint, 1980-84. in: Attias, Bernardo, Gavanas, Anna and Rietveld, Hillegonda (ed.) DJ Culture in the Mix: Power, Technology, and Social Change in Electronic Dance Music Bloomsbury. pp. 219-246

Love Saves the Day: A History of American Dance Music Culture, 1970–1979

Lawrence, T. 2004. Love Saves the Day: A History of American Dance Music Culture, 1970–1979. Duke University Press.

Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992

Lawrence, T. 2009. Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992. Duke University Press.

Russell, (Charles) Arthur (21 May 1951)

Lawrence, T. 2013. Russell, (Charles) Arthur (21 May 1951). in: Garrett, Charles Hiroshi (ed.) The Grove Dictionary of American Music Oxford University Press. pp. 269-270

Levan, Larry (20 July 1954)

Lawrence, T. 2013. Levan, Larry (20 July 1954). in: Garrett, Charles Hiroshi (ed.) The Grove Dictionary of American Music Oxford University Press. pp. 107

Knuckles, Frankie (18 Jan 1955)

Lawrence, T. 2013. Knuckles, Frankie (18 Jan 1955). in: Garrett, Charles Hiroshi (ed.) The Grove Dictionary of American Music Oxford University Press. pp. 647

Life and Death on the New York Dance Floor, 1980–1983

Lawrence, T. 2016. Life and Death on the New York Dance Floor, 1980–1983. Duke University Press.

Vie et mort sur le dancefloor du Pulse

Lawrence, T. 2017. Vie et mort sur le dancefloor du Pulse. in: Heuguet, Guillaume, Loncon, Hervé and Menu, Étienne (ed.) Audimat Revue Audimat.

Dance Floor Transformation: Counterculture, Post-industrialism, and Environmental Design in New York City during the 1970s and Early 1980s

Lawrence, T. 2018. Dance Floor Transformation: Counterculture, Post-industrialism, and Environmental Design in New York City during the 1970s and Early 1980s. in: Kries, Mateo, Eisenbrand, Jochen and Rossi, Catharine (ed.) Night fever : designing club culture, 1960-today Vitra Design Museum. pp. 88-97

Life and Death on the Pulse Dance Floor: Transglocal Politics and Erasure of the Latinx in the History of Queer Dance Culture

Lawrence, T. 2016. Life and Death on the Pulse Dance Floor: Transglocal Politics and Erasure of the Latinx in the History of Queer Dance Culture. Dancecult: Journal of Electronic Dance Music Culture. 8 (1), pp. 1-25. https://doi.org/10.12801/1947-5403.2016.08.01.01

Pluralism, Minor Deviations, and Radical Change: The Challenge to Experimental Music in Downtown New York, 1971–85

Lawrence, T. 2014. Pluralism, Minor Deviations, and Radical Change: The Challenge to Experimental Music in Downtown New York, 1971–85. in: Piekut, Benjamin (ed.) Tomorrow is the Question: New Directions in Experimental Music Studies Ann Arbor University of Michigan Press. pp. 63-85