Prof Tim Lawrence
| Name | Prof Tim Lawrence |
|---|---|
| ORCID | https://orcid.org/0000-0003-4040-1020 |
| Job title | Professor |
| Email address | t.lawrence@uel.ac.uk |
| Research institute | Arts & Creative Industries |
Research outputs
‘Work that Body’: Disco, Counterculture and the Promise of the Transformation of Work
Lawrence, T. 2022. ‘Work that Body’: Disco, Counterculture and the Promise of the Transformation of Work. in: Abfalter, D. and Reitsamer, R. (ed.) Music as Labour: Inequalities and Activism in the Past and Present Routledge. pp. 66-80Epilogue: Decolonising Disco—Counterculture, Postindustrial Creativity, the 1970s Dance Floor and Disco
Lawrence, T. 2022. Epilogue: Decolonising Disco—Counterculture, Postindustrial Creativity, the 1970s Dance Floor and Disco. in: Pitrolo, F. and Zubak, M. (ed.) Global Dance Cultures in the 1970s and 1980s: Disco Heterotopias Palgrave Macmillan. pp. 303–338Dance Floor Transformation: Counterculture, Post-industrialism, and Environmental Design in New York City during the 1970s and Early 1980s
Lawrence, T. 2018. Dance Floor Transformation: Counterculture, Post-industrialism, and Environmental Design in New York City during the 1970s and Early 1980s. in: Kries, Mateo, Eisenbrand, Jochen and Rossi, Catharine (ed.) Night fever : designing club culture, 1960-today Vitra Design Museum. pp. 88-97Club 57: Film, Performance and Art in the East Village, 1978-1983
Lawrence, T. 2017. Club 57: Film, Performance and Art in the East Village, 1978-1983. Love Injection. 33, pp. 16-20.Vie et mort sur le dancefloor du Pulse
Lawrence, T. 2017. Vie et mort sur le dancefloor du Pulse. in: Heuguet, Guillaume, Loncon, Hervé and Menu, Étienne (ed.) Audimat Revue Audimat.Life and Death on the Pulse Dance Floor: Transglocal Politics and Erasure of the Latinx in the History of Queer Dance Culture
Lawrence, T. 2016. Life and Death on the Pulse Dance Floor: Transglocal Politics and Erasure of the Latinx in the History of Queer Dance Culture. Dancecult: Journal of Electronic Dance Music Culture. 8 (1), pp. 1-25. https://doi.org/10.12801/1947-5403.2016.08.01.01Nightclubbing: Danceteria
Lawrence, T. 2016. Nightclubbing: Danceteria. Red Bull Music Academy Daily.Subterranean dance: David Mancuso and The Loft
Lawrence, T. 2016. Subterranean dance: David Mancuso and The Loft. Resident Advisor.Planet Rock
Lawrence, T. 2016. Planet Rock. Hot Stuff. 3.Danceteria: Where Studio 54 Met CBGB In 1980s New York
Lawrence, T. 2016. Danceteria: Where Studio 54 Met CBGB In 1980s New York. Electronic Beats.Richard Long und zie Paradise Garage
Lawrence, T. 2016. Richard Long und zie Paradise Garage. Groove: Elektronische Musik und Clubkultur.Life and Death on the New York Dance Floor, 1980–1983
Lawrence, T. 2016. Life and Death on the New York Dance Floor, 1980–1983. Duke University Press.Pluralism, Minor Deviations, and Radical Change: The Challenge to Experimental Music in Downtown New York, 1971–85
Lawrence, T. 2014. Pluralism, Minor Deviations, and Radical Change: The Challenge to Experimental Music in Downtown New York, 1971–85. in: Piekut, Benjamin (ed.) Tomorrow is the Question: New Directions in Experimental Music Studies Ann Arbor University of Michigan Press. pp. 63-85The Forging of a White Gay Aesthetic at the Saint, 1980-84
Lawrence, T. 2013. The Forging of a White Gay Aesthetic at the Saint, 1980-84. in: Attias, Bernardo, Gavanas, Anna and Rietveld, Hillegonda (ed.) DJ Culture in the Mix: Power, Technology, and Social Change in Electronic Dance Music Bloomsbury Publishing. pp. 219-246Russell, (Charles) Arthur (21 May 1951)
Lawrence, T. 2013. Russell, (Charles) Arthur (21 May 1951). in: Garrett, Charles Hiroshi (ed.) The Grove Dictionary of American Music Oxford University Press. pp. 269-270Levan, Larry (20 July 1954)
Lawrence, T. 2013. Levan, Larry (20 July 1954). in: Garrett, Charles Hiroshi (ed.) The Grove Dictionary of American Music Oxford University Press. pp. 107Knuckles, Frankie (18 Jan 1955)
Lawrence, T. 2013. Knuckles, Frankie (18 Jan 1955). in: Garrett, Charles Hiroshi (ed.) The Grove Dictionary of American Music Oxford University Press. pp. 647Disco
Lawrence, T. 2012. Disco. in: Shepherd, John and Horn, David (ed.) Continuum Encyclopedia of Popular Music of the World Volume 8: Genres: North America Continuum.I Want to See All My Friends At Once’: Arthur Russell and the Queering of Gay Disco
Lawrence, T. 2012. I Want to See All My Friends At Once’: Arthur Russell and the Queering of Gay Disco. in: Butler, Mark J. (ed.) Electronica, Dance and Club Music Routledge. pp. 141-164Big Business, Real Estate Determinism, and Dance Culture in New York, 1980-88
Lawrence, T. 2011. Big Business, Real Estate Determinism, and Dance Culture in New York, 1980-88. Journal of Popular Music Studies. 23 (3), pp. 288-306. https://doi.org/10.1111/j.1533-1598.2011.01294.xDisco and the Queering of the Dance Floor
Lawrence, T. 2011. Disco and the Queering of the Dance Floor. Cultural Studies. 25 (2), pp. 230-243. https://doi.org/10.1080/09502386.2011.535989The Forging of a White Gay Aesthetic at the Saint, 1980–84
Lawrence, T. 2011. The Forging of a White Gay Aesthetic at the Saint, 1980–84. Dancecult: Journal of Electronic Dance Music Culture. 3 (1), pp. 4-27. https://doi.org/10.12801/1947-5403.2011.03.01.01Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992
Lawrence, T. 2009. Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992. Duke University Press.Beyond the Hustle: Seventies Social Dancing, Discotheque Culture and the Emergence of the Contemporary Club Dancer
Lawrence, T. 2008. Beyond the Hustle: Seventies Social Dancing, Discotheque Culture and the Emergence of the Contemporary Club Dancer. in: Malnig, Julie (ed.) Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader University of Illinois Press. pp. 199-214Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology
Lawrence, T. 2008. Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology. Journal of Popular Music Studies. 20 (3), pp. 276-329.Connecting with the Cosmic: Arthur Russell, Rhizomatic Musicianship, and the Downtown Music Scene, 1973-92
Lawrence, T. 2007. Connecting with the Cosmic: Arthur Russell, Rhizomatic Musicianship, and the Downtown Music Scene, 1973-92. Liminalities: A Journal of Performance Studies. 3 (3).“I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco
Lawrence, T. 2006. “I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco. Journal of Popular Music Studies. 18 (2), pp. 144-166.In Defence Of Disco (Again)
Lawrence, T. 2006. In Defence Of Disco (Again). New Formations: A Journal of Culture, Theory, Politics.Love Saves the Day: A History of American Dance Music Culture, 1970–1979
Lawrence, T. 2004. Love Saves the Day: A History of American Dance Music Culture, 1970–1979. Duke University Press.Edward Said, Late Style and the Aesthetic of Exile
Lawrence, T. 1997. Edward Said, Late Style and the Aesthetic of Exile. Third Text. 11 (38), pp. 15-24. https://doi.org/10.1080/09528829708576655AIDS, the Problem of Representation, and Plurality in Derek Jarman's Blue
Lawrence, T. 1997. AIDS, the Problem of Representation, and Plurality in Derek Jarman's Blue. Social Text.9299
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