Dr Lindsay Hallam
| Name | Dr Lindsay Hallam |
|---|---|
| ORCID | https://orcid.org/0000-0003-3906-6122 |
| Job title | Senior Lecturer |
| Email address | l.a.hallam@uel.ac.uk |
| Research institute | Arts & Creative Industries |
Research outputs
From a Dark Place: Indigenous Australian Horror
Hallam, L. 2025. From a Dark Place: Indigenous Australian Horror. in: Çakırlar, C. (ed.) Transnational Horror: Folklore, Genre, and Cultural Politics Liverpool University Press. pp. In PressThe Euro-Vampire
Hallam, L. 2024. The Euro-Vampire. in: Bacon, S. (ed.) The Palgrave Handbook of the Vampire Palgrave Macmillan. pp. 485-505Predators Far and Near: The Sadean Gothic in Penny Dreadful
Hallam, L. 2023. Predators Far and Near: The Sadean Gothic in Penny Dreadful. in: Grossman, J. and Scheibel, W. (ed.) Penny Dreadful and Adaptation: Reanimating and Transforming the Monster Palgrave Macmillan, Cham. pp. 217–232"So You've Taken Someone Else's Nostalgia": Trauma, Nostalgia, and American Hero Stories
Hallam, L. 2022. "So You've Taken Someone Else's Nostalgia": Trauma, Nostalgia, and American Hero Stories. in: Morton, D. (ed.) After Midnight: Watchmen after Watchmen University Press of Mississippi. pp. 225-236Down Under Rises Up: Nature's Revenge in Ozploitation Cinema
Hallam, L. 2020. Down Under Rises Up: Nature's Revenge in Ozploitation Cinema. Cine-Excess. 4, pp. 11-23.Drink Full and Descend: The Horror of Twin Peaks: The Return
Hallam, L. 2020. Drink Full and Descend: The Horror of Twin Peaks: The Return. NANO: New American Notes Online. 15.Digital Witness: Found Footage and Desktop Horror as Post-Cinematic Experience
Hallam, L. 2021. Digital Witness: Found Footage and Desktop Horror as Post-Cinematic Experience. in: Falvey, E., Wroot, J. and Hickinbottom, J. (ed.) New Blood: Critical Approaches to Contemporary Horror University of Wales Press.Touching the Colour and Sound of Your Body’s Tears: Affect and Homage in the Neo-Giallo
Hallam, L. 2017. Touching the Colour and Sound of Your Body’s Tears: Affect and Homage in the Neo-Giallo. 16:9.‘Why are there always three?’: The Gothic Occult in Dario Argento’s Three Mothers Trilogy
Hallam, L. 2017. ‘Why are there always three?’: The Gothic Occult in Dario Argento’s Three Mothers Trilogy. Journal of Italian Cinema and Media Studies. 5 (2), pp. 211-227. https://doi.org/10.1386/jicms.5.2.211_1May the Giant Be With You: Twin Peaks Season Two, Episode One and the Television Auteur
Hallam, L. 2016. May the Giant Be With You: Twin Peaks Season Two, Episode One and the Television Auteur. Senses of Cinema.2934
total views of outputs6010
total downloads of outputs91
views of outputs this month70
downloads of outputs this month