Dr Lindsay Hallam
| Name | Dr Lindsay Hallam |
|---|---|
| ORCID | https://orcid.org/0000-0003-3906-6122 |
| Job title | Senior Lecturer |
| Email address | l.a.hallam@uel.ac.uk |
| Research institute | Arts & Creative Industries |
Research outputs
Down Under Rises Up: Nature's Revenge in Ozploitation Cinema
Hallam, L. 2020. Down Under Rises Up: Nature's Revenge in Ozploitation Cinema. Cine-Excess. 4, pp. 11-23.Drink Full and Descend: The Horror of Twin Peaks: The Return
Hallam, L. 2020. Drink Full and Descend: The Horror of Twin Peaks: The Return. NANO: New American Notes Online. 15.Digital Witness: Found Footage and Desktop Horror as Post-Cinematic Experience
Hallam, L. 2021. Digital Witness: Found Footage and Desktop Horror as Post-Cinematic Experience. in: Falvey, E., Wroot, J. and Hickinbottom, J. (ed.) New Blood: Critical Approaches to Contemporary Horror University of Wales Press.Touching the Colour and Sound of Your Body’s Tears: Affect and Homage in the Neo-Giallo
Hallam, L. 2017. Touching the Colour and Sound of Your Body’s Tears: Affect and Homage in the Neo-Giallo. 16:9.‘Why are there always three?’: The Gothic Occult in Dario Argento’s Three Mothers Trilogy
Hallam, L. 2017. ‘Why are there always three?’: The Gothic Occult in Dario Argento’s Three Mothers Trilogy. Journal of Italian Cinema and Media Studies. 5 (2), pp. 211-227. https://doi.org/10.1386/jicms.5.2.211_1May the Giant Be With You: Twin Peaks Season Two, Episode One and the Television Auteur
Hallam, L. 2016. May the Giant Be With You: Twin Peaks Season Two, Episode One and the Television Auteur. Senses of Cinema.940
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