Dr Natalie Garrett Brown
| Name | Dr Natalie Garrett Brown |
|---|---|
| ORCID | https://orcid.org/0000-0002-4345-7823 |
| Job title | Interim Dean of School |
| Email address | n.garrettbrown@uel.ac.uk |
| Research institute | Arts & Creative Industries |
Research outputs
Nomadic Making; enacting difference through collaborative performance practice
Garrett Brown, N. 2020. Nomadic Making; enacting difference through collaborative performance practice. Choreographic Practices . 11 (1), pp. 149-161. https://doi.org/10.1386/chor_00016_1flockOmania
Robertson, Z., Voris, A. and Garrett Brown, N. flockOmania. Coventry, UK Jan 2015Fast Failing; considering embodied exchange in collaborative arts practice
Garrett Brown, N. 2016. Fast Failing; considering embodied exchange in collaborative arts practice. Undisciplining Dance Symposium. University of Auckland, NZ 30 Jun - 02 Jul 2016Corporeal Knowing; dance, embodiment and ‘being’ the body
Garrett Brown, N. 2016. Corporeal Knowing; dance, embodiment and ‘being’ the body. Doing the Body in the 21st Century: International Conference. University of Pittsburgh, USA 31 Mar - 02 Apr 2016Nomadic Making; moving through the digital and live in collaborative performance practice
Garrett Brown, N. 2015. Nomadic Making; moving through the digital and live in collaborative performance practice. Does it Matter? Composite Bodies and Posthuman Prototypes in Contemporary Perfoming Arts. Ghent University, BE 17 - 19 Mar 2015flockOmania 2: Exhibition Catalogue
Robertson, Z., Garrett Brown, N., Voris, A., Whatley, S., Journeaux, J. and Chamberlain, S. 2016. flockOmania 2: Exhibition Catalogue. Birmingham City University.At Dusk, the Collaborative Spills and Cycles of L219
Cullinane, C., Garrett Brown, N., Kipp, C. and Voris, A. 2015. At Dusk, the Collaborative Spills and Cycles of L219. in: Whatley, S., Garrett Brown, N. and Alexander, K. (ed.) Attending to Movement: Somatic Perspectives on Living in this World Triarchy Press.Strategies of Interruption: Slowing Down and Becoming Sensate in Site Responsive Dance
Garrett Brown, N. 2015. Strategies of Interruption: Slowing Down and Becoming Sensate in Site Responsive Dance. in: Hunter, V. (ed.) Moving Sites: Investigating Site-Specific Dance Performance Routledge.flockOmania: Exhibition Catalogue
Robertson, Z., Garrett Brown, N. and Voris, A. 2015. flockOmania: Exhibition Catalogue. Birmingham City University.Dancing with Dirt and Wires: Reconciling the Embodied and the Digital in Site-responsive Collaborative Practice
Garrett Brown, N., Kipp, C. and Voris, A. 2015. Dancing with Dirt and Wires: Reconciling the Embodied and the Digital in Site-responsive Collaborative Practice. in: Causey, M., Meehan, E. and O'Dwyer, N. (ed.) The Performing Subject in the Space of Technology: Through the Virtual, Towards the Real Palgrave. pp. 174-1861331
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