Dr Andrew Branch
| Name | Dr Andrew Branch |
|---|---|
| ORCID | https://orcid.org/0000-0002-9168-0093 |
| Job title | Senior Lecturer |
| Email address | a.r.branch@uel.ac.uk |
| Research institute | Arts & Creative Industries |
Research outputs
From Economic to Emotional Geography: Understanding the Importance of the Mezzo-Level in Community Development
Sampson, T. and Branch, A. 2024. From Economic to Emotional Geography: Understanding the Importance of the Mezzo-Level in Community Development . Royal Geographical Society Annual International Conference 2024. RGS, London 27 - 30 Aug 2024Feeling Pride in Place Through Local Heritage Projects
Branch, A., Tucker, I. and Sampson, T. 2023. Feeling Pride in Place Through Local Heritage Projects. Royal Geographical Society Annual International Conference 2023. RGS, London 29 Aug - 01 Sep 2023Nigel Farage’s populism distracts from what people in Clacton are really proud about
Sampson, T. and Branch, A. 2024. Nigel Farage’s populism distracts from what people in Clacton are really proud about. The Conversation.Re-imagining Pride-in-Place at the Mezzolevel
Sampson, T., Branch, A. and Tofield, G. 2024. Re-imagining Pride-in-Place at the Mezzolevel. Rochford, Essex The Cultural Engine.Suburban breakout: Nomadic reverie in British pop
Branch, A. 2022. Suburban breakout: Nomadic reverie in British pop. in: Stahl, G. and Percival, J. M. (ed.) The Bloomsbury Handbook of Popular Music, Space and Place UK Bloomsbury Academic. pp. 257-270Kicking Cultures: How Fanzines Make the Alternative
Branch, A. and Sampson, T. 2022. Kicking Cultures: How Fanzines Make the Alternative. in: Burnett, G. (ed.) Southend on Zine: fifty years of voices and stories from Southend’s underground and alternative press Pritty Toons Press . pp. 8-9Global Glam and Popular Music: Style and Spectacle from the 1970s to the 2000s. Edited by Ian Chapman and Henry Johnson. London: Routledge, 2016. 300pp. ISBN 978-1-138-82176-7 (Review)
Branch, A. 2018. Global Glam and Popular Music: Style and Spectacle from the 1970s to the 2000s. Edited by Ian Chapman and Henry Johnson. London: Routledge, 2016. 300pp. ISBN 978-1-138-82176-7 (Review). Popular Music. 37 (2), pp. 299-302. https://doi.org/10.1017/S0261143018000107Space Invaders and the Value of Art
Branch, A. 2016. Space Invaders and the Value of Art. in: Conway Actants Leeds Conway Hall. pp. 18-19“It’s Where You Come From That Makes You Who You Are”: Suburban Youth and Social Class
Branch, A. 2014. “It’s Where You Come From That Makes You Who You Are”: Suburban Youth and Social Class. in: Osgerby, William (ed.) Subcultures, Popular Music and Social Change Cambridge Scholars.'Stop flexing your roots, man': Reconversion strategies, consecrated heretics and the violence of UK first-wave punk
Branch, A. 2014. 'Stop flexing your roots, man': Reconversion strategies, consecrated heretics and the violence of UK first-wave punk. Punk and Post-Punk. 3 (1), pp. 21-39. https://doi.org/10.1386/punk.3.1.21_1All the young dudes: educational capital, masculinity and the uses of popular music
Branch, A. 2012. All the young dudes: educational capital, masculinity and the uses of popular music. Popular Music. 31 (1), pp. 25-44. https://doi.org/10.1017/S0261143011000444PhD Annual Yearbook New Series Volume 1 October 2009
Robbins, Derek, Cudworth, Dave, Sefre, Dayjour, Whittaker, Ed, Goett, Solveigh, Ikoniadou, Eleni, Hakim, Jamie and Branch, A. 2009. PhD Annual Yearbook New Series Volume 1 October 2009.1573
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