Dr Tim Lawrence


NameDr Tim Lawrence
ORCIDhttps://orcid.org/0000-0003-4040-1020
Job titleProfessor
Email addresst.lawrence@uel.ac.uk
Research instituteArts & Creative Industries

Research outputs

Decolonising Disco: Counterculture, Postindustrial Creativity, the 1970s Dance Floor and Disco

Lawrence, T. 2020. Decolonising Disco: Counterculture, Postindustrial Creativity, the 1970s Dance Floor and Disco. in: Zubak, M. and Pitrolo, F. (ed.) Disco Heterotopias Bloomsbury.

Dance Floor Transformation: Counterculture, Post-industrialism, and Environmental Design in New York City during the 1970s and Early 1980s

Lawrence, T. 2018. Dance Floor Transformation: Counterculture, Post-industrialism, and Environmental Design in New York City during the 1970s and Early 1980s. in: Kries, Mateo, Eisenbrand, Jochen and Rossi, Catharine (ed.) Night fever : designing club culture, 1960-today Vitra Design Museum. pp. 88-97

Club 57: Film, Performance and Art in the East Village, 1978-1983

Lawrence, T. 2017. Club 57: Film, Performance and Art in the East Village, 1978-1983. Love Injection. 33, pp. 16-20.

Vie et mort sur le dancefloor du Pulse

Lawrence, T. 2017. Vie et mort sur le dancefloor du Pulse. in: Heuguet, Guillaume, Loncon, Hervé and Menu, Étienne (ed.) Audimat Revue Audimat.

Life and Death on the Pulse Dance Floor: Transglocal Politics and Erasure of the Latinx in the History of Queer Dance Culture

Lawrence, T. 2016. Life and Death on the Pulse Dance Floor: Transglocal Politics and Erasure of the Latinx in the History of Queer Dance Culture. Dancecult: Journal of Electronic Dance Music Culture. 8 (1), pp. 1-25.

Nightclubbing: Danceteria

Lawrence, T. 2016. Nightclubbing: Danceteria. Red Bull Music Academy Daily.

Subterranean dance: David Mancuso and The Loft

Lawrence, T. 2016. Subterranean dance: David Mancuso and The Loft. Resident Advisor.

Planet Rock

Lawrence, T. 2016. Planet Rock. Hot Stuff. 3.

Danceteria: Where Studio 54 Met CBGB In 1980s New York

Lawrence, T. 2016. Danceteria: Where Studio 54 Met CBGB In 1980s New York. Electronic Beats.

Richard Long und zie Paradise Garage

Lawrence, T. 2016. Richard Long und zie Paradise Garage. Groove: Elektronische Musik und Clubkultur.

Life and Death on the New York Dance Floor, 1980–1983

Lawrence, T. 2016. Life and Death on the New York Dance Floor, 1980–1983. Duke University Press.

Pluralism, Minor Deviations, and Radical Change: The Challenge to Experimental Music in Downtown New York, 1971–85

Lawrence, T. 2014. Pluralism, Minor Deviations, and Radical Change: The Challenge to Experimental Music in Downtown New York, 1971–85. in: Piekut, Benjamin (ed.) Tomorrow is the Question: New Directions in Experimental Music Studies Ann Arbor University of Michigan Press. pp. 63-85

The Forging of a White Gay Aesthetic at the Saint, 1980-84

Lawrence, T. 2013. The Forging of a White Gay Aesthetic at the Saint, 1980-84. in: Attias, Bernardo, Gavanas, Anna and Rietveld, Hillegonda (ed.) DJ Culture in the Mix: Power, Technology, and Social Change in Electronic Dance Music Bloomsbury. pp. 219-246

Russell, (Charles) Arthur (21 May 1951)

Lawrence, T. 2013. Russell, (Charles) Arthur (21 May 1951). in: Garrett, Charles Hiroshi (ed.) The Grove Dictionary of American Music Oxford University Press. pp. 269-270

Levan, Larry (20 July 1954)

Lawrence, T. 2013. Levan, Larry (20 July 1954). in: Garrett, Charles Hiroshi (ed.) The Grove Dictionary of American Music Oxford University Press. pp. 107

Knuckles, Frankie (18 Jan 1955)

Lawrence, T. 2013. Knuckles, Frankie (18 Jan 1955). in: Garrett, Charles Hiroshi (ed.) The Grove Dictionary of American Music Oxford University Press. pp. 647

Disco

Lawrence, T. 2012. Disco. in: Shepherd, John and Horn, David (ed.) Continuum Encyclopedia of Popular Music of the World Volume 8: Genres: North America Continuum.

I Want to See All My Friends At Once’: Arthur Russell and the Queering of Gay Disco

Lawrence, T. 2012. I Want to See All My Friends At Once’: Arthur Russell and the Queering of Gay Disco. in: Butler, Mark J. (ed.) Electronica, Dance and Club Music Routledge. pp. 141-164

Big Business, Real Estate Determinism, and Dance Culture in New York, 1980-88

Lawrence, T. 2011. Big Business, Real Estate Determinism, and Dance Culture in New York, 1980-88. Journal of Popular Music Studies. 23 (3), pp. 288-306.

Disco and the Queering of the Dance Floor

Lawrence, T. 2011. Disco and the Queering of the Dance Floor. Cultural Studies. 25 (2), pp. 230-243.

The Forging of a White Gay Aesthetic at the Saint, 1980–84

Lawrence, T. 2011. The Forging of a White Gay Aesthetic at the Saint, 1980–84. Dancecult: Journal of Electronic Dance Music Culture. 3 (1), pp. 4-27.

Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992

Lawrence, T. 2009. Hold On to Your Dreams: Arthur Russell and the Downtown Music Scene, 1973-1992. Duke University Press.

Beyond the Hustle: Seventies Social Dancing, Discotheque Culture and the Emergence of the Contemporary Club Dancer

Lawrence, T. 2008. Beyond the Hustle: Seventies Social Dancing, Discotheque Culture and the Emergence of the Contemporary Club Dancer. in: Malnig, Julie (ed.) Ballroom, Boogie, Shimmy Sham, Shake: A Social and Popular Dance Reader University of Illinois Press. pp. 199-214

Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology

Lawrence, T. 2008. Disco Madness: Walter Gibbons and the Legacy of Turntablism and Remixology. Journal of Popular Music Studies. 20 (3), pp. 276-329.

Connecting with the Cosmic: Arthur Russell, Rhizomatic Musicianship, and the Downtown Music Scene, 1973-92

Lawrence, T. 2007. Connecting with the Cosmic: Arthur Russell, Rhizomatic Musicianship, and the Downtown Music Scene, 1973-92. Liminalities: A Journal of Performance Studies. 3 (3).

“I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco

Lawrence, T. 2006. “I Want to See All My Friends At Once’’: Arthur Russell and the Queering of Gay Disco. Journal of Popular Music Studies. 18 (2), pp. 144-166.

In Defence Of Disco (Again)

Lawrence, T. 2006. In Defence Of Disco (Again). New Formations.

Love Saves the Day: A History of American Dance Music Culture, 1970–1979

Lawrence, T. 2004. Love Saves the Day: A History of American Dance Music Culture, 1970–1979. Duke University Press.

Edward Said, Late Style and the Aesthetic of Exile

Lawrence, T. 1997. Edward Said, Late Style and the Aesthetic of Exile. Third Text. 11 (38), pp. 15-24.

AIDS, the Problem of Representation, and Plurality in Derek Jarman's Blue

Lawrence, T. 1997. AIDS, the Problem of Representation, and Plurality in Derek Jarman's Blue. Social Text.
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