“Mama Africa”: HIV/AIDS and national identity in South African choreography
Article
Castelyn, S. 2008. “Mama Africa”: HIV/AIDS and national identity in South African choreography. South African Theatre Journal.
Authors | Castelyn, S. |
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Abstract | Choreography articulates the body’s somatic and cultural identity, and a reading of South African dance theatre uncovers a complex and multifaceted version of the South African body, for instance, how the body is employed in medical and national discourse. Flatfoot Dance Company is a contemporary dance company based in Durban, South Africa. The company’s recent choreography |
Keywords | Choreography; South Africa; Dance theatre; HIV/AIDS; mother-to-child transmission; contemporary dance |
Journal | South African Theatre Journal |
ISSN | 1013-7548 |
Year | 2008 |
Publisher's version | License CC BY-ND |
Web address (URL) | http://www.journals.co.za/ej/ejour_theatre.html |
http://hdl.handle.net/10552/1058 | |
Publication dates | |
2008 | |
Publication process dates | |
Deposited | 25 Nov 2010 |
Additional information | Citation: |
Page range | 62-83 |
https://repository.uel.ac.uk/item/8658q
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