Dr Sarahleigh Castelyn


NameDr Sarahleigh Castelyn
ORCIDhttps://orcid.org/0000-0003-0314-4870
Job titleProfessor
Email addresss.castelyn@uel.ac.uk
Research instituteArts & Creative Industries

Research outputs

Contemporary Dance in South Africa: The Toyi-Toying Body

Castelyn, S. 2022. Contemporary Dance in South Africa: The Toyi-Toying Body. Newcastle, UK Cambridge Scholars Publishing.

Choreographing HIV and AIDS in Contemporary Dance in South Africa

Castelyn, S. 2018. Choreographing HIV and AIDS in Contemporary Dance in South Africa. in: Campbell, A. and Gindt, D. (ed.) Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century Palgrave Macmillan. pp. 215-233

We All are Makwerekwere: Xenophobia, Nationality, Dance and South Africa

Castelyn, S. 2019. We All are Makwerekwere: Xenophobia, Nationality, Dance and South Africa. Conversations Across the Field of Dance Studies. XXXIX, pp. 38-41.

Saartjie Baartman, Nelisiwe Xaba, and me: the politics of looking at South African bodies

Castelyn, S. 2018. Saartjie Baartman, Nelisiwe Xaba, and me: the politics of looking at South African bodies. South African Theatre Journal. 32 (3), pp. 285-299. https://doi.org/10.1080/10137548.2018.1553625

Mapping the Body's Movement

Castelyn, S. 2010. Mapping the Body's Movement. South African Theatre Journal. 24 (1), pp. 220-240.

“Mama Africa”: HIV/AIDS and national identity in South African choreography

Castelyn, S. 2008. “Mama Africa”: HIV/AIDS and national identity in South African choreography. South African Theatre Journal.

‘Why I Am Not a Fan of the Lion King’: Ethically Informed Approaches to the Teaching and Learning of South African Dance Forms in Higher Education in the United Kingdom

Castelyn, S. 2018. ‘Why I Am Not a Fan of the Lion King’: Ethically Informed Approaches to the Teaching and Learning of South African Dance Forms in Higher Education in the United Kingdom. in: Akinleye, A. (ed.) Narratives in Black British Dance Palgrave Macmillan. pp. 115-129

Flatfoot Dance Company’s training programme in South Africa

Castelyn, S. 2012. Flatfoot Dance Company’s training programme in South Africa. Animated. 2012 (Winter), pp. 32-35.

Home

Castelyn, S. 2023. Home.

“We need to talk about Giselle"

Castelyn, S. 2023. “We need to talk about Giselle". JOMBA! Masihambisane Dialogues: 2023. Online and South Africa 24 - 26 May 2023 The Centre for Creative Arts, University of KwaZulu-Natal.

Choreographing the Archive of a White Female South African

Castelyn, S. 2022. Choreographing the Archive of a White Female South African . JOMBA! Masihambisane Dialogues: 2022. Durban, South Africa 25 - 27 May 2022 The Centre for Creative Arts, University of KwaZulu-Natal.

Intimacy as a Political Act: Contemporary Dance in South Africa

Castelyn, S. 2021. Intimacy as a Political Act: Contemporary Dance in South Africa. JOMBA! Masihambisane Dialogues: 2021. 02 - 04 Jun 2021 The Centre for Creative Arts, University of KwaZulu-Natal.

Kudanwa Ngaphambi Kwemingqamu e-Africa Ne-JOMBA!

Castelyn, S. 2021. Kudanwa Ngaphambi Kwemingqamu e-Africa Ne-JOMBA! 2021 JOMBA! Khuluma Digital. 6 (15), pp. 37-38.

Ukubambisana Kwama-Afrika Njengengxenye Yohlelo Lwefa Ledijithali

Castelyn, S. 2020. Ukubambisana Kwama-Afrika Njengengxenye Yohlelo Lwefa Ledijithali. 2020 JOMBA! Khuluma Digital. 5 (14), p. 29.

Panel Dialogue 1: Thinking About Disability as Gain

Hutchinson, Y., Vellem, A., Gou, Z., Parrot, J., MacKenzie, N. and Castelyn, S. 2024. Panel Dialogue 1: Thinking About Disability as Gain. 2024 JOMBA! Ability Dance Festival Colloquium. Durban, South Africa 22 Aug - 25 Oct 2024
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