Dr Sarahleigh Castelyn
| Name | Dr Sarahleigh Castelyn |
|---|---|
| ORCID | https://orcid.org/0000-0003-0314-4870 |
| Job title | Professor |
| Email address | s.castelyn@uel.ac.uk |
| Research institute | Arts & Creative Industries |
Research outputs
Contemporary Dance in South Africa: The Toyi-Toying Body
Castelyn, S. 2022. Contemporary Dance in South Africa: The Toyi-Toying Body. Newcastle, UK Cambridge Scholars Publishing.Choreographing HIV and AIDS in Contemporary Dance in South Africa
Castelyn, S. 2018. Choreographing HIV and AIDS in Contemporary Dance in South Africa. in: Campbell, A. and Gindt, D. (ed.) Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century Palgrave Macmillan. pp. 215-233We All are Makwerekwere: Xenophobia, Nationality, Dance and South Africa
Castelyn, S. 2019. We All are Makwerekwere: Xenophobia, Nationality, Dance and South Africa. Conversations Across the Field of Dance Studies. XXXIX, pp. 38-41.Saartjie Baartman, Nelisiwe Xaba, and me: the politics of looking at South African bodies
Castelyn, S. 2018. Saartjie Baartman, Nelisiwe Xaba, and me: the politics of looking at South African bodies. South African Theatre Journal. 32 (3), pp. 285-299. https://doi.org/10.1080/10137548.2018.1553625Mapping the Body's Movement
Castelyn, S. 2010. Mapping the Body's Movement. South African Theatre Journal. 24 (1), pp. 220-240.“Mama Africa”: HIV/AIDS and national identity in South African choreography
Castelyn, S. 2008. “Mama Africa”: HIV/AIDS and national identity in South African choreography. South African Theatre Journal.‘Why I Am Not a Fan of the Lion King’: Ethically Informed Approaches to the Teaching and Learning of South African Dance Forms in Higher Education in the United Kingdom
Castelyn, S. 2018. ‘Why I Am Not a Fan of the Lion King’: Ethically Informed Approaches to the Teaching and Learning of South African Dance Forms in Higher Education in the United Kingdom. in: Akinleye, A. (ed.) Narratives in Black British Dance Palgrave Macmillan. pp. 115-129Flatfoot Dance Company’s training programme in South Africa
Castelyn, S. 2012. Flatfoot Dance Company’s training programme in South Africa. Animated. 2012 (Winter), pp. 32-35.Home
Castelyn, S. 2023. Home.“We need to talk about Giselle"
Castelyn, S. 2023. “We need to talk about Giselle". JOMBA! Masihambisane Dialogues: 2023. Online and South Africa 24 - 26 May 2023 The Centre for Creative Arts, University of KwaZulu-Natal.Choreographing the Archive of a White Female South African
Castelyn, S. 2022. Choreographing the Archive of a White Female South African . JOMBA! Masihambisane Dialogues: 2022. Durban, South Africa 25 - 27 May 2022 The Centre for Creative Arts, University of KwaZulu-Natal.Intimacy as a Political Act: Contemporary Dance in South Africa
Castelyn, S. 2021. Intimacy as a Political Act: Contemporary Dance in South Africa. JOMBA! Masihambisane Dialogues: 2021. 02 - 04 Jun 2021 The Centre for Creative Arts, University of KwaZulu-Natal.Kudanwa Ngaphambi Kwemingqamu e-Africa Ne-JOMBA!
Castelyn, S. 2021. Kudanwa Ngaphambi Kwemingqamu e-Africa Ne-JOMBA! 2021 JOMBA! Khuluma Digital. 6 (15), pp. 37-38.Ukubambisana Kwama-Afrika Njengengxenye Yohlelo Lwefa Ledijithali
Castelyn, S. 2020. Ukubambisana Kwama-Afrika Njengengxenye Yohlelo Lwefa Ledijithali. 2020 JOMBA! Khuluma Digital. 5 (14), p. 29.Panel Dialogue 1: Thinking About Disability as Gain
Hutchinson, Y., Vellem, A., Gou, Z., Parrot, J., MacKenzie, N. and Castelyn, S. 2024. Panel Dialogue 1: Thinking About Disability as Gain. 2024 JOMBA! Ability Dance Festival Colloquium. Durban, South Africa 22 Aug - 25 Oct 20242901
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