Dr Sarahleigh Castelyn


NameDr Sarahleigh Castelyn
ORCIDhttps://orcid.org/0000-0003-0314-4870
Job titleReader
Email addresss.castelyn@uel.ac.uk
Research instituteArts & Creative Industries

Research outputs

We All are Makwerekwere: Xenophobia, Nationality, Dance and South Africa

Castelyn, S. 2019. We All are Makwerekwere: Xenophobia, Nationality, Dance and South Africa. Conversations Across the Field of Dance Studies. XXXIX, pp. 38-41.

Saartjie Baartman, Nelisiwe Xaba, and me: the politics of looking at South African bodies

Castelyn, S. 2018. Saartjie Baartman, Nelisiwe Xaba, and me: the politics of looking at South African bodies. South African Theatre Journal. https://doi.org/10.1080/10137548.2018.1553625

Choreographing HIV and AIDS in Contemporary Dance in South Africa

Castelyn, S. 2018. Choreographing HIV and AIDS in Contemporary Dance in South Africa. in: Campbell, Alyson and Gindt, Dirk (ed.) Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century Palgrave Macmillan. pp. 215-233

‘Why I Am Not a Fan of the Lion King’: Ethically Informed Approaches to the Teaching and Learning of South African Dance Forms in Higher Education in the United Kingdom

Castelyn, S. 2018. ‘Why I Am Not a Fan of the Lion King’: Ethically Informed Approaches to the Teaching and Learning of South African Dance Forms in Higher Education in the United Kingdom. in: Akinleye, Adesola (ed.) Narratives in Black British Dance Palgrave Macmillan. pp. 115-129

Flatfoot Dance Company’s training programme in South Africa

Castelyn, S. 2012. Flatfoot Dance Company’s training programme in South Africa. Animated. 2012 (Winter), pp. 32-35.

Mapping the Body's Movement

Castelyn, S. 2010. Mapping the Body's Movement. South African Theatre Journal. 24 (1), pp. 220-240.

“Mama Africa”: HIV/AIDS and national identity in South African choreography

Castelyn, S. 2008. “Mama Africa”: HIV/AIDS and national identity in South African choreography. South African Theatre Journal.
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