Ukubambisana Kwama-Afrika Njengengxenye Yohlelo Lwefa Ledijithali

Article

Castelyn, S. 2020. Ukubambisana Kwama-Afrika Njengengxenye Yohlelo Lwefa Ledijithali. 2020 JOMBA! Khuluma Digital. 5 (14), p. 29.
AuthorsCastelyn, S.
Keywordscontemporary dance; South Africa; Nigeria; Flatfoot Dance Company; Ijodee Dance Company
Journal2020 JOMBA! Khuluma Digital
Journal citation5 (14), p. 29
Year2020
PublisherThe Centre for Creative Arts, University of KwaZulu-Natal
Publisher's version
License
File Access Level
Repository staff only
Web address (URL)https://jombafestival.medium.com/african-collaboration-as-part-of-digital-jomba-s-legacy-programme-bc12525ca24c
https://jomba.ukzn.ac.za/khuluma/
Publication dates
Online27 Aug 2020
Publication process dates
Deposited01 Mar 2022
Additional information

Preview article on African collaboration as part of Digital JOMBA!s Legacy Programme. Focus is on ‘Aye Asan’ choreographed by Adedayo Liadi, the Artistic Director of Ijodee Dance Company based in Nigeria,who worked closely with Flatfoot Dance Company: Thobeka Quvane [Teekay] (Flatfoot), Sifiso Khulmalo (Flatfoot), Mlondolozi Zondi (Flatfoot), Frank Konwea (Ijodee) and Sifiso Ngcobo [Magesh] (Flatfoot). Translated into isiZulu by Lisa Goldstone.

Permalink -

https://repository.uel.ac.uk/item/8q515

Log in to edit

  • 57
    total views
  • 0
    total downloads
  • 0
    views this month
  • 0
    downloads this month

Export as

Related outputs

“We need to talk about Giselle"
Castelyn, S. 2023. “We need to talk about Giselle". JOMBA! Masihambisane Dialogues: 2023. Online and South Africa 24 - 26 May 2023 The Centre for Creative Arts, University of KwaZulu-Natal.
Contemporary Dance in South Africa: The Toyi-Toying Body
Castelyn, S. 2022. Contemporary Dance in South Africa: The Toyi-Toying Body. Newcastle, UK Cambridge Scholars Publishing.
Choreographing the Archive of a White Female South African
Castelyn, S. 2022. Choreographing the Archive of a White Female South African . JOMBA! Masihambisane Dialogues: 2022. Durban, South Africa 25 - 27 May 2022 The Centre for Creative Arts, University of KwaZulu-Natal.
Kudanwa Ngaphambi Kwemingqamu e-Africa Ne-JOMBA!
Castelyn, S. 2021. Kudanwa Ngaphambi Kwemingqamu e-Africa Ne-JOMBA! 2021 JOMBA! Khuluma Digital. 6 (15), pp. 37-38.
Intimacy as a Political Act: Contemporary Dance in South Africa
Castelyn, S. 2021. Intimacy as a Political Act: Contemporary Dance in South Africa. JOMBA! Masihambisane Dialogues: 2021. 02 - 04 Jun 2021 The Centre for Creative Arts, University of KwaZulu-Natal.
We All are Makwerekwere: Xenophobia, Nationality, Dance and South Africa
Castelyn, S. 2019. We All are Makwerekwere: Xenophobia, Nationality, Dance and South Africa. Conversations Across the Field of Dance Studies. XXXIX, pp. 38-41.
‘Why I Am Not a Fan of the Lion King’: Ethically Informed Approaches to the Teaching and Learning of South African Dance Forms in Higher Education in the United Kingdom
Castelyn, S. 2018. ‘Why I Am Not a Fan of the Lion King’: Ethically Informed Approaches to the Teaching and Learning of South African Dance Forms in Higher Education in the United Kingdom. in: Akinleye, A. (ed.) Narratives in Black British Dance Palgrave Macmillan. pp. 115-129
Choreographing HIV and AIDS in Contemporary Dance in South Africa
Castelyn, S. 2018. Choreographing HIV and AIDS in Contemporary Dance in South Africa. in: Campbell, A. and Gindt, D. (ed.) Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century Palgrave Macmillan. pp. 215-233
Saartjie Baartman, Nelisiwe Xaba, and me: the politics of looking at South African bodies
Castelyn, S. 2018. Saartjie Baartman, Nelisiwe Xaba, and me: the politics of looking at South African bodies. South African Theatre Journal. 32 (3), pp. 285-299. https://doi.org/10.1080/10137548.2018.1553625
Mapping the Body's Movement
Castelyn, S. 2010. Mapping the Body's Movement. South African Theatre Journal. 24 (1), pp. 220-240.
Flatfoot Dance Company’s training programme in South Africa
Castelyn, S. 2012. Flatfoot Dance Company’s training programme in South Africa. Animated. 2012 (Winter), pp. 32-35.
“Mama Africa”: HIV/AIDS and national identity in South African choreography
Castelyn, S. 2008. “Mama Africa”: HIV/AIDS and national identity in South African choreography. South African Theatre Journal.