We All are Makwerekwere: Xenophobia, Nationality, Dance and South Africa

Article


Castelyn, S. 2019. We All are Makwerekwere: Xenophobia, Nationality, Dance and South Africa. Conversations Across the Field of Dance Studies. XXXIX, pp. 38-41.
AuthorsCastelyn, S.
JournalConversations Across the Field of Dance Studies
Journal citationXXXIX, pp. 38-41
Year2019
PublisherDance Studies Association
Publisher's version
License
File Access Level
Anyone
Web address (URL)https://d1z6eg75w3adwx.cloudfront.net/images/DSA_2019_Conversations_FA.pdf
Publication dates
PrintDec 2019
Publication process dates
Deposited29 Nov 2019
AcceptedSep 2019
Copyright holder© 2019 Dance Studies Association
EditorsSethi, A. and Sebro, T.
Permalink -

https://repository.uel.ac.uk/item/8755y

Download files


Publisher's version
DSA_2019_Conversations_FA.pdf
License: All rights reserved
File access level: Anyone

  • 99
    total views
  • 296
    total downloads
  • 1
    views this month
  • 5
    downloads this month

Export as

Related outputs

Kudanwa Ngaphambi Kwemingqamu e-Africa Ne-JOMBA!
Castelyn, S. 2021. Kudanwa Ngaphambi Kwemingqamu e-Africa Ne-JOMBA! 2021 JOMBA! Khuluma Digital. 6 (15), pp. 37-38.
Intimacy as a Political Act: Contemporary Dance in South Africa
Castelyn, S. 2021. Intimacy as a Political Act: Contemporary Dance in South Africa. JOMBA! Masihambisane Dialogues: 2021. 02 - 04 Jun 2021 The Centre for Creative Arts, University of KwaZulu-Natal.
Ukubambisana Kwama-Afrika Njengengxenye Yohlelo Lwefa Ledijithali
Castelyn, S. 2020. Ukubambisana Kwama-Afrika Njengengxenye Yohlelo Lwefa Ledijithali. 2020 JOMBA! Khuluma Digital. 5 (14), p. 29.
Choreographing HIV and AIDS in Contemporary Dance in South Africa
Castelyn, S. 2018. Choreographing HIV and AIDS in Contemporary Dance in South Africa. in: Campbell, Alyson and Gindt, Dirk (ed.) Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century Palgrave Macmillan. pp. 215-233
‘Why I Am Not a Fan of the Lion King’: Ethically Informed Approaches to the Teaching and Learning of South African Dance Forms in Higher Education in the United Kingdom
Castelyn, S. 2018. ‘Why I Am Not a Fan of the Lion King’: Ethically Informed Approaches to the Teaching and Learning of South African Dance Forms in Higher Education in the United Kingdom. in: Akinleye, Adesola (ed.) Narratives in Black British Dance Palgrave Macmillan. pp. 115-129
Saartjie Baartman, Nelisiwe Xaba, and me: the politics of looking at South African bodies
Castelyn, S. 2018. Saartjie Baartman, Nelisiwe Xaba, and me: the politics of looking at South African bodies. South African Theatre Journal. 32 (3), pp. 285-299. https://doi.org/10.1080/10137548.2018.1553625
Mapping the Body's Movement
Castelyn, S. 2010. Mapping the Body's Movement. South African Theatre Journal. 24 (1), pp. 220-240.
Flatfoot Dance Company’s training programme in South Africa
Castelyn, S. 2012. Flatfoot Dance Company’s training programme in South Africa. Animated. 2012 (Winter), pp. 32-35.
“Mama Africa”: HIV/AIDS and national identity in South African choreography
Castelyn, S. 2008. “Mama Africa”: HIV/AIDS and national identity in South African choreography. South African Theatre Journal.