Arts & Creative Industries
| Title | Arts & Creative Industries |
|---|---|
| ADI | |
| Type | School |
| University | UEL |
| Dean | Dr Sarahleigh Castelyn |
| Research Administrator | Ms Avinder Bhinder |
| Research Degrees Leader | Dr Sarahleigh Castelyn |
| Examination Officer | Ms Avinder Bhinder |
Latest research outputs
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Primate Visions: Modernist Monkey Business
Brauer, F. 2015. Primate Visions: Modernist Monkey Business. University of East London Annual Research Conference. University of East London 24 Jun 2015Conference paper
Performing Biopouvoir: Body Culture, Scientia Sexualis and Eugenics
Brauer, F. 2015. Performing Biopouvoir: Body Culture, Scientia Sexualis and Eugenics. Theatre, Performance, Foucault! heatre and Performance Research Association Symposium. Kings College, London 04 Jul 2015Conference paper
Mesmeric Modernism: František Kupka’s Magnetic Waves and Vibrating Abstractions
Brauer, F. 2015. Mesmeric Modernism: František Kupka’s Magnetic Waves and Vibrating Abstractions. Energies in the Arts. National Institute of Experimental Arts and the Museum of Contemporary Art, Sydney 13 - 15 Aug 2015Conference paper
Evolving Androgynous Astrobodies: Hélène Dufau’s Occult Transformism
Brauer, F. 2015. Evolving Androgynous Astrobodies: Hélène Dufau’s Occult Transformism. Theosophy and the Arts: Texts and Contexts of Modern Enchantment. Columbia University, New York, USA 09 - 10 Oct 2015Conference paper
"L'élément fluid": Magnetism, Radioactivity and Hélène Dufau's Transformism
Brauer, F. 2014. "L'élément fluid": Magnetism, Radioactivity and Hélène Dufau's Transformism. Fluid, The Society for Literature, Science and the Arts 28th Annual Conference. University of Dallas, Texas, USA 09 - 12 Oct 2014Conference paper
Becoming “Le moteur humain”: “The Art of Work” and “The Taylored Body”
Brauer, F. 2014. Becoming “Le moteur humain”: “The Art of Work” and “The Taylored Body”. 2014 History of Science Society Annual Conference (HSS). Chicago, Illinois, USA 06 - 09 Nov 2014Conference paper
Astrobiology and the Third Gender: Hélène Dufau's Occult Transformism
Brauer, F. 2014. Astrobiology and the Third Gender: Hélène Dufau's Occult Transformism. "Les Intermédiares”: Utopies du troisième genre dans les arts visuels du passage du siècle (1880/1920). Institut National d'Histoire de l'Art Salle Vasari, Université de Paris, Paris 10 Dec 2014Conference paper
Magnetic Modernism: Frantisek Kupka's Mesmeric Abstraction and the Revolution of Consciousness
Brauer, F. 2014. Magnetic Modernism: Frantisek Kupka's Mesmeric Abstraction and the Revolution of Consciousness. "Utopia”, Fourth Biannual Conference of the European Network for Avant-Garde and Modernism Studies. University of Helsinki, Finland 29 - 31 Aug 2014Conference paper
Superevolution: Interspecies Modernism and the Naturization of Modernity
Brauer, F. 2017. Superevolution: Interspecies Modernism and the Naturization of Modernity. in: Jach, Aleksandra, Kurc-Maj, Paulina and Hatowska, Agnieszka (ed.) Superorganism: The Avant-Garde and the Experience of Nature Łódź Muzeum Sztuki. pp. 149-184Book chapter
Naturyzacja Ewolucji: Kolonie Zwierzece, Drzewa Zycia I Modernizm, Miedzygatunkowy
Brauer, F. 2017. Naturyzacja Ewolucji: Kolonie Zwierzece, Drzewa Zycia I Modernizm, Miedzygatunkowy. in: Jach, Aleksandra, Kurc-Maj, Paulina and Hatowska, Agnieszka (ed.) Superorganizm. Awangarda i doświadczenie przyrody Łodzi Muzeum Sztuki. pp. 149-184Book chapter
Primate Visions: Modernist Monkey Business
Brauer, F. 2014. Primate Visions: Modernist Monkey Business. Animal Encounters: Performance, Animality and Posthumanism. University of Roehampton 31 May 2014Conference paper
Dangerous Doubles: Paul Richer's Museums of Pathological Sculpture and 'Nouvelle Anatomie Artistique'
Brauer, F. 2014. Dangerous Doubles: Paul Richer's Museums of Pathological Sculpture and 'Nouvelle Anatomie Artistique'. CFP: Collect, Exchange, Display: Artistic Practice and the Medical Museum. Hunterian Museum of the Royal College of Surgeons, London 06 Jun 2014Conference paper
Punitive Spectacles: The Sadistic Art of Écorché
Brauer, F. 2014. Punitive Spectacles: The Sadistic Art of Écorché. The Sculpture of the Écorché. The Henry Moore Institute, Leeds 07 Jun 2014Conference paper
Imagining Transplantation and Transspeciation: Patricia Piccinini's Transgenic Art
Brauer, F. 2014. Imagining Transplantation and Transspeciation: Patricia Piccinini's Transgenic Art. Research and Developement Conference. University of East London 25 Jun 2014Conference paper
Muslims and the Politics of Love in Contemporary British Fiction
Banting, A. 2017. Muslims and the Politics of Love in Contemporary British Fiction. PhD Thesis University of East London Arts and Digital Industries https://doi.org/10.15123/PUB.6721PhD Thesis
HUO
Maier, J. 2018. HUO.Digital or visual media
Listening Theatre: The New Politics of Millennial Performance Makers
Drayton, T. 2018. Listening Theatre: The New Politics of Millennial Performance Makers. NYU Educational Theatre Forum 2018: 'Performance as Activism'. New York University, NY, USA 19 2018 - 21 Apr 2019Conference paper
Metamodernist, Millennial Milieu in Performance
Drayton, T. 2018. Metamodernist, Millennial Milieu in Performance. 'Making Connections' UEL ACI PGR Conference 2018. University of East London May 2018Conference paper
The Listening Theatre: A Metamodern Politics of Performance
Drayton, T. 2018. The Listening Theatre: A Metamodern Politics of Performance. Performance Philosophy. 4 (1), pp. 170-187. https://doi.org/10.21476/PP.2018.41200Article
Adaptation as defense against film censorship: Pasolini’s Salò – 120 Days of Sodom in Italy and the UK
Signorelli, V. 2018. Adaptation as defense against film censorship: Pasolini’s Salò – 120 Days of Sodom in Italy and the UK. in: Hermansson, C. and Zepernick, J. (ed.) Where is Adaptation? Mapping cultures, texts, and contexts John Benjamins Publishing Company. pp. 271–286Book chapter
Film Review: The making of Where is Europe? directed by Valentina Signorelli (Italy, 2018)
Signorelli, V. 2018. Film Review: The making of Where is Europe? directed by Valentina Signorelli (Italy, 2018). Journal of African Media Studies. 10 (2), pp. 215-219. https://doi.org/10.1386/jams.10.2.215_7Article
Sexual Harassment, #MeToo and Feminism
Nava, M. 2018. Sexual Harassment, #MeToo and Feminism. Chartist. 290, pp. 16-17.Article
Review: Feenberg, Technosystem: The Social Life of Reason
Thomas, A. 2018. Review: Feenberg, Technosystem: The Social Life of Reason. Theory, Culture and Society Website Reviews.Article
Détournement and female punk bands of the 1970s
Reddington, H. 2018. Détournement and female punk bands of the 1970s. in: Lee, G. (ed.) Rethinking Difference in Gender, Sexuality, and Popular Music: Theory and Politics of Ambiguity Routledge.Book chapter
Gender Ventriloquism in Studio Production
Reddington, H. 2018. Gender Ventriloquism in Studio Production. IASPM Journal. 8 (1), pp. 59-73. https://doi.org/10.5429/2079-3871(2018)v8i1.6enArticle
An Overview of Performing Arts as They Relate to Disability in the United Kingdom
Terret, L. 2018. An Overview of Performing Arts as They Relate to Disability in the United Kingdom. in: Castaño, A. (ed.) Jornadas sobre la Inclusión Social y la Educación en las Artes Escénicas (2009-2018) El Instituto Nacional de las Artes Escénicas y de la Música (INAEM). pp. 251-259Book chapter
“I've danced my whole life, but none of that is useful at all”: Netflix’s We Speak Dance (2018), Vulnerability and Collaborative Critiques
Blanco Borelli, M., Benthaus, E., Brazzale, C., Mitra, R., Rosa, C., Jarvinen, H., Monteiro, C., Rastovac-Akbarzadeh, H. and De la Cruz, M. 2018. “I've danced my whole life, but none of that is useful at all”: Netflix’s We Speak Dance (2018), Vulnerability and Collaborative Critiques. Conversations Across the Field of Dance Studies. XXXVIII, pp. 54-60.Article
The Advertising Handbook: 4th Edition
Hardy, J., Macrury, L. and Powell, H. (ed.) 2018. The Advertising Handbook: 4th Edition. Routledge.Book
Branded Content: Media and Marketing Integration
Hardy, J. 2018. Branded Content: Media and Marketing Integration. in: Hardy, J., Powell, H. and Macrury, L. (ed.) The Advertising Handbook: 4th Edition Routledge.Book chapter
Branded Content: Implications for Social Communications
Hardy, J. 2018. Branded Content: Implications for Social Communications. in: Turzynski, G. (ed.) Fifteen Years, A Branded Content Story: A Collection Of Thought Provoking Essays From Leading Branded Content Experts Branded Content Marketing Association. pp. 21-25Book chapter
Scratching the surface of spectacle: Black hypermasculinity and the Television Talent Show
Robinson, L. 2018. Scratching the surface of spectacle: Black hypermasculinity and the Television Talent Show. The International Journal of Screendance. 9, pp. 72-97. https://doi.org/10.18061/ijsd.v9i0.6044Article
The Imperial Body and the Eugenic Gaze: Arthur Conan Doyle’s ‘Anthropometric Detective’ and Francis Galton’s ‘Art of Decipherment’
Brauer, F. 2018. The Imperial Body and the Eugenic Gaze: Arthur Conan Doyle’s ‘Anthropometric Detective’ and Francis Galton’s ‘Art of Decipherment’. in: Marshall, N. R. (ed.) Science is Measurement? Art, Science and Visual Culture in the Transatlantic Nineteenth Century University of Pittsburgh Press. pp. In PressBook chapter
Evolving Androgynous Astrobodies: Hélène Dufau's Occultist Transformism
Brauer, F. 2018. Evolving Androgynous Astrobodies: Hélène Dufau's Occultist Transformism. in: Rousseau, Pascal (ed.) L'Androgyne au passage du siècle visual culture Presses Universitaires de Rennes. pp. In PressBook chapter
Researching memory in early modern studies
Chedgzoy, Kate, Graham, Elspeth, Hodgkin, K. and Wray, Ramona 2018. Researching memory in early modern studies. Memory Studies. 11 (1), pp. 5-20. https://doi.org/10.1177/1750698017736834Article
Transitions in Human Computer Interaction: From Data Embodiment to Experience Capitalism
Sampson, T. 2018. Transitions in Human Computer Interaction: From Data Embodiment to Experience Capitalism. AI and Society. 34 (4), p. 835–845. https://doi.org/10.1007/s00146-018-0822-zArticle
Art, Activism and the Tate
Memou, A. 2018. Art, Activism and the Tate. Third Text. 31 (5-6), pp. 619-631. https://doi.org/10.1080/09528822.2018.1435086Article
‘Why I Am Not a Fan of the Lion King’: Ethically Informed Approaches to the Teaching and Learning of South African Dance Forms in Higher Education in the United Kingdom
Castelyn, S. 2018. ‘Why I Am Not a Fan of the Lion King’: Ethically Informed Approaches to the Teaching and Learning of South African Dance Forms in Higher Education in the United Kingdom. in: Akinleye, A. (ed.) Narratives in Black British Dance Palgrave Macmillan. pp. 115-129Book chapter
Choreographing HIV and AIDS in Contemporary Dance in South Africa
Castelyn, S. 2018. Choreographing HIV and AIDS in Contemporary Dance in South Africa. in: Campbell, A. and Gindt, D. (ed.) Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century Palgrave Macmillan. pp. 215-233Book chapter
Dislocation and Materiality
Crenshaw, Mary 2018. Dislocation and Materiality. Prof Doc Thesis University of East London Schools of Arts and Digital Industries https://doi.org/10.15123/PUB.7885Prof Doc Thesis
Global Glam and Popular Music: Style and Spectacle from the 1970s to the 2000s. Edited by Ian Chapman and Henry Johnson. London: Routledge, 2016. 300pp. ISBN 978-1-138-82176-7 (Review)
Branch, A. 2018. Global Glam and Popular Music: Style and Spectacle from the 1970s to the 2000s. Edited by Ian Chapman and Henry Johnson. London: Routledge, 2016. 300pp. ISBN 978-1-138-82176-7 (Review). Popular Music. 37 (2), pp. 299-302. https://doi.org/10.1017/S0261143018000107Article
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