Arts & Creative Industries
Title | Arts & Creative Industries |
---|---|
ADI | |
Type | School |
University | UEL |
Dean | Dr Sarahleigh Castelyn |
Research Administrator | Ms Avinder Bhinder |
Research Degrees Leader | Dr Sarahleigh Castelyn |
Examination Officer | Ms Avinder Bhinder |
Latest research outputs
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If Not Now
Daniels, J. 2024. If Not Now. AustraliaDigital or visual media
Hand Addressed, Digital Postcards Series 1
Brazzale, C. and Morris, B. 2024. Hand Addressed, Digital Postcards Series 1. Gerry Raffles Square London, England, E15 1BN United Kingdom 27 Jan - 25 Feb 2024Exhibition
Techno-feudalism or Platform Capitalism? Conceptualising the Digital Society
Gilbert, J. 2024. Techno-feudalism or Platform Capitalism? Conceptualising the Digital Society. European Journal of Social Theory. In Press.Article
Fumerist Autoethnography: Developing a New Relationship between Performer and Audience
Kasselder, H. 2024. Fumerist Autoethnography: Developing a New Relationship between Performer and Audience. PhD Thesis University of East London School of Arts & Creative Industries https://doi.org/10.15123/uel.8y0v7PhD Thesis
A History of Malayalam Horror Cinema and the Use of Christian Iconography
David Joy, A. 2024. A History of Malayalam Horror Cinema and the Use of Christian Iconography. PhD Thesis University of East London School of Arts & Creative Industries https://doi.org/10.15123/uel.8y0v3PhD Thesis
Nigel Farage’s populism distracts from what people in Clacton are really proud about
Sampson, T. and Branch, A. 2024. Nigel Farage’s populism distracts from what people in Clacton are really proud about. The Conversation.Article
Re-imagining Pride-in-Place at the Mezzolevel
Sampson, T., Branch, A. and Tofield, G. 2024. Re-imagining Pride-in-Place at the Mezzolevel. Rochford, Essex The Cultural Engine.Discussion paper
‘Can’t this just f*cking exist? Can’t a play from a person like me just be a f*cking play already?’: Metamodern Self-reflexivity as an approach to tackling Black Trauma Narratives in Arinzé Kene’s Misty (2018)
Drayton, T. 2024. ‘Can’t this just f*cking exist? Can’t a play from a person like me just be a f*cking play already?’: Metamodern Self-reflexivity as an approach to tackling Black Trauma Narratives in Arinzé Kene’s Misty (2018). Recentring Form(s) in and of the Margins: The Politics of Self-Reflexivity. Vrije Universiteit, Brussels, Belgium 24 - 26 Apr 2024Conference paper
Home
Castelyn, S. 2023. Home.Digital or visual media
South Asian Cinema and VOD Network
Vitali, V. South Asian Cinema and VOD Network.Website
We're Like Sisters
Kasselder, H. 2023. We're Like Sisters. The Bread & Roses Theatre, London, United Kingdom 04 - 08 Apr 2023Performance
Multilingual Narratives of a Pandemic: Covid 19 and Worldmaking
Boyle, C., Brandao, R., Baratti, A. and Pena, N. S. (ed.) 2023. Multilingual Narratives of a Pandemic: Covid 19 and Worldmaking . John Murray Learning.Book
Questioning values in the delivery of dance practices at the University of East London
Trim-Vamben, C. and Read, J. 2023. Questioning values in the delivery of dance practices at the University of East London. in: Colin, N., Seago, C. and Stamp. K. (ed.) Ethical Agility in Dance: Rethinking Technique in British Contemporary Dance Routledge Taylor & Francis Group. pp. 110-128Book chapter
Emotion Memory versus Physical Action Towards Anti-racist Pedagogies that Make Way for Critical Praxis
Stamatiou, E. 2023. Emotion Memory versus Physical Action Towards Anti-racist Pedagogies that Make Way for Critical Praxis. in: Scott, S. and Skelton, J. (ed.) Stanislavski and Race: Questioning the “System” in the 21st Century Routledge Taylor & Francis Group. pp. 62-79Book chapter
Bourdieu in the Studio: Decolonising and Decentering Actor Training through Ludic Activism
Stamatiou, E. 2023. Bourdieu in the Studio: Decolonising and Decentering Actor Training through Ludic Activism. London and New York Routledge Taylor & Francis Group.Book
“We need to talk about Giselle"
Castelyn, S. 2023. “We need to talk about Giselle". JOMBA! Masihambisane Dialogues: 2023. Online and South Africa 24 - 26 May 2023 The Centre for Creative Arts, University of KwaZulu-Natal.Conference paper
Notes on [a] Metamodernism [conference]
Drayton, T. 2023. Notes on [a] Metamodernism [conference]. in: Kavanagh, K. and Hamer, T. (ed.) The Really Fantastic and the Fantastically Real: Doing Circus Now Cardiff, UK Metamodern Festival. pp. 8 - 12Book chapter
'It's All So Pointless. Ah, But It's Not Though, Is It? It's Really Real and When You Feel It You Can Really Feel It': Theatre and Performance within Metamodernism
Drayton, T. 2023. 'It's All So Pointless. Ah, But It's Not Though, Is It? It's Really Real and When You Feel It You Can Really Feel It': Theatre and Performance within Metamodernism. The Metamodern Circus. NoFit State Circus, Cardiff (UK) 26 - 26 May 2023 The Circus Diaries.Conference keynote
Cinematic Aesthetics of Resistance: Reframing the Non-fiction Oppositional Film
Daniels, J. 2023. Cinematic Aesthetics of Resistance: Reframing the Non-fiction Oppositional Film. in: Rogers, C., Munro, K., Burke, L. and Gough-Brady, C. (ed.) Constructions of the Real: Intersections of Documentary-Based Film Practice and Theory Bristol Intellect Press. pp. 144-154Book chapter
What a touchy subject! Discussions, reflections and thoughts about touch on the UEL BA (Hons) Dance: Urban Practice course
Trim-Vamben, C. and Read, J. 2023. What a touchy subject! Discussions, reflections and thoughts about touch on the UEL BA (Hons) Dance: Urban Practice course. Theatre, Dance and Performance Training. 14 (2), pp. 216-220. https://doi.org/10.1080/19443927.2023.2189877Article
Albania
Jonka, E. and Stamatiou, E. 2023. Albania. in: Remshardt, R. and Mancewicz, A. (ed.) The Routledge Companion to Contemporary European Theatre and Performance Routledge Taylor & Francis Group.Book chapter
Resisters
Daniels, J. 2023. Resisters. Screenworks. 13 (1). https://doi.org/10.37186/swrks/13.1/10Article
Political Participation in the Corbyn Movement
Adams, J. 2023. Political Participation in the Corbyn Movement. PhD Thesis University of East London School of Arts and Creative Industries https://doi.org/10.15123/uel.8w48yPhD Thesis
Home is where the hate is: gender, race, class and the domestic abuse plotline in fiction and on screen
Garrett, R. 2023. Home is where the hate is: gender, race, class and the domestic abuse plotline in fiction and on screen. Feminist Media Studies. 23 (8), pp. 4170-4186. https://doi.org/10.1080/14680777.2022.2155861Article
The Marsh
Chapman, D. 2023. The Marsh. SoundFjord.Video
Perambulator
Qualmann, C. 2023. Perambulator. in: Encyclopaedia of Mobilities Edward Elgar Publishing.Book chapter
Labour silence on abuse uncovered in reports
Nava, M. 2023. Labour silence on abuse uncovered in reports. Chartist. 320, p. 22.Article
Predators Far and Near: The Sadean Gothic in Penny Dreadful
Hallam, L. 2023. Predators Far and Near: The Sadean Gothic in Penny Dreadful. in: Grossman, J. and Scheibel, W. (ed.) Penny Dreadful and Adaptation: Reanimating and Transforming the Monster Palgrave Macmillan, Cham. pp. 217–232Book chapter
South Asian Women's Cinema: Between Festivals and Streaming
Vitali, V. 2023. South Asian Women's Cinema: Between Festivals and Streaming. NO NIIN Magazine. (16).Article
A screen actor prepares: Self-taping by reversing Stanislavsky’s Method of Physical Actions
Stamatiou, E. 2023. A screen actor prepares: Self-taping by reversing Stanislavsky’s Method of Physical Actions. Stanislavski Studies. 11 (1), pp. 63-79. https://doi.org/10.1080/20567790.2023.2196297Article
An agenda for creative practice in the new mobilities paradigm
Barry, K, Southern, J., Baxter, T., Blondin, S., Booker, C., Bowstead, J., Butler, C., Dillon, R., Ferguson, N., Filipska, G., Hieslmair, M., Hunt, L., Ianchenko, A., Johnson, P., Keane, J., Koszolko, M. K., Qualmann, C., Rumsby, C., Oliveira, C. S., Schleser, M., Sodero, S., Soliz, A., Wilson, L. A., Wood, H. and Zinganel, M. 2023. An agenda for creative practice in the new mobilities paradigm. Mobilities. 18 (3), pp. 349-373. https://doi.org/10.1080/17450101.2022.2136996Article
Book Review: The Lab Book: Situated Practice in Media Studies
Lengua, D. 2023. Book Review: The Lab Book: Situated Practice in Media Studies. New Media & Society. 25 (1), pp. 243-245. https://doi.org/10.1177/14614448221122242Article
East End Jam: A Multi-Sensory Urban Foraging Artwork
Qualmann, C. and Vogel, A. 2023. East End Jam: A Multi-Sensory Urban Foraging Artwork. in: Edwards, F., Popartan, L. A. and Pettersen, I. N. (ed.) Urban Natures: Living the More-than-Human City Berghahn Books. pp. 88-104Book chapter
The Hindi Horror Film
Vitali, V. 2023. The Hindi Horror Film. in: Alkassim, S. and Foty, Z. E. (ed.) Global Horror Film: Hybridity and Alterity in Transnational Horror Film Cognella Press. pp. 204-217Book chapter
Wander: Score
Qualmann, C. and Hind, C. 2022. Wander: Score.Performance
Dancing Through Differences: West African Dance in Italy
Brazzale, C. Dancing Through Differences: West African Dance in Italy. in: DeFrantz, T. (ed.) The Oxford Handbook of Black Dance Studies Oxford University Press. pp. In PressBook chapter
Dwoskin and Me: Halting the Flow of Time
Daniels, J. 2022. Dwoskin and Me: Halting the Flow of Time. Jewish Film & New Media: An International Journal. 10 (1), pp. 141-159. https://doi.org/10.1353/jfn.2022.a914339Article
Contemporary Dance in South Africa: The Toyi-Toying Body
Castelyn, S. 2022. Contemporary Dance in South Africa: The Toyi-Toying Body. Newcastle, UK Cambridge Scholars Publishing.Book
Choreographing the Archive of a White Female South African
Castelyn, S. 2022. Choreographing the Archive of a White Female South African . JOMBA! Masihambisane Dialogues: 2022. Durban, South Africa 25 - 27 May 2022 The Centre for Creative Arts, University of KwaZulu-Natal.Conference paper
The Soundscape of Alola: Exploring the Use of Hawaiian Musical Tropes and Motifs in the World of Pokémon Sun and Moon
Gunn, M. 2022. The Soundscape of Alola: Exploring the Use of Hawaiian Musical Tropes and Motifs in the World of Pokémon Sun and Moon. Journal of Sound and Music in Games. 3 (2-3), pp. 59-76. https://doi.org/10.1525/jsmg.2022.3.2-3.59Article
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