Arts & Creative Industries
| Title | Arts & Creative Industries |
|---|---|
| ADI | |
| Type | School |
| University | UEL |
| Dean | Dr Sarahleigh Castelyn |
| Research Administrator | Ms Avinder Bhinder |
| Research Degrees Leader | Dr Sarahleigh Castelyn |
| Examination Officer | Ms Avinder Bhinder |
Latest research outputs
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The Women’s Royal Indian Naval Service: Picturing India’s New Woman
Vitali, V. 2019. The Women’s Royal Indian Naval Service: Picturing India’s New Woman. Women's History Review. 29 (7), pp. 1114-1148. https://doi.org/10.1080/09612025.2019.1674468Article
Talkin’ Transindividuation and Collectivity: A Dialogue Between Jason Read and Jeremy Gilbert
Read, J. and Gilbert, J. 2019. Talkin’ Transindividuation and Collectivity: A Dialogue Between Jason Read and Jeremy Gilbert. Capacious: Journal for Emerging Affect Inquiry. 1 (4), pp. 56-77. https://doi.org/10.22387/CAP2019.27Article
Becoming Simian: Darwin, Picasso and Creative Evolution
Brauer, F. 2019. Becoming Simian: Darwin, Picasso and Creative Evolution. Doing Darwin Down Under. University of Sydney 23 - 24 Aug 2019Conference paper
Reproducing Masculinities – The Edwardian Performance of Male Adolescent ‘Crisis'
Heaney, M. 2019. Reproducing Masculinities – The Edwardian Performance of Male Adolescent ‘Crisis'. Historicising Masculinities Conference. Newcastle University, UK 02 - 04 Jul 2019Conference paper
The Subjective Voice and Hybrid Documentary Filmmaking Strategies: A Case Study
Daniels, J. 2019. The Subjective Voice and Hybrid Documentary Filmmaking Strategies: A Case Study. Alphaville: Journal of Film and Screen Media. 17, pp. 97-110. https://doi.org/10.33178/alpha.17.06Article
A Radical Feminist Diaspora: Speaking of IMELDA, reproductive justice and Ireland
Speaking of I.M.E.L.D.A ( Helena Walsh, Ann Rossiter, Marian Larragy, Treasa O'Brien, Tina Ní Bhloscaidh and Anna Carnegie) and Mccarthy, L. 2019. A Radical Feminist Diaspora: Speaking of IMELDA, reproductive justice and Ireland. in: Kinna, R. and Gordon, U. (ed.) Routledge Handbook of Radical Politics Routledge.Book chapter
Sergio Tonkonoff, From Tarde to Deleuze and Foucault: The Infinitesimal Revolution, London: Palgrave Macmillan, 2018; 154: ISBN, 978-3-319-55148-7
Sampson, T. 2019. Sergio Tonkonoff, From Tarde to Deleuze and Foucault: The Infinitesimal Revolution, London: Palgrave Macmillan, 2018; 154: ISBN, 978-3-319-55148-7. International Sociology. 34 (5), pp. 574-576. https://doi.org/10.1177/0268580919870460aArticle
Picasso’s Syphilitic Bodies
Brauer, F. 2019. Picasso’s Syphilitic Bodies. in: Grew, R. and Weir, L. (ed.) Outsider Bodies: Disrupting the Canon of Corporeal Norms I.B. Tauris. pp. In PressBook chapter
Meanings of Failed Action: A Reassessment of the 1946 Royal Indian Navy Uprising
Vitali, V. 2019. Meanings of Failed Action: A Reassessment of the 1946 Royal Indian Navy Uprising. South Asia: Journal of South Asian Studies. 41 (4), pp. 763-788. https://doi.org/10.1080/00856401.2018.1523106Article
Vitalist Modernism
Brauer, F. and Keshavjee, S. 2019. Vitalist Modernism. Association of Art Historians 2019 Annual Conference. Brighton, UK 04 - 06 Apr 2019Conference item
Making "The Russian Lion": Vladislav von Krajewski’s Bodybuilding of George Hachenschmidt
Brauer, F. 2019. Making "The Russian Lion": Vladislav von Krajewski’s Bodybuilding of George Hachenschmidt. Making the New Man: Scientific and Artistic Experiments in the Russian Empire and the Soviet Union, 1900–1939. St. Petersburg State University 16 - 18 May 2019Conference paper
All the Water in the World
Raney, K. 2019. All the Water in the World. Scribner.Book
Nomadic Contagions and the Performance of Infrastructure in Dale Farm's Post-eviction Scene
Mccarthy, L. 2019. Nomadic Contagions and the Performance of Infrastructure in Dale Farm's Post-eviction Scene. in: Walsh, Fintan (ed.) Theatres of Contagion: Transmitting Early Modern to Contemporary Performance Methuen Drama. pp. 136–152Book chapter
Performing Difference: Diversity, Representation and the Nation
Hingorani, D. 2017. Performing Difference: Diversity, Representation and the Nation. in: Breed, Ananda and Prentki, Tim (ed.) Performance and Civic Engagement Palgrave Macmillan. pp. 41-68Book chapter
The Border Crossing: Experiments in the Cinematic Representation of Memory
Daniels, J. 2013. The Border Crossing: Experiments in the Cinematic Representation of Memory. in: Truth, Dare or Promise: Art and Documentary Revisited Cambridge Scholars. pp. 20-34Book chapter
Truth, Dare or Promise: Art and Documentary Revisited
Daniels, Jill, McLaughlin, Cahal and Pearce, Gail (ed.) 2013. Truth, Dare or Promise: Art and Documentary Revisited. Newcastle Upon Tyne Cambridge Scholars.Book
Good night, sleep tight (remix)
Dunne, Joseph, Ramos, J., Maravala, Persis Jade and ZU-UK 2018. Good night, sleep tight (remix). International Journal of Performance Arts and Digital Media. 14 (2), pp. 215-223. https://doi.org/10.1080/14794713.2018.1505385Article
Autobiographical Writings
Hodgkin, K. 2017. Autobiographical Writings. in: Hiscock, Andrew and Wilcox, Helen (ed.) The Oxford Handbook of Early Modern English Literature and Religion Oxford University Press.Book chapter
Abject Hypocrisy: Gender, Religion, and the Self
Hodgkin, K. 2017. Abject Hypocrisy: Gender, Religion, and the Self. in: Nigri, Lucia and Tsentourou, Naya (ed.) Forms of Hypocrisy in Early Modern England Routledge.Book chapter
Chance Encounters: Serendipity and the Use of Music in the Films of Jean Cocteau and Harry Smith
Chapman, D. 2009. Chance Encounters: Serendipity and the Use of Music in the Films of Jean Cocteau and Harry Smith. The Soundtrack. 2 (1), pp. 5-18. https://doi.org/10.1386/st.2.1.5_1Article
Falkland: a sonic investigation of place
Chapman, D. and Wilson, Louise K 2010. Falkland: a sonic investigation of place. Journal of Media Practice. 11 (3), pp. 231-242. https://doi.org/10.1386/jmpr.11.3.231_1Article
The caress of the audible: Re-sounding Falkland
Chapman, D. and Wilson, Louise K. 2011. The caress of the audible: Re-sounding Falkland. Social Semiotics. 21 (4), pp. 517-529. https://doi.org/10.1080/10350330.2011.592045Article
Theatre of Testimonies: Performing Memory
Doczi, Anca 2018. Theatre of Testimonies: Performing Memory. PhD Thesis University of East London Arts and Digital Industries https://doi.org/10.15123/PUB.7538PhD Thesis
Entrepreneurship and Music Technology Practitioners
Reddington, H. 2015. Entrepreneurship and Music Technology Practitioners. in: Dumbreck, Allan and McPherson, Gayle (ed.) Music Entrepreneurship London Methuen Drama.Book chapter
Gendering the post-9/11 movie: Love, Loss and Regeneration in Nora Ephron’s Julie and Julia
Garrett, R. 2017. Gendering the post-9/11 movie: Love, Loss and Regeneration in Nora Ephron’s Julie and Julia. in: Harrod, Mary and Paszkiewicz, Katarzyna (ed.) Women Do Genre in Film and Television Abingdon, UK Routledge. pp. 72-88Book chapter
Protest Photography from 1968 to Today
Memou, A. 2018. Protest Photography from 1968 to Today. in: Resist! The 1960s Protests, Photography and Visual Legacy: Exhibition Catalogue BOZAR. pp. 9-19Book chapter
Urban Space and the Posthuman Imaginary
Shaw, D. 2018. Urban Space and the Posthuman Imaginary. in: Lindner, Christoph and Meissner, Miriam (ed.) The Routledge Companion to Urban Imaginaries Routledge.Book chapter
V Portraits Toward a Realized Poetic Play
Guthrie, E. 2017. V Portraits Toward a Realized Poetic Play. PhD Thesis University of East London ADI https://doi.org/10.15123/PUB.7323PhD Thesis
Radical Space: Exploring Politics and Practice
Shaw, Debra Benita and Humm, Maggie (ed.) 2016. Radical Space: Exploring Politics and Practice. Rowman & Littlefield.Book
Posthuman Urbanism: Mapping Bodies in Contemporary City Space
Shaw, D. 2017. Posthuman Urbanism: Mapping Bodies in Contemporary City Space. Rowman & Littlefield.Book
Robots as Art and Automation
Shaw, D. 2018. Robots as Art and Automation. Science as Culture. 27 (3), pp. 283 -295. https://doi.org/10.1080/09505431.2018.1455822Article
“It’s Where You Come From That Makes You Who You Are”: Suburban Youth and Social Class
Branch, A. 2014. “It’s Where You Come From That Makes You Who You Are”: Suburban Youth and Social Class. in: Osgerby, William (ed.) Subcultures, Popular Music and Social Change Cambridge Scholars.Book chapter
All the young dudes: educational capital, masculinity and the uses of popular music
Branch, A. 2012. All the young dudes: educational capital, masculinity and the uses of popular music. Popular Music. 31 (1), pp. 25-44. https://doi.org/10.1017/S0261143011000444Article
'Stop flexing your roots, man': Reconversion strategies, consecrated heretics and the violence of UK first-wave punk
Branch, A. 2014. 'Stop flexing your roots, man': Reconversion strategies, consecrated heretics and the violence of UK first-wave punk. Punk and Post-Punk. 3 (1), pp. 21-39. https://doi.org/10.1386/punk.3.1.21_1Article
Space Invaders and the Value of Art
Branch, A. 2016. Space Invaders and the Value of Art. in: Conway Actants Leeds Conway Hall. pp. 18-19Book chapter
Printmaking – Solo Printmaking Place
Logue, L. 2018. Printmaking – Solo Printmaking Place. Hospitalfield, Arbroath, Scotland Aug 2018Exhibition
In Motion
Mcguire, E. 2016. In Motion. Georges Bergés Gallery, New York, USA 04 - 30 May 2016Exhibition
Beside Bowie: The Mick Ronson Story
Coker, M. 2017. Beside Bowie: The Mick Ronson Story.Digital or visual media
Inside The Shell
Gill, E. 2017. Inside The Shell.Digital or visual media
Michael Sappol, Body Modern: Fritz Kahn, Scientific Illustration and the Homuncular Subject
Brauer, F. 2018. Michael Sappol, Body Modern: Fritz Kahn, Scientific Illustration and the Homuncular Subject. Social History of Medicine. 31 (2), pp. 430-432. https://doi.org/10.1093/shm/hkx103Article
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