Arts & Creative Industries
Title | Arts & Creative Industries |
---|---|
ADI | |
Type | School |
University | UEL |
Dean | Dr Sarahleigh Castelyn |
Research Administrator | Ms Avinder Bhinder |
Research Degrees Leader | Dr Sarahleigh Castelyn |
Examination Officer | Ms Avinder Bhinder |
Latest research outputs
Sort by Date Title
The Listening Theatre: A Metamodern Politics of Performance
Drayton, T. 2018. The Listening Theatre: A Metamodern Politics of Performance. Performance Philosophy. 4 (1), pp. 170-187. https://doi.org/10.21476/PP.2018.41200Article
Adaptation as defense against film censorship: Pasolini’s Salò – 120 Days of Sodom in Italy and the UK
Signorelli, V. 2018. Adaptation as defense against film censorship: Pasolini’s Salò – 120 Days of Sodom in Italy and the UK. in: Hermansson, C. and Zepernick, J. (ed.) Where is Adaptation? Mapping cultures, texts, and contexts John Benjamins Publishing Company. pp. 271–286Book chapter
Film Review: The making of Where is Europe? directed by Valentina Signorelli (Italy, 2018)
Signorelli, V. 2018. Film Review: The making of Where is Europe? directed by Valentina Signorelli (Italy, 2018). Journal of African Media Studies. 10 (2), pp. 215-219. https://doi.org/10.1386/jams.10.2.215_7Article
Sexual Harassment, #MeToo and Feminism
Nava, M. 2018. Sexual Harassment, #MeToo and Feminism. Chartist. 290, pp. 16-17.Article
Review: Feenberg, Technosystem: The Social Life of Reason
Thomas, A. 2018. Review: Feenberg, Technosystem: The Social Life of Reason. Theory, Culture and Society Website Reviews.Article
Détournement and female punk bands of the 1970s
Reddington, H. 2018. Détournement and female punk bands of the 1970s. in: Lee, G. (ed.) Rethinking Difference in Gender, Sexuality, and Popular Music: Theory and Politics of Ambiguity Routledge.Book chapter
Gender Ventriloquism in Studio Production
Reddington, H. 2018. Gender Ventriloquism in Studio Production. IASPM Journal. 8 (1), pp. 59-73. https://doi.org/10.5429/2079-3871(2018)v8i1.6enArticle
An Overview of Performing Arts as They Relate to Disability in the United Kingdom
Terret, L. 2018. An Overview of Performing Arts as They Relate to Disability in the United Kingdom. in: Castaño, A. (ed.) Jornadas sobre la Inclusión Social y la Educación en las Artes Escénicas (2009-2018) El Instituto Nacional de las Artes Escénicas y de la Música (INAEM). pp. 251-259Book chapter
“I've danced my whole life, but none of that is useful at all”: Netflix’s We Speak Dance (2018), Vulnerability and Collaborative Critiques
Blanco Borelli, M., Benthaus, E., Brazzale, C., Mitra, R., Rosa, C., Jarvinen, H., Monteiro, C., Rastovac-Akbarzadeh, H. and De la Cruz, M. 2018. “I've danced my whole life, but none of that is useful at all”: Netflix’s We Speak Dance (2018), Vulnerability and Collaborative Critiques. Conversations Across the Field of Dance Studies. XXXVIII, pp. 54-60.Article
The Advertising Handbook: 4th Edition
Hardy, J., Macrury, L. and Powell, H. (ed.) 2018. The Advertising Handbook: 4th Edition. Routledge.Book
Branded Content: Media and Marketing Integration
Hardy, J. 2018. Branded Content: Media and Marketing Integration. in: Hardy, J., Powell, H. and Macrury, L. (ed.) The Advertising Handbook: 4th Edition Routledge.Book chapter
Branded Content: Implications for Social Communications
Hardy, J. 2018. Branded Content: Implications for Social Communications. in: Turzynski, G. (ed.) Fifteen Years, A Branded Content Story: A Collection Of Thought Provoking Essays From Leading Branded Content Experts Branded Content Marketing Association. pp. 21-25Book chapter
Scratching the surface of spectacle: Black hypermasculinity and the Television Talent Show
Robinson, L. 2018. Scratching the surface of spectacle: Black hypermasculinity and the Television Talent Show. The International Journal of Screendance. 9, pp. 72-97. https://doi.org/10.18061/ijsd.v9i0.6044Article
The Imperial Body and the Eugenic Gaze: Arthur Conan Doyle’s ‘Anthropometric Detective’ and Francis Galton’s ‘Art of Decipherment’
Brauer, F. 2018. The Imperial Body and the Eugenic Gaze: Arthur Conan Doyle’s ‘Anthropometric Detective’ and Francis Galton’s ‘Art of Decipherment’. in: Marshall, N. R. (ed.) Science is Measurement? Art, Science and Visual Culture in the Transatlantic Nineteenth Century University of Pittsburgh Press. pp. In PressBook chapter
Evolving Androgynous Astrobodies: Hélène Dufau's Occultist Transformism
Brauer, F. 2018. Evolving Androgynous Astrobodies: Hélène Dufau's Occultist Transformism. in: Rousseau, Pascal (ed.) L'Androgyne au passage du siècle visual culture Presses Universitaires de Rennes. pp. In PressBook chapter
Researching memory in early modern studies
Chedgzoy, Kate, Graham, Elspeth, Hodgkin, K. and Wray, Ramona 2018. Researching memory in early modern studies. Memory Studies. 11 (1), pp. 5-20. https://doi.org/10.1177/1750698017736834Article
Transitions in Human Computer Interaction: From Data Embodiment to Experience Capitalism
Sampson, T. 2018. Transitions in Human Computer Interaction: From Data Embodiment to Experience Capitalism. AI and Society. 34 (4), p. 835–845. https://doi.org/10.1007/s00146-018-0822-zArticle
Art, Activism and the Tate
Memou, A. 2018. Art, Activism and the Tate. Third Text. 31 (5-6), pp. 619-631. https://doi.org/10.1080/09528822.2018.1435086Article
‘Why I Am Not a Fan of the Lion King’: Ethically Informed Approaches to the Teaching and Learning of South African Dance Forms in Higher Education in the United Kingdom
Castelyn, S. 2018. ‘Why I Am Not a Fan of the Lion King’: Ethically Informed Approaches to the Teaching and Learning of South African Dance Forms in Higher Education in the United Kingdom. in: Akinleye, A. (ed.) Narratives in Black British Dance Palgrave Macmillan. pp. 115-129Book chapter
Choreographing HIV and AIDS in Contemporary Dance in South Africa
Castelyn, S. 2018. Choreographing HIV and AIDS in Contemporary Dance in South Africa. in: Campbell, A. and Gindt, D. (ed.) Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century Palgrave Macmillan. pp. 215-233Book chapter
Dislocation and Materiality
Crenshaw, Mary 2018. Dislocation and Materiality. Prof Doc Thesis University of East London Schools of Arts and Digital Industries https://doi.org/10.15123/PUB.7885Prof Doc Thesis
Global Glam and Popular Music: Style and Spectacle from the 1970s to the 2000s. Edited by Ian Chapman and Henry Johnson. London: Routledge, 2016. 300pp. ISBN 978-1-138-82176-7 (Review)
Branch, A. 2018. Global Glam and Popular Music: Style and Spectacle from the 1970s to the 2000s. Edited by Ian Chapman and Henry Johnson. London: Routledge, 2016. 300pp. ISBN 978-1-138-82176-7 (Review). Popular Music. 37 (2), pp. 299-302. https://doi.org/10.1017/S0261143018000107Article
Cosmic Topologies of Imitation: From the Horror of Digital Autotoxicus to the Auto-Toxicity of the Social
Sampson, T. 2018. Cosmic Topologies of Imitation: From the Horror of Digital Autotoxicus to the Auto-Toxicity of the Social. in: Herbrechter, Stefan and Jamieson, Michelle (ed.) Autoimmunities Routledge.Book chapter
Unthought Meets the Assemblage Brain: A Dialogue Between N. Katherine Hayles and Tony D. Sampson
Hayles, N. Katherine and Sampson, T. 2018. Unthought Meets the Assemblage Brain: A Dialogue Between N. Katherine Hayles and Tony D. Sampson. Capacious: Journal for Emerging Affect Inquiry. 1 (2), pp. 60-84. https://doi.org/10.22387/CAP2018.14Article
Alphaville
Shaw, D. 2018. Alphaville. Oxford Bibliographies in Cinema and Media Studies. https://doi.org/10.1093/obo/9780199791286-0291Article
Affect and Social Media: Emotion, Mediation, Anxiety and Contagion
Sampson, T., Maddison, S. and Ellis, D. (ed.) 2018. Affect and Social Media: Emotion, Mediation, Anxiety and Contagion. Rowman & Littlefield.Book
Social Media, Emoticons and Process
Ellis, D. 2018. Social Media, Emoticons and Process. in: Sampson, T., Maddison, S. and Ellis, D. (ed.) Affect and Social Media: Emotion, Mediation, Anxiety and Contagion Rowman & Littlefield.Book chapter
The End Again: Degeneration and Visual Culture in Modern Spain
Brauer, F. 2018. The End Again: Degeneration and Visual Culture in Modern Spain. The Burlington Magazine. 160 (1386), pp. 804-805.Article
Ways to Wander the Gallery
Qualmann, C. and Hind, C. (ed.) 2018. Ways to Wander the Gallery. Axminster, UK Triarchy Press.Book
Saartjie Baartman, Nelisiwe Xaba, and me: the politics of looking at South African bodies
Castelyn, S. 2018. Saartjie Baartman, Nelisiwe Xaba, and me: the politics of looking at South African bodies. South African Theatre Journal. 32 (3), pp. 285-299. https://doi.org/10.1080/10137548.2018.1553625Article
Spectacular Images of the ‘Refugee Crisis’
Memou, A. 2018. Spectacular Images of the ‘Refugee Crisis’. Photographies. 12 (1), pp. 81-97. https://doi.org/10.1080/17540763.2018.1501728Article
The Janus Face of Evolution: Degeneration, Devolution and Extinction in the Anthropocene
Brauer, F. 2015. The Janus Face of Evolution: Degeneration, Devolution and Extinction in the Anthropocene. in: Brauer, Fae and Keshavjee, Serena (ed.) Picturing Evolution and Extinction: Regeneration and Degeneration in Modern Visual Lady Stephenson Library, Newcastle upon Tyne Cambridge Scholars Publishing. pp. xv-xliiBook chapter
Becoming Simian: Devolution as Evolution in Transformist Modernism
Brauer, F. 2015. Becoming Simian: Devolution as Evolution in Transformist Modernism. in: Brauer, Fae and Keshavjee, Serena (ed.) Picturing Evolution and Extinction: Regeneration and Degeneration in Modern Visual Culture Lady Stephenson Library, Newcastle upon Tyne Cambridge Scholars Publishing. pp. 127-156Book chapter
Picturing Evolution and Extinction: Regeneration and Degeneration in Modern Visual Culture
Brauer, Fae and Keshavjee, Serena (ed.) 2015. Picturing Evolution and Extinction: Regeneration and Degeneration in Modern Visual Culture. Lady Stephenson Library, Newcastle upon Tyne Cambridge Scholars Publishing.Book
‘Turquet’s Turkey’: Ending the Salon
Brauer, F. 2015. ‘Turquet’s Turkey’: Ending the Salon. in: Kearns, James and Mill, Alister (ed.) The Paris Fine Art Salon/Le Salon, 1791–1881 Oxford Peter Lang.Book chapter
Intimate Vibrations: Inventing the Dream Bedroom
Brauer, F. 2015. Intimate Vibrations: Inventing the Dream Bedroom. in: Lasc, Anca I., Downey, Georgina and Taylor, Mark (ed.) Designing the French Interior: The Modern Home and Mass Media London Bloomsbury Academic. pp. 13-29Book chapter
Magnetic Modernism František Kupka’s Mesmeric Abstraction and Anarcho-Cosmic Utopia
Brauer, F. 2015. Magnetic Modernism František Kupka’s Mesmeric Abstraction and Anarcho-Cosmic Utopia. in: Ayers, David, Hjartarson, Benedikt, Huttunen, Tomi and Veivo, Harri (ed.) Utopia: The Avant-Garde, Modernism and (Im)possible Life Berlin/Boston Walter de Gruyter.Book chapter
Picasso, Pablo (1881-1973)
Brauer, F. 2016. Picasso, Pablo (1881-1973). in: Routledge Encyclopedia of Modernism London Routledge.Book chapter
Virilizing and Valorizing Homoeroticism: Eugen Sandow’s Queering of Body Cultures Before and After the Wilde Trials
Brauer, F. 2017. Virilizing and Valorizing Homoeroticism: Eugen Sandow’s Queering of Body Cultures Before and After the Wilde Trials. Visual Culture in Britain. 18 (1), pp. 35-67. https://doi.org/10.1080/14714787.2017.1321224Article
Dealing with Cubism: Daniel-Henry Kahnweiler’s Perilous Internationalism
Brauer, F. 2017. Dealing with Cubism: Daniel-Henry Kahnweiler’s Perilous Internationalism. in: Catterson, Lynn (ed.) Dealing Art on Both Sides of the Atlantic, 1860-1940 Boston BRILL.Book chapter
114090
total views111386
total downloads3456
views this month2333
downloads this month