Arts & Creative Industries
| Title | Arts & Creative Industries |
|---|---|
| ADI | |
| Type | School |
| University | UEL |
| Dean | Dr Sarahleigh Castelyn |
| Research Administrator | Mr Richard Bottoms |
| Research Degrees Leader | Dr Sarahleigh Castelyn |
| Examination Officer | Mr Richard Bottoms |
Latest research outputs
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The Self–Other Topology: The Politics of (User) Experience in the Like Economy
Sampson, T. 2017. The Self–Other Topology: The Politics of (User) Experience in the Like Economy. in: Gackenbach, Jayne and Bown, Johnathan (ed.) Boundaries of Self and Reality Online Academic Press. pp. 123-139Book chapter
Childhood and Loss in Early Modern Life Writing
Hodgkin, K. 2017. Childhood and Loss in Early Modern Life Writing. Parergon. 33 (2), pp. 115-134. https://doi.org/10.1353/pgn.2016.0078Article
Narratives of the nation in the Olympic opening ceremonies: comparative analysis of Beijing 2008 and London 2012
Lee, Jongsoo and Yoon, C. 2017. Narratives of the nation in the Olympic opening ceremonies: comparative analysis of Beijing 2008 and London 2012. Nations and Nationalism. 23 (4), pp. 952-969. https://doi.org/10.1111/nana.12318Article
Loss, Repetition and the Everyday
Yi, Ching Lin 2017. Loss, Repetition and the Everyday. Prof Doc Thesis University of East London School of Arts and Digital Industries https://doi.org/10.15123/PUB.6362Prof Doc Thesis
Uncertain Masculinities
Abrams, J. 2017. Uncertain Masculinities. Prof Doc Thesis University of East London School of Arts and Digital Industries https://doi.org/10.15123/PUB.6360Prof Doc Thesis
Blurred Boundaries: Remediation of Found Footage in Experimental Autobiographical Documentary Filmmaking
Daniels, J. 2017. Blurred Boundaries: Remediation of Found Footage in Experimental Autobiographical Documentary Filmmaking. Journal of Media Practice. 18 (1), pp. 73-82. https://doi.org/10.1080/14682753.2017.1306338Article
Women, love and power in Enlightenment Scotland
Barclay, Katie and Carr, R. 2017. Women, love and power in Enlightenment Scotland. Women's History Review. https://doi.org/10.1080/09612025.2017.1306917Article
The Viral Sublime and the Bodily Experience of Oil Painting
Morris, S. 2017. The Viral Sublime and the Bodily Experience of Oil Painting. Prof Doc Thesis University of East London School of Arts and Digital Industries https://doi.org/10.15123/PUB.6337Prof Doc Thesis
Understanding voice, distribution and listening in Digital Storytelling
Dunford, M. 2017. Understanding voice, distribution and listening in Digital Storytelling. Participations: Journal of Audience and Reception Studies. 14 (1), pp. 313-328.Article
Virilizing and Valorizing Homoeroticism: Eugen Sandow’s Queering of Body Cultures Before and After the Wilde Trials
Brauer, F. 2017. Virilizing and Valorizing Homoeroticism: Eugen Sandow’s Queering of Body Cultures Before and After the Wilde Trials. Visual Culture in Britain. 18 (1), pp. 35-67. https://doi.org/10.1080/14714787.2017.1321224Article
Autobiographical Writings
Hodgkin, K. 2017. Autobiographical Writings. in: Hiscock, A. and Wilcox, H. (ed.) The Oxford Handbook of Early Modern English Literature and Religion Oxford University Press.Book chapter
Commentary: Branded Content and Media-Marketing Convergence
Hardy, J. 2017. Commentary: Branded Content and Media-Marketing Convergence. The Political Economy of Communication. 5 (1), pp. 81-87.Article
Abject Hypocrisy: Gender, Religion, and the Self
Hodgkin, K. 2017. Abject Hypocrisy: Gender, Religion, and the Self. in: Nigri, L. and Tsentourou, N. (ed.) Forms of Hypocrisy in Early Modern England Routledge.Book chapter
'Tap My Head and Mike My Brain': Neuromarketing and Digital Addiction
Sampson, T. 2017. 'Tap My Head and Mike My Brain': Neuromarketing and Digital Addiction. in: Bartlett, Vanessa and Bowden-Jones, Henrietta (ed.) Are We All Addicts Now? Liverpool University Press. pp. 79-87Book chapter
Neuropaesaggi digitali: Un'intervista con Tony D. Sampson. In appendice il saggio "La teoria del contagio oltre il microbo" di Tony D. Sampson
Sampson, T. and Rizosfera 2017. Neuropaesaggi digitali: Un'intervista con Tony D. Sampson. In appendice il saggio "La teoria del contagio oltre il microbo" di Tony D. Sampson. Rizosfera.Book
Digital Neuroland: An interview with Tony D. Sampson
Sampson, T. and Rizosfera 2017. Digital Neuroland: An interview with Tony D. Sampson. Rizosfera.Book
Touching the Colour and Sound of Your Body’s Tears: Affect and Homage in the Neo-Giallo
Hallam, L. 2017. Touching the Colour and Sound of Your Body’s Tears: Affect and Homage in the Neo-Giallo. 16:9.Article
Maternal Environments
Breed, A. 2017. Maternal Environments. Performance Research. 27 (4), pp. 105-112. https://doi.org/10.1080/13528165.2017.1374754Article
Performing Difference: Diversity, Representation and the Nation
Hingorani, D. 2017. Performing Difference: Diversity, Representation and the Nation. in: Breed, A. and Prentki, T. (ed.) Performance and Civic Engagement Palgrave Macmillan. pp. 41-68Book chapter
Webber Street: Voice, structure and working class women in poetry
Robinson, A. 2017. Webber Street: Voice, structure and working class women in poetry. Axon: Creative Explorations. 7 (2).Article
Perambulator: An Artist’s Statement
Qualmann, C. 2016. Perambulator: An Artist’s Statement. Studies in the Maternal. 8 (2), p. 20. https://doi.org/10.16995/sim.231Article
The Good Liberal and the Scoundrel Author: Fantasy, Dissent, and neoliberal subjectivity in Philip Pullman’s His Dark Materials
Maddison, S. 2014. The Good Liberal and the Scoundrel Author: Fantasy, Dissent, and neoliberal subjectivity in Philip Pullman’s His Dark Materials. Extrapolation. 55 (2), pp. 199-219. https://doi.org/10.3828/extr.2014.12Article
“Make Love Not Porn”: Entrepreneurial Voyeurism, Agency and Affect
Maddison, S. 2015. “Make Love Not Porn”: Entrepreneurial Voyeurism, Agency and Affect. in: Hillis, Ken, Paasonen, Susanna and Petit, Michael (ed.) Networked Affect The MIT Press. pp. 151-168Book chapter
Context-Based Sound and the Ecological Theory of Perception
Chapman, D. 2017. Context-Based Sound and the Ecological Theory of Perception. Organised Sound. 22 (1), pp. 42-50. https://doi.org/10.1017/S1355771816000327Article
Comradeship of Cock? Gay porn and the entrepreneurial voyeur
Maddison, S. 2017. Comradeship of Cock? Gay porn and the entrepreneurial voyeur. Porn Studies. 4 (2), pp. 139-156. https://doi.org/10.1080/23268743.2017.1304235Article
Money, (Co)Production and Power in Digital
Hardy, J. 2016. Money, (Co)Production and Power in Digital. Digital Journalism. 5 (1), pp. 1-25. https://doi.org/10.1080/21670811.2016.1152162Article
Visualising Globalisation in Documenta 11's Exhibition Catalogue
Memou, A. 2018. Visualising Globalisation in Documenta 11's Exhibition Catalogue. in: Dornhof, Sarah, Hopfener, Birgit, Lutz, Barbara and Buurman, Nanne (ed.) Situating Global Art: Topologies, Temporalities,Trajectories Transcript Verlag. pp. 75-90Book chapter
(Un)covering ground: dance, space and mobility
Brazzale, C. 2014. (Un)covering ground: dance, space and mobility. Theatre, Dance and Performance Training. 5 (2), pp. 107-118.Article
The Undersea World of the Sound Department: the Construction of Sonic Conventions in Sub-aqua Screen Environments
Chapman, D. 2016. The Undersea World of the Sound Department: the Construction of Sonic Conventions in Sub-aqua Screen Environments. The New Soundtrack. 6 (2), pp. 143-157. https://doi.org/10.3366/sound.2016.0088Article
‘Why are there always three?’: The Gothic Occult in Dario Argento’s Three Mothers Trilogy
Hallam, L. 2017. ‘Why are there always three?’: The Gothic Occult in Dario Argento’s Three Mothers Trilogy. Journal of Italian Cinema and Media Studies. 5 (2), pp. 211-227. https://doi.org/10.1386/jicms.5.2.211_1Article
Reconciling Csikszentmihalyi’s Broader Flow Theory: With Meaning and Value in Digital Games
Tomlinson, P. and Salisbury, John Hamon 2016. Reconciling Csikszentmihalyi’s Broader Flow Theory: With Meaning and Value in Digital Games. Transactions of the Digital Games Research Association. 2 (2), pp. 55-77. https://doi.org/10.26503/todigra.v2i2.34Article
‘Our jolly marin wear’: The queer fashionability of the sailor uniform in interwar France and Britain
Stephenson, A. 2016. ‘Our jolly marin wear’: The queer fashionability of the sailor uniform in interwar France and Britain. Fashion, Style & Popular Culture. 3 (2), pp. 157-172.Article
I Hear You See Me
Perego, T. 2016. I Hear You See Me. University of the Arts Utrecht 11 - 16 Sep 2016Performance
Round and Round the Gardens: Can the RHS engage children with relevant environmental issues through immersive, promenade theatre?
Drayton, T. 2016. Round and Round the Gardens: Can the RHS engage children with relevant environmental issues through immersive, promenade theatre? ASSITEJ Artistic Gathering 2016: On The Edge. University of Birmingham, UK 02 - 09 Jul 2016 ASSITEJ International.Conference paper
Embodied Cognition: Strategies for Researching the Body in South African Dance Theatre
Castelyn, S. 2016. Embodied Cognition: Strategies for Researching the Body in South African Dance Theatre. Embodied Knowledge(s) and Embodied Pedagogies.Speech
Neoliberal Culture
Gilbert, J. (ed.) 2016. Neoliberal Culture. Lawrence and Wishart.Book
Miriam Haughton and Mária Kurdi, ed. Radical Contemporary Theatre Practices by Women in Ireland Dublin: Carysfort Press, 2015. 251p. €25.00. ISBN: 978-1-909325-75-3
Mccarthy, L. 2016. Miriam Haughton and Mária Kurdi, ed. Radical Contemporary Theatre Practices by Women in Ireland Dublin: Carysfort Press, 2015. 251p. €25.00. ISBN: 978-1-909325-75-3. New Theatre Quarterly. 32 (4), p. 398. https://doi.org/10.1017/S0266464X1600052XArticle
London 2012 and Sport For Its Own Sake
Calcutt, A. 2016. London 2012 and Sport For Its Own Sake. in: Poynter, G., Viehoff, V. and Li, Y. (ed.) The London Olympics and Urban Development: The Mega-Event City Routledge. pp. 283-293Book chapter
Comic Cultures: Commerce, Aesthetics and the Politics of Stand-Up Performance in the UK 1979 to 1992
Campbell, R. 2016. Comic Cultures: Commerce, Aesthetics and the Politics of Stand-Up Performance in the UK 1979 to 1992. PhD Thesis University of East London School of Arts and Digital Industries https://doi.org/10.15123/uel.879z9PhD Thesis
Fast Failing; considering embodied exchange in collaborative arts practice
Garrett Brown, N. 2016. Fast Failing; considering embodied exchange in collaborative arts practice. Undisciplining Dance Symposium. University of Auckland, NZ 30 Jun - 02 Jul 2016Conference paper
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