Arts & Creative Industries
| Title | Arts & Creative Industries |
|---|---|
| ADI | |
| Type | School |
| University | UEL |
| Dean | Dr Sarahleigh Castelyn |
| Research Administrator | Ms Avinder Bhinder |
| Research Degrees Leader | Dr Sarahleigh Castelyn |
| Examination Officer | Ms Avinder Bhinder |
Latest research outputs
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‘Metaphors of Collapse’: The Representation of the Adolescent Body and Youth Violence and Vulnerability
Heaney, M. 2017. ‘Metaphors of Collapse’: The Representation of the Adolescent Body and Youth Violence and Vulnerability. Theatre and Performance Research Association Annual Conference 2017. University of Salford, UK. 30 Aug - 01 Sep 2017Conference paper
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Hingorani, D., Brolly Productions and Half Moon Theatre 2017. her. Brolly Productions. https://doi.org/10.15123/DATA.00000198Data collection
Locating cosmopolitanism within a Trans-Atlantic interpretive frame: the critical evaluation of John Singer Sargent’s portraits and figure studies in Britain and the United States from c.1886–1926.
Stephenson, A. 2017. Locating cosmopolitanism within a Trans-Atlantic interpretive frame: the critical evaluation of John Singer Sargent’s portraits and figure studies in Britain and the United States from c.1886–1926. Tate Papers. 27.Article
Creating National Identity: Government Sponsored Animation in India 1956-1990
Pottenkulam, P. 2017. Creating National Identity: Government Sponsored Animation in India 1956-1990. Hrvatski Filmski Ljetopis. 88.Article
The Pasted Paper Devolution: The Dialogism of Sexual Degeneration and Neoregulation in Picasso's and Braque's Cubist Collages
Brauer, F. 2017. The Pasted Paper Devolution: The Dialogism of Sexual Degeneration and Neoregulation in Picasso's and Braque's Cubist Collages. Art Bulletin.Article
Muslims and the Politics of Love in Contemporary British Fiction
Banting, A. 2017. Muslims and the Politics of Love in Contemporary British Fiction. PhD Thesis University of East London Arts and Digital Industries https://doi.org/10.15123/PUB.6721PhD Thesis
Cosmic Topologies of Imitation: From the Horror of Digital Autotoxicus to the Auto-Toxicity of the Social
Sampson, T. 2017. Cosmic Topologies of Imitation: From the Horror of Digital Autotoxicus to the Auto-Toxicity of the Social. Parallax. 23 (1), pp. 61-76. https://doi.org/10.1080/13534645.2016.1261662Article
The Self–Other Topology: The Politics of (User) Experience in the Like Economy
Sampson, T. 2017. The Self–Other Topology: The Politics of (User) Experience in the Like Economy. in: Gackenbach, Jayne and Bown, Johnathan (ed.) Boundaries of Self and Reality Online Academic Press. pp. 123-139Book chapter
Childhood and Loss in Early Modern Life Writing
Hodgkin, K. 2017. Childhood and Loss in Early Modern Life Writing. Parergon. 33 (2), pp. 115-134. https://doi.org/10.1353/pgn.2016.0078Article
Narratives of the nation in the Olympic opening ceremonies: comparative analysis of Beijing 2008 and London 2012
Lee, Jongsoo and Yoon, C. 2017. Narratives of the nation in the Olympic opening ceremonies: comparative analysis of Beijing 2008 and London 2012. Nations and Nationalism. 23 (4), pp. 952-969. https://doi.org/10.1111/nana.12318Article
Blurred Boundaries: Remediation of Found Footage in Experimental Autobiographical Documentary Filmmaking
Daniels, J. 2017. Blurred Boundaries: Remediation of Found Footage in Experimental Autobiographical Documentary Filmmaking. Journal of Media Practice. 18 (1), pp. 73-82. https://doi.org/10.1080/14682753.2017.1306338Article
Women, love and power in Enlightenment Scotland
Barclay, Katie and Carr, R. 2017. Women, love and power in Enlightenment Scotland. Women's History Review. https://doi.org/10.1080/09612025.2017.1306917Article
Understanding voice, distribution and listening in Digital Storytelling
Dunford, M. 2017. Understanding voice, distribution and listening in Digital Storytelling. Participations: Journal of Audience and Reception Studies. 14 (1), pp. 313-328.Article
Commentary: Branded Content and Media-Marketing Convergence
Hardy, J. 2017. Commentary: Branded Content and Media-Marketing Convergence. The Political Economy of Communication. 5 (1), pp. 81-87.Article
'Tap My Head and Mike My Brain': Neuromarketing and Digital Addiction
Sampson, T. 2017. 'Tap My Head and Mike My Brain': Neuromarketing and Digital Addiction. in: Bartlett, Vanessa and Bowden-Jones, Henrietta (ed.) Are We All Addicts Now? Liverpool University Press. pp. 79-87Book chapter
Neuropaesaggi digitali: Un'intervista con Tony D. Sampson. In appendice il saggio "La teoria del contagio oltre il microbo" di Tony D. Sampson
Sampson, T. and Rizosfera 2017. Neuropaesaggi digitali: Un'intervista con Tony D. Sampson. In appendice il saggio "La teoria del contagio oltre il microbo" di Tony D. Sampson. Rizosfera.Book
Digital Neuroland: An interview with Tony D. Sampson
Sampson, T. and Rizosfera 2017. Digital Neuroland: An interview with Tony D. Sampson. Rizosfera.Book
Touching the Colour and Sound of Your Body’s Tears: Affect and Homage in the Neo-Giallo
Hallam, L. 2017. Touching the Colour and Sound of Your Body’s Tears: Affect and Homage in the Neo-Giallo. 16:9.Article
Webber Street: Voice, structure and working class women in poetry
Robinson, A. 2017. Webber Street: Voice, structure and working class women in poetry. Axon: Creative Explorations. 7 (2).Article
Perambulator: An Artist’s Statement
Qualmann, C. 2016. Perambulator: An Artist’s Statement. Studies in the Maternal. 8 (2), p. 20. https://doi.org/10.16995/sim.231Article
Staging the Moment: Play and Fictional Reality
Shimanovskaya, Veronica 2016. Staging the Moment: Play and Fictional Reality. Prof Doc Thesis University of East London Arts and Digital Industries https://doi.org/10.15123/PUB.5368Prof Doc Thesis
Art, Institutions and Social Control
Ryan, Joe 2016. Art, Institutions and Social Control. Prof Doc Thesis University of East London Arts and Digital Industries https://doi.org/10.15123/PUB.5303Prof Doc Thesis
The Good Liberal and the Scoundrel Author: Fantasy, Dissent, and neoliberal subjectivity in Philip Pullman’s His Dark Materials
Maddison, S. 2014. The Good Liberal and the Scoundrel Author: Fantasy, Dissent, and neoliberal subjectivity in Philip Pullman’s His Dark Materials. Extrapolation. 55 (2), pp. 199-219. https://doi.org/10.3828/extr.2014.12Article
“Make Love Not Porn”: Entrepreneurial Voyeurism, Agency and Affect
Maddison, S. 2015. “Make Love Not Porn”: Entrepreneurial Voyeurism, Agency and Affect. in: Hillis, Ken, Paasonen, Susanna and Petit, Michael (ed.) Networked Affect The MIT Press. pp. 151-168Book chapter
Context-Based Sound and the Ecological Theory of Perception
Chapman, D. 2017. Context-Based Sound and the Ecological Theory of Perception. Organised Sound. 22 (1), pp. 42-50. https://doi.org/10.1017/S1355771816000327Article
Comradeship of Cock? Gay porn and the entrepreneurial voyeur
Maddison, S. 2017. Comradeship of Cock? Gay porn and the entrepreneurial voyeur. Porn Studies. 4 (2), pp. 139-156. https://doi.org/10.1080/23268743.2017.1304235Article
Money, (Co)Production and Power in Digital
Hardy, J. 2016. Money, (Co)Production and Power in Digital. Digital Journalism. 5 (1), pp. 1-25. https://doi.org/10.1080/21670811.2016.1152162Article
Bodily Experience and Restricted Conditions in Contemporary Art
Lu, Chen Shih 2016. Bodily Experience and Restricted Conditions in Contemporary Art. Prof Doc Thesis University of East London Arts and Digital Industries https://doi.org/10.15123/PUB.5211Prof Doc Thesis
The Screenplay and the Screenwriter
Nelmes, Jill 2016. The Screenplay and the Screenwriter. PhD Thesis University of East London Arts and the Digital Industries https://doi.org/10.15123/PUB.5173PhD Thesis
The Creative Unconscious and the Pictorial Sign
Helliwell, Paul 2016. The Creative Unconscious and the Pictorial Sign. Prof Doc Thesis University of East London Arts and Digital Industries https://doi.org/10.15123/PUB.5172Prof Doc Thesis
Visualising Globalisation in Documenta 11's Exhibition Catalogue
Memou, A. 2018. Visualising Globalisation in Documenta 11's Exhibition Catalogue. in: Dornhof, Sarah, Hopfener, Birgit, Lutz, Barbara and Buurman, Nanne (ed.) Situating Global Art: Topologies, Temporalities,Trajectories Transcript Verlag. pp. 75-90Book chapter
(Un)covering ground: dance, space and mobility
Brazzale, C. 2014. (Un)covering ground: dance, space and mobility. Theatre, Dance and Performance Training. 5 (2), pp. 107-118.Article
The Undersea World of the Sound Department: the Construction of Sonic Conventions in Sub-aqua Screen Environments
Chapman, D. 2016. The Undersea World of the Sound Department: the Construction of Sonic Conventions in Sub-aqua Screen Environments. The New Soundtrack. 6 (2), pp. 143-157. https://doi.org/10.3366/sound.2016.0088Article
‘Why are there always three?’: The Gothic Occult in Dario Argento’s Three Mothers Trilogy
Hallam, L. 2017. ‘Why are there always three?’: The Gothic Occult in Dario Argento’s Three Mothers Trilogy. Journal of Italian Cinema and Media Studies. 5 (2), pp. 211-227. https://doi.org/10.1386/jicms.5.2.211_1Article
Story, Narrative, Material
Paul, Lewis 2014. Story, Narrative, Material. Prof Doc Thesis University of East London Arts and Digital Industries https://doi.org/10.15123/PUB.4979Prof Doc Thesis
(Re-) Constructing the Actor-Audience Relationship in Immersive Theatre Practice
Ramos, J. 2015. (Re-) Constructing the Actor-Audience Relationship in Immersive Theatre Practice. PhD Thesis University of East London Arts and Digital Industries https://doi.org/10.15123/PUB.4987PhD Thesis
Reconciling Csikszentmihalyi’s Broader Flow Theory: With Meaning and Value in Digital Games
Tomlinson, P. and Salisbury, John Hamon 2016. Reconciling Csikszentmihalyi’s Broader Flow Theory: With Meaning and Value in Digital Games. Transactions of the Digital Games Research Association. 2 (2), pp. 55-77. https://doi.org/10.26503/todigra.v2i2.34Article
‘Our jolly marin wear’: The queer fashionability of the sailor uniform in interwar France and Britain
Stephenson, A. 2016. ‘Our jolly marin wear’: The queer fashionability of the sailor uniform in interwar France and Britain. Fashion, Style & Popular Culture. 3 (2), pp. 157-172.Article
I Hear You See Me
Perego, T. 2016. I Hear You See Me. University of the Arts Utrecht 11 - 16 Sep 2016Performance
Round and Round the Gardens: Can the RHS engage children with relevant environmental issues through immersive, promenade theatre?
Drayton, T. 2016. Round and Round the Gardens: Can the RHS engage children with relevant environmental issues through immersive, promenade theatre? ASSITEJ Artistic Gathering 2016: On The Edge. University of Birmingham, UK 02 - 09 Jul 2016 ASSITEJ International.Conference paper
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