Arts & Creative Industries
| Title | Arts & Creative Industries |
|---|---|
| ADI | |
| Type | School |
| University | UEL |
| Dean | Dr Sarahleigh Castelyn |
| Research Administrator | Mr Richard Bottoms |
| Research Degrees Leader | Dr Sarahleigh Castelyn |
| Examination Officer | Mr Richard Bottoms |
Latest research outputs
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Détournement and female punk bands of the 1970s
Reddington, H. 2018. Détournement and female punk bands of the 1970s. in: Lee, G. (ed.) Rethinking Difference in Gender, Sexuality, and Popular Music: Theory and Politics of Ambiguity Routledge.Book chapter
Gender Ventriloquism in Studio Production
Reddington, H. 2018. Gender Ventriloquism in Studio Production. IASPM Journal. 8 (1), pp. 59-73. https://doi.org/10.5429/2079-3871(2018)v8i1.6enArticle
An Overview of Performing Arts as They Relate to Disability in the United Kingdom
Terret, L. 2018. An Overview of Performing Arts as They Relate to Disability in the United Kingdom. in: Castaño, A. (ed.) Jornadas sobre la Inclusión Social y la Educación en las Artes Escénicas (2009-2018) El Instituto Nacional de las Artes Escénicas y de la Música (INAEM). pp. 251-259Book chapter
“I've danced my whole life, but none of that is useful at all”: Netflix’s We Speak Dance (2018), Vulnerability and Collaborative Critiques
Blanco Borelli, M., Benthaus, E., Brazzale, C., Mitra, R., Rosa, C., Jarvinen, H., Monteiro, C., Rastovac-Akbarzadeh, H. and De la Cruz, M. 2018. “I've danced my whole life, but none of that is useful at all”: Netflix’s We Speak Dance (2018), Vulnerability and Collaborative Critiques. Conversations Across the Field of Dance Studies. XXXVIII, pp. 54-60.Article
The Advertising Handbook: 4th Edition
Hardy, J., Macrury, L. and Powell, H. (ed.) 2018. The Advertising Handbook: 4th Edition. Routledge.Book
Branded Content: Media and Marketing Integration
Hardy, J. 2018. Branded Content: Media and Marketing Integration. in: Hardy, J., Powell, H. and Macrury, L. (ed.) The Advertising Handbook: 4th Edition Routledge.Book chapter
Branded Content: Implications for Social Communications
Hardy, J. 2018. Branded Content: Implications for Social Communications. in: Turzynski, G. (ed.) Fifteen Years, A Branded Content Story: A Collection Of Thought Provoking Essays From Leading Branded Content Experts The Branded Content Marketing Association (BCMA). pp. 21-25Book chapter
Scratching the surface of spectacle: Black hypermasculinity and the Television Talent Show
Robinson, L. 2018. Scratching the surface of spectacle: Black hypermasculinity and the Television Talent Show. The International Journal of Screendance. 9, pp. 72-97. https://doi.org/10.18061/ijsd.v9i0.6044Article
A Study of the Role of the Master Printmaker at Edinburgh Printmakers
Logue, L. 2018. A Study of the Role of the Master Printmaker at Edinburgh Printmakers. Journal of the Scottish Society for Art History. 22.Article
Theatre of Testimonies: Performing Memory
Doczi, A. 2018. Theatre of Testimonies: Performing Memory. PhD Thesis University of East London School of Arts and Digital Industries https://doi.org/10.15123/PUB.7538PhD Thesis
The Imperial Body and the Eugenic Gaze: Arthur Conan Doyle’s ‘Anthropometric Detective’ and Francis Galton’s ‘Art of Decipherment’
Brauer, F. 2018. The Imperial Body and the Eugenic Gaze: Arthur Conan Doyle’s ‘Anthropometric Detective’ and Francis Galton’s ‘Art of Decipherment’. in: Marshall, N. R. (ed.) Science is Measurement? Art, Science and Visual Culture in the Transatlantic Nineteenth Century University of Pittsburgh Press. pp. In PressBook chapter
Evolving Androgynous Astrobodies: Hélène Dufau's Occultist Transformism
Brauer, F. 2018. Evolving Androgynous Astrobodies: Hélène Dufau's Occultist Transformism. in: Rousseau, Pascal (ed.) L'Androgyne au passage du siècle visual culture Presses Universitaires de Rennes. pp. In PressBook chapter
Researching memory in early modern studies
Chedgzoy, Kate, Graham, Elspeth, Hodgkin, K. and Wray, Ramona 2018. Researching memory in early modern studies. Memory Studies. 11 (1), pp. 5-20. https://doi.org/10.1177/1750698017736834Article
Transitions in Human Computer Interaction: From Data Embodiment to Experience Capitalism
Sampson, T. 2018. Transitions in Human Computer Interaction: From Data Embodiment to Experience Capitalism. AI and Society. 34 (4), p. 835–845. https://doi.org/10.1007/s00146-018-0822-zArticle
Art, Activism and the Tate
Memou, A. 2018. Art, Activism and the Tate. Third Text. 31 (5-6), pp. 619-631. https://doi.org/10.1080/09528822.2018.1435086Article
‘Why I Am Not a Fan of the Lion King’: Ethically Informed Approaches to the Teaching and Learning of South African Dance Forms in Higher Education in the United Kingdom
Castelyn, S. 2018. ‘Why I Am Not a Fan of the Lion King’: Ethically Informed Approaches to the Teaching and Learning of South African Dance Forms in Higher Education in the United Kingdom. in: Akinleye, A. (ed.) Narratives in Black British Dance Palgrave Macmillan. pp. 115-129Book chapter
Choreographing HIV and AIDS in Contemporary Dance in South Africa
Castelyn, S. 2018. Choreographing HIV and AIDS in Contemporary Dance in South Africa. in: Campbell, A. and Gindt, D. (ed.) Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century Palgrave Macmillan. pp. 215-233Book chapter
Dislocation and Materiality
Crenshaw, M. 2018. Dislocation and Materiality. Prof Doc Thesis University of East London School of Arts and Digital Industries https://doi.org/10.15123/PUB.7885Prof Doc Thesis
Robots as Art and Automation
Shaw, D. 2018. Robots as Art and Automation. Science as Culture. 27 (3), pp. 283 -295. https://doi.org/10.1080/09505431.2018.1455822Article
Michael Sappol, Body Modern: Fritz Kahn, Scientific Illustration and the Homuncular Subject
Brauer, F. 2018. Michael Sappol, Body Modern: Fritz Kahn, Scientific Illustration and the Homuncular Subject. Social History of Medicine. 31 (2), pp. 430-432. https://doi.org/10.1093/shm/hkx103Article
Global Glam and Popular Music: Style and Spectacle from the 1970s to the 2000s. Edited by Ian Chapman and Henry Johnson. London: Routledge, 2016. 300pp. ISBN 978-1-138-82176-7 (Review)
Branch, A. 2018. Global Glam and Popular Music: Style and Spectacle from the 1970s to the 2000s. Edited by Ian Chapman and Henry Johnson. London: Routledge, 2016. 300pp. ISBN 978-1-138-82176-7 (Review). Popular Music. 37 (2), pp. 299-302. https://doi.org/10.1017/S0261143018000107Article
Cosmic Topologies of Imitation: From the Horror of Digital Autotoxicus to the Auto-Toxicity of the Social
Sampson, T. 2018. Cosmic Topologies of Imitation: From the Horror of Digital Autotoxicus to the Auto-Toxicity of the Social. in: Herbrechter, Stefan and Jamieson, Michelle (ed.) Autoimmunities Routledge.Book chapter
Unthought Meets the Assemblage Brain: A Dialogue Between N. Katherine Hayles and Tony D. Sampson
Hayles, N. Katherine and Sampson, T. 2018. Unthought Meets the Assemblage Brain: A Dialogue Between N. Katherine Hayles and Tony D. Sampson. Capacious: Journal for Emerging Affect Inquiry. 1 (2), pp. 60-84. https://doi.org/10.22387/CAP2018.14Article
Alphaville
Shaw, D. 2018. Alphaville. Oxford Bibliographies in Cinema and Media Studies. https://doi.org/10.1093/obo/9780199791286-0291Article
Affect and Social Media: Emotion, Mediation, Anxiety and Contagion
Sampson, T., Maddison, S. and Ellis, D. (ed.) 2018. Affect and Social Media: Emotion, Mediation, Anxiety and Contagion. Rowman & Littlefield.Book
Social Media, Emoticons and Process
Ellis, D. 2018. Social Media, Emoticons and Process. in: Sampson, T., Maddison, S. and Ellis, D. (ed.) Affect and Social Media: Emotion, Mediation, Anxiety and Contagion Rowman & Littlefield.Book chapter
The End Again: Degeneration and Visual Culture in Modern Spain
Brauer, F. 2018. The End Again: Degeneration and Visual Culture in Modern Spain. The Burlington Magazine. 160 (1386), pp. 804-805.Article
Good night, sleep tight (remix)
Dunne, J., Ramos, J., Maravala, P. J. and ZU-UK 2018. Good night, sleep tight (remix). International Journal of Performance Arts and Digital Media. 14 (2), pp. 215-223. https://doi.org/10.1080/14794713.2018.1505385Article
Urban Space and the Posthuman Imaginary
Shaw, D. 2018. Urban Space and the Posthuman Imaginary. in: Lindner, Christoph and Meissner, Miriam (ed.) The Routledge Companion to Urban Imaginaries Routledge.Book chapter
Above and Beyond the Battle: Virtuosity and Collectivity within Televised Street Dance Crew Competitions
Robinson, L. 2018. Above and Beyond the Battle: Virtuosity and Collectivity within Televised Street Dance Crew Competitions. in: Dodds, Sherril (ed.) The Oxford Handbook of Dance and Competition Oxford University Press.Book chapter
Ways to Wander the Gallery
Qualmann, C. and Hind, C. (ed.) 2018. Ways to Wander the Gallery. Axminster, UK Triarchy Press.Book
Defiant Bodies: A Punk Rock Crip Queer Cabaret, Cripping and Queering Emancipatory Disability Research
Selwyn, E. and Terret, L. 2018. Defiant Bodies: A Punk Rock Crip Queer Cabaret, Cripping and Queering Emancipatory Disability Research. in: Duffy, P., Hatton, C. and Sallis, P. (ed.) Drama Research Methods: Provocations of Practice Sense Publishers. pp. 161-180Book chapter
Saartjie Baartman, Nelisiwe Xaba, and me: the politics of looking at South African bodies
Castelyn, S. 2018. Saartjie Baartman, Nelisiwe Xaba, and me: the politics of looking at South African bodies. South African Theatre Journal. 32 (3), pp. 285-299. https://doi.org/10.1080/10137548.2018.1553625Article
Spectacular Images of the ‘Refugee Crisis’
Memou, A. 2018. Spectacular Images of the ‘Refugee Crisis’. Photographies. 12 (1), pp. 81-97. https://doi.org/10.1080/17540763.2018.1501728Article
The Janus Face of Evolution: Degeneration, Devolution and Extinction in the Anthropocene
Brauer, F. 2015. The Janus Face of Evolution: Degeneration, Devolution and Extinction in the Anthropocene. in: Brauer, Fae and Keshavjee, Serena (ed.) Picturing Evolution and Extinction: Regeneration and Degeneration in Modern Visual Lady Stephenson Library, Newcastle upon Tyne Cambridge Scholars Publishing. pp. xv-xliiBook chapter
Becoming Simian: Devolution as Evolution in Transformist Modernism
Brauer, F. 2015. Becoming Simian: Devolution as Evolution in Transformist Modernism. in: Brauer, Fae and Keshavjee, Serena (ed.) Picturing Evolution and Extinction: Regeneration and Degeneration in Modern Visual Culture Lady Stephenson Library, Newcastle upon Tyne Cambridge Scholars Publishing. pp. 127-156Book chapter
Picturing Evolution and Extinction: Regeneration and Degeneration in Modern Visual Culture
Brauer, Fae and Keshavjee, Serena (ed.) 2015. Picturing Evolution and Extinction: Regeneration and Degeneration in Modern Visual Culture. Lady Stephenson Library, Newcastle upon Tyne Cambridge Scholars Publishing.Book
‘Turquet’s Turkey’: Ending the Salon
Brauer, F. 2015. ‘Turquet’s Turkey’: Ending the Salon. in: Kearns, James and Mill, Alister (ed.) The Paris Fine Art Salon/Le Salon, 1791–1881 Oxford Peter Lang.Book chapter
Intimate Vibrations: Inventing the Dream Bedroom
Brauer, F. 2015. Intimate Vibrations: Inventing the Dream Bedroom. in: Lasc, Anca I., Downey, Georgina and Taylor, Mark (ed.) Designing the French Interior: The Modern Home and Mass Media London Bloomsbury Academic. pp. 13-29Book chapter
Magnetic Modernism František Kupka’s Mesmeric Abstraction and Anarcho-Cosmic Utopia
Brauer, F. 2015. Magnetic Modernism František Kupka’s Mesmeric Abstraction and Anarcho-Cosmic Utopia. in: Ayers, David, Hjartarson, Benedikt, Huttunen, Tomi and Veivo, Harri (ed.) Utopia: The Avant-Garde, Modernism and (Im)possible Life Berlin/Boston Walter de Gruyter.Book chapter
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