Arts & Creative Industries
| Title | Arts & Creative Industries |
|---|---|
| ADI | |
| Type | School |
| University | UEL |
| Dean | Dr Sarahleigh Castelyn |
| Research Administrator | Ms Avinder Bhinder |
| Research Degrees Leader | Dr Sarahleigh Castelyn |
| Examination Officer | Ms Avinder Bhinder |
Latest research outputs
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Branded Content
Hardy, J. 2020. Branded Content. in: Mas-Manchón, L. (ed.) Innovation in Branding and Advertising Communication Routledge.Book chapter
Branded Content: Implications for Social Communications
Hardy, J. 2018. Branded Content: Implications for Social Communications. in: Turzynski, G. (ed.) Fifteen Years, A Branded Content Story: A Collection Of Thought Provoking Essays From Leading Branded Content Experts The Branded Content Marketing Association (BCMA). pp. 21-25Book chapter
Branded Content: Media and Marketing Integration
Hardy, J. 2018. Branded Content: Media and Marketing Integration. in: Hardy, J., Powell, H. and Macrury, L. (ed.) The Advertising Handbook: 4th Edition Routledge.Book chapter
Branded Content: The Fateful Merging of Media and Marketing
Hardy, J. 2021. Branded Content: The Fateful Merging of Media and Marketing. Routledge.Book
Brands in Motion: Advertising around and inside Television Shows
Hardy, J. Brands in Motion: Advertising around and inside Television Shows. in: Cubitt, S., Palmer, P. and Goblot, V. (ed.) Television and After Goldsmiths Press.Book chapter
Breathing Still 2020
Daniels, J. 2020. Breathing Still 2020.Digital or visual media
Brickfield Newham
Mccarthy, L., Martin, R. and Haseldine, G. 2021. Brickfield Newham. Newham, London (UK) 29 - 30 May 2021Performance
British Asian Theatre: Dramaturgy, Process and Performance
Hingorani, D. 2010. British Asian Theatre: Dramaturgy, Process and Performance. Palgrave Macmillan.Book
Buffet d’art: Group exhibition
Lifschitz, S. 2016. Buffet d’art: Group exhibition. Meinblau Projektraum, Berlin, Germany 01 - 10 Apr 2016Exhibition
Building a Radical University: A History of the University of East London
Rustin, M. and Poynter, G. (ed.) 2020. Building a Radical University: A History of the University of East London. Lawrence and Wishart.Book
‘But Are They All Horrid?’ On the Intermittent Use of the Gothic in Hindi Horror Cinema
Vitali, V. 2021. ‘But Are They All Horrid?’ On the Intermittent Use of the Gothic in Hindi Horror Cinema. in: Ancuta, K. and Valančiūnas, D. (ed.) South Asian Gothic: Haunted Cultures, Histories and Media Cardiff University of Wales Press.Book chapter
‘Call Me by My Name’: inclusive actor training for second language users
Stamatiou, E. 2024. ‘Call Me by My Name’: inclusive actor training for second language users. Theatre, Dance and Performance Training. 15 (2), pp. 162-178. https://doi.org/10.1080/19443927.2024.2335649Article
Can I Join In? Playful Performance and Alternative Political Realities
Drayton, T. 2022. Can I Join In? Playful Performance and Alternative Political Realities. in: Koubová, A., Urban, P., Russell, W. and MacLean, M. (ed.) Play and Democracy: Philosophical Perspectives Routledge. pp. 108-124Book chapter
Can I Join In? Playful Performance as Political Intervention
Drayton, T. 2019. Can I Join In? Playful Performance as Political Intervention. Play and Democracy: The fifth biennial Philosophy at Play conference. The Czech Academy of Sciences, Prague 24 - 26 Jun 2019Conference paper
‘Can’t this just f*cking exist? Can’t a play from a person like me just be a f*cking play already?’: Metamodern Self-reflexivity as an approach to tackling Black Trauma Narratives in Arinzé Kene’s Misty (2018)
Drayton, T. 2024. ‘Can’t this just f*cking exist? Can’t a play from a person like me just be a f*cking play already?’: Metamodern Self-reflexivity as an approach to tackling Black Trauma Narratives in Arinzé Kene’s Misty (2018). Recentring Form(s) in and of the Margins: The Politics of Self-Reflexivity. Vrije Universiteit, Brussels, Belgium 24 - 26 Apr 2024Conference paper
Capital and popular cinema: The dollars are coming!
Vitali, V. 2016. Capital and popular cinema: The dollars are coming! Manchester Manchester University Press.Book
Capturing Magnetic Energies: Durville’s Phantoms and Rochas’ Superconscious Doubles
Brauer, F. 2018. Capturing Magnetic Energies: Durville’s Phantoms and Rochas’ Superconscious Doubles. College Art Association Annual Conference 2018. Los Angeles Convention Centre, Los Angeles, USA 21 - 24 Feb 2018Conference paper
Capturing the Vital Force: Neo-Magnetic Photography and Durville’s Phantasmatic Doubles
Brauer, F. 2018. Capturing the Vital Force: Neo-Magnetic Photography and Durville’s Phantasmatic Doubles. The Society for Literature, Science and the Arts (SLSA) Annual Conference 2018 - Out of Mind. University of Toronto 15 - 18 Nov 2018Conference paper
Capturing Unconsciousness: The New Psychology, Hypnosis and the Culture of Hysteria
Brauer, F. 2018. Capturing Unconsciousness: The New Psychology, Hypnosis and the Culture of Hysteria. in: Facos, Michelle (ed.) A Companion to Nineteenth-Century Art: From Revolution to World War Wiley Blackwell. pp. 243-262Book chapter
Carrying the motherload: A walking artist looks back on a decade of pram-pushing
Qualmann, C. 2024. Carrying the motherload: A walking artist looks back on a decade of pram-pushing. The Sociological Review Magazine. https://doi.org/10.51428/tsr.pvrh3063Article
Caryatid Unplugged: A Cabaret on Performing and Negotiating Belonging and Otherness in Exile
Stamatiou, E. 2017. Caryatid Unplugged: A Cabaret on Performing and Negotiating Belonging and Otherness in Exile. in: Rudakoff, J. (ed.) Performing Exile: Foreign Bodies Intellect Press. pp. 195-216Book chapter
Catalogue Introduction
Logue, L. 2017. Catalogue Introduction. in: Great-Rex, Eric James (ed.) My Cat Knows What I'm Thinking Edinburgh Printmakers.Book chapter
Cell-Out: A Long-Distance Mobile Performance of Scores, Reflections, Confessions
Brazzale, C. and Satin, L. 2021. Cell-Out: A Long-Distance Mobile Performance of Scores, Reflections, Confessions. Streetnotes. 27, pp. 99-136. https://doi.org/10.5070/S527048035Article
Challenging the ‘Othering’ of the Male Adolescent: A historic perspective on representations of precarity and social dystopia
Heaney, M. 2017. Challenging the ‘Othering’ of the Male Adolescent: A historic perspective on representations of precarity and social dystopia. Symposium of the Centre for Performing Arts Development (CPAD) ‘Dispossession and the Re-Imagination of Identity in Contemporary British Theatre. 24 - 24 May 2017Conference paper
Chance Encounters: Serendipity and the Use of Music in the Films of Jean Cocteau and Harry Smith
Chapman, D. 2009. Chance Encounters: Serendipity and the Use of Music in the Films of Jean Cocteau and Harry Smith. The Soundtrack. 2 (1), pp. 5-18. https://doi.org/10.1386/st.2.1.5_1Article
ChatRoulette
Thomas, A. 2013. ChatRoulette.Digital or visual media
Childhood and Loss in Early Modern Life Writing
Hodgkin, K. 2017. Childhood and Loss in Early Modern Life Writing. Parergon. 33 (2), pp. 115-134. https://doi.org/10.1353/pgn.2016.0078Article
Chip Walks
Ramsden, H. and Qualmann, C. 2020. Chip Walks. in: Billinghurst, H., Hind, C. and Smith, P. (ed.) Walking Bodies Triarchy Press.Book chapter
Choosing Death: Working-Class Coming of Age in Contemporary British Cinema
Dave, P. 2013. Choosing Death: Working-Class Coming of Age in Contemporary British Cinema. Journal of British Cinema and Television. 10 (4), pp. 746-768.Article
Choreographing HIV and AIDS in Contemporary Dance in South Africa
Castelyn, S. 2018. Choreographing HIV and AIDS in Contemporary Dance in South Africa. in: Campbell, A. and Gindt, D. (ed.) Viral Dramaturgies: HIV and AIDS in Performance in the Twenty-First Century Palgrave Macmillan. pp. 215-233Book chapter
Choreographing the Archive of a White Female South African
Castelyn, S. 2022. Choreographing the Archive of a White Female South African . JOMBA! Masihambisane Dialogues: 2022. Durban, South Africa 25 - 27 May 2022 The Centre for Creative Arts, University of KwaZulu-Natal.Conference paper
Cinematic Aesthetics of Resistance: Reframing the Non-fiction Oppositional Film
Daniels, J. 2023. Cinematic Aesthetics of Resistance: Reframing the Non-fiction Oppositional Film. in: Rogers, C., Munro, K., Burke, L. and Gough-Brady, C. (ed.) Constructions of the Real: Intersections of Documentary-Based Film Practice and Theory Bristol Intellect Press. pp. 144-154Book chapter
Circumventing Censorship: Virilizing Victorian Homoeroticism
Brauer, F. 2018. Circumventing Censorship: Virilizing Victorian Homoeroticism. Subverting Censorship. Victoria & Albert Museum, London 21 Apr 2018Lecture
Climbing Up the Leaderboard: An Empirical Study of Applying Gamification Techniques to a Computer Programming Class
Fotaris, P., Mastoras, Theodoros, Leinfellner, Richard and Rosunally, Yasmine 2016. Climbing Up the Leaderboard: An Empirical Study of Applying Gamification Techniques to a Computer Programming Class. Electronic Journal of e-Learning. 14 (2), pp. 94-110.Article
Clocks 1888: the greener
Hingorani, D. 2016. Clocks 1888: the greener. Brolly Productions. https://doi.org/10.15123/DATA.00000197Data collection
Club 57: Film, Performance and Art in the East Village, 1978-1983
Lawrence, T. 2017. Club 57: Film, Performance and Art in the East Village, 1978-1983. Love Injection. 33, pp. 16-20.Article
Collaborative 3D Art
Singh, Bal and De Souza, P. 2016. Collaborative 3D Art. in: Proceedings of the 9th Annual International Conference on Computer Games Multimedia & Allied Technologies 2016 9th Annual International Conference on Computer Games Multimedia & Allied Technologies 2016 Global Science and Technology Forum (GSTF). pp. 15-18Book chapter
Comic Cultures: Commerce, Aesthetics and the Politics of Stand-Up Performance in the UK 1979 to 1992
Campbell, R. 2016. Comic Cultures: Commerce, Aesthetics and the Politics of Stand-Up Performance in the UK 1979 to 1992. PhD Thesis University of East London School of Arts and Digital Industries https://doi.org/10.15123/uel.879z9PhD Thesis
Commemoration and transitional objects
Great-Rex, Eric James 2013. Commemoration and transitional objects. Prof Doc Thesis University of East London School of Arts and Digital Industries https://doi.org/10.15123/PUB.3453Prof Doc Thesis
Commentary: Branded Content and Media-Marketing Convergence
Hardy, J. 2017. Commentary: Branded Content and Media-Marketing Convergence. The Political Economy of Communication. 5 (1), pp. 81-87.Article
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