Introduction: What is narrative research?

Book chapter


Squire, C., Andrews, Molly and Tamboukou, M. 2013. Introduction: What is narrative research? in: Doing narrative research SAGE.
AuthorsSquire, C., Andrews, Molly and Tamboukou, M.
Abstract

In the last three decades, narrative has acquired an increasingly high profile in social research,
following a series of ‘narrative turns’ in other disciplinary fields, like history and literary studies.
(Hyvärinen, 2010). It often seems as if all social researchers are doing narrative research in some
way. Yet narrative research, although it is popular and engaging, is difficult; how to go about it is
much discussed. People working in this field are frequently approached by students and
colleagues, in and outside academia, asking questions like, ‘Should I request respondents to tell
stories or not?’; ‘What happens if my respondents don’t produce any narratives?’; ‘What is a
narrative, anyway?’and, most regularly, ‘What do I do with the stories now I’ve got them?’
Narrative data can easily seem overwhelming: susceptible to endless interpretation, by turns
inconsequential and deeply meaningful.

Keywordsnarrative research; social research; politics; research methods; qualitative research
Book titleDoing narrative research
Year2013
PublisherSAGE
Publication dates
Print2013
Publication process dates
Deposited20 Jan 2014
ISBN9781446252659
9781446252666
9781446281444
Web address (URL)http://www.uk.sagepub.com/books/Book238870
http://hdl.handle.net/10552/1148
Accepted author manuscript
License
CC BY-NC-ND
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Reading the rereadings: Valerie Walkerdine responds to the commentaries on ‘Video Replay’
Walkerdine, Valerie and Squire, C. 2010. Reading the rereadings: Valerie Walkerdine responds to the commentaries on ‘Video Replay’. Psychoanalysis, Culture & Society. 15 (4), pp. 412-417.
Press replay – Introduction to special section on rereading Valerie Walkerdine's ‘Video replay: Families, films and fantasy’
Squire, C. 2010. Press replay – Introduction to special section on rereading Valerie Walkerdine's ‘Video replay: Families, films and fantasy’. Psychoanalysis, Culture & Society. 15 (4), pp. 376-384.
What is narrative?
Squire, C. 2012. What is narrative? National Centre for Research Methods.
Narratives, connections and social change
Squire, C. 2012. Narratives, connections and social change. Narrative Inquiry. 22 (1), pp. 50-68.
Narratives and the gift of the future
Squire, C. 2012. Narratives and the gift of the future. Narrative Works: Issues, Investigations & Interventions. 2 (1), pp. 67-82.
Heterotopic and Holey Spaces as Tents for the Nomad: Rereading Gwen John’s Letters
Tamboukou, M. 2012. Heterotopic and Holey Spaces as Tents for the Nomad: Rereading Gwen John’s Letters. Gender, Place and Culture: A Journal of Feminist Geography. 19 (3), pp. 275-290.
‘Good night and good-bye’: temporal and spatial rhythms in piecing together Emma Goldman’s auto/biographical fragments
Tamboukou, M. 2013. ‘Good night and good-bye’: temporal and spatial rhythms in piecing together Emma Goldman’s auto/biographical fragments. BSA Auto/biography yearbook. VI, pp. 17-31.
Visual Autobiographies in East London: Narratives of Still Images, Interpersonal Exchanges, and Intrapersonal Dialogues
Esin, C. and Squire, C. 2013. Visual Autobiographies in East London: Narratives of Still Images, Interpersonal Exchanges, and Intrapersonal Dialogues. Forum: Qualitative Social Research. 14 (2).
Love, Narratives, Politics: Encounters between Hannah Arendt and Rosa Luxemburg
Tamboukou, M. 2013. Love, Narratives, Politics: Encounters between Hannah Arendt and Rosa Luxemburg. Theory, Culture and Society. 30 (1), pp. 35-56. https://doi.org/10.1177/0263276412456563
Archival research: unravelling space/time/matter entanglements and fragments
Tamboukou, M. 2013. Archival research: unravelling space/time/matter entanglements and fragments. Qualitative Research. https://doi.org/10.1177/1468794113490719
'You Are Here': Visual Autobiographies, Cultural-Spatial Positioning, and Resources for Urban Living
Squire, C., Esin, C. and Burman, Chila 2013. 'You Are Here': Visual Autobiographies, Cultural-Spatial Positioning, and Resources for Urban Living. Sociological Research Online. 18 (3), p. 1ff..
Narrative Analysis: The Constructionist Approach
Esin, C., Fathi, Mastoureh and Squire, C. 2013. Narrative Analysis: The Constructionist Approach. in: Lick, Uwe (ed.) The SAGE Handbook of Qualitative Data Analysis SAGE.
Charting Cartographies of Resistance: Line of Flight in Women Artists’ Narratives
Tamboukou, M. 2010. Charting Cartographies of Resistance: Line of Flight in Women Artists’ Narratives. Gender and Education. 22 (6), pp. 679-696.
Narratives from within: an Arendtian approach to life histories and the writing of history
Tamboukou, M. 2010. Narratives from within: an Arendtian approach to life histories and the writing of history. Journal of Educational Administration and History. 42 (2), pp. 115-131.
(2010) 'Working With Stories as Multiplicities, Opening up the Black Box of the Archive. Life Writing, 7 (1), 19-33.
Tamboukou, M. 2010. (2010) 'Working With Stories as Multiplicities, Opening up the Black Box of the Archive. Life Writing, 7 (1), 19-33. Life Writing. 7 (1), pp. 19-33.
'Portraits of Moments': Visual and Textual Entanglements in Narrative Research
Tamboukou, M. 2011. 'Portraits of Moments': Visual and Textual Entanglements in Narrative Research. Current Narratives. 3, pp. 3-13.
Feminist Genealogies in the Writing of the Self
Tamboukou, M. 2003. Feminist Genealogies in the Writing of the Self. in: Women, Education and the Self: a Foucauldian Perspective Palgrave Macmillan. pp. 6-51
Introduction: Mapping Gwen John: Lives, Lines and Images
Tamboukou, M. 2010. Introduction: Mapping Gwen John: Lives, Lines and Images. in: Nomadic Narratives, Visual Forces: Gwen John's Letters and Paintings Oxford Peter Lang.
Leaving the Self: Nomadic passages in the memoir of a woman artist
Tamboukou, M. 2011. Leaving the Self: Nomadic passages in the memoir of a woman artist. Australian Feminist Studies. 24 (61), pp. 307-324.
Archive Pleasures or Whose Time Is It?
Tamboukou, M. 2011. Archive Pleasures or Whose Time Is It? Forum Qualitative Sozialforschung / Forum: Qualitative Social Research. 12 (3).
Rethinking the private hypothesis: Epistolary topographies in Carrington’s letters
Tamboukou, M. 2011. Rethinking the private hypothesis: Epistolary topographies in Carrington’s letters. Emotion, Space and Society. 4 (1), pp. 25-34.
Experiences of people living with HIV
Squire, C. and Daniel, Lumka 2009. Experiences of people living with HIV. in: HIV in South Africa 25 Years On: Psychosocial Perspectives Springer. pp. 255-272
Particularity, potentiation, citizenship and pragmatism
Squire, C. and Davis, Mark 2010. Particularity, potentiation, citizenship and pragmatism. in: HIV Treatment and Prevention Technologies in International Perspective Palgrave Macmillan.
HIV Technologies
Squire, C. and Davis, Mark 2010. HIV Technologies. in: Davis, Mark and Squire, Corinne (ed.) HIV Treatment and Prevention Technologies in International Perspective Palgrave Macmillan.
Technologies of treatment: Scaling up ART in the Western Cape, South Africa
Squire, C. and Abdullah, Fareed 2010. Technologies of treatment: Scaling up ART in the Western Cape, South Africa. in: HIV Treatment and Prevention Technologies in International Perspective Palgrave Macmillan.
Being naturalised, being left behind: the HIV citizen in the era of treatment possibility
Squire, C. 2010. Being naturalised, being left behind: the HIV citizen in the era of treatment possibility. Critical Public Health.
Interfaces in narrative research: letters as technologies of the self and as traces of social forces
Tamboukou, M. 2011. Interfaces in narrative research: letters as technologies of the self and as traces of social forces. Qualitative Research. 11 (5), pp. 625-641. https://doi.org/10.1177/1468794111413493
In Search of Lost Space: The Letter and the Artist
Tamboukou, M. 2010. In Search of Lost Space: The Letter and the Artist. in: Visual Lives, Carrington's Letters, Drawings and Paintings Durham British Sociological Association.
Introduction: Broken Narratives: Textual and Visual Interfaces
Tamboukou, M. 2010. Introduction: Broken Narratives: Textual and Visual Interfaces. in: In the Fold Between Power and Desire; Women Artists’ Narratives Newcastle-upon-Tyne Cambridge Scholars Publishing. pp. 1-51
Enjoy Their Symptom: Of Woman, Men and Other Interesting Figures in Greek Literary Texts
Voela, A. and Tamboukou, M. 2004. Enjoy Their Symptom: Of Woman, Men and Other Interesting Figures in Greek Literary Texts. Women: a cultural review. 15 (1), pp. 83-100.
Shifting the focus: sequential methods of analysis with qualitative data
Simons, Lucy, Lathlean, Judith and Squire, C. 2008. Shifting the focus: sequential methods of analysis with qualitative data. Qual Health Res.
Relational Narratives: Autobiography and the Portrait
Tamboukou, M. 2010. Relational Narratives: Autobiography and the Portrait. Women Studies International Forum. 33 (3), pp. 170-179.
Nomadic Trails in the Unfolding of the Self
Tamboukou, M. 2004. Nomadic Trails in the Unfolding of the Self. Spaces of Identity. 4 (2).
Spacing herself
Tamboukou, M. 1999. Spacing herself. Gender and Education. 11 (2), pp. 125-139.
Of other spaces: women's colleges at the turn of the century
Tamboukou, M. 2000. Of other spaces: women's colleges at the turn of the century. Gender, Place and Culture: A Journal of Feminist Geography. 7 (3), pp. 247-263.
The paradox of being a woman teacher
Tamboukou, M. 2000. The paradox of being a woman teacher. Gender and Education. 12 (4), pp. 463-478.
Erasing sexuality from the blackboard
Tamboukou, M. 2002. Erasing sexuality from the blackboard. Australian Feminist Studies. 17 (38), pp. 135-149.
Writing Feminist Genealogies
Tamboukou, M. 2003. Writing Feminist Genealogies. Journal of Gender Studies. 12 (1), pp. 5-19.
Visual Silences, Nomadic Narratives
Tamboukou, M. 2008. Visual Silences, Nomadic Narratives. Auto/biography Yearbook.
Nomadic subjects: Young black women in Britain
Tamboukou, M. and Ball, Stephen J. 2002. Nomadic subjects: Young black women in Britain. Discourse: Studies in the Cultural Politics of Education. 23 (3), pp. 267-284. https://doi.org/10.1080/0159630022000029777
Interrogating the emotional turn: Making connections with Foucault and Deleuze
Tamboukou, M. 2003. Interrogating the emotional turn: Making connections with Foucault and Deleuze. European Journal of Psychotherapy, Counselling & Health. 6 (3), pp. 209-223.
Tracing heterotopias: writing women educators in Greece
Tamboukou, M. 2004. Tracing heterotopias: writing women educators in Greece. Gender and Education. 16 (2), pp. 187-207.
Rethinking the political subject: narratives of parrhesiastic acts
Tamboukou, M. 2005. Rethinking the political subject: narratives of parrhesiastic acts. International Journal of Critical Psychology.
Power, desire and emotions in education: revisiting the epistolary narratives of three women in apartheid South Africa
Tamboukou, M. 2006. Power, desire and emotions in education: revisiting the epistolary narratives of three women in apartheid South Africa. Gender and Education. 18 (3), pp. 231-250.
Re-imagining the narratable subject
Tamboukou, M. 2008. Re-imagining the narratable subject. Qualitative Research. 8 (3), pp. 283-292.
Machinic Assemblages: Women, Art Education and Space.
Tamboukou, M. 2008. Machinic Assemblages: Women, Art Education and Space. Discourse: Studies in the Cultural Politics of Education. 29 (3), pp. 359-375.
The Public Life of Emotions
Squire, C. 2001. The Public Life of Emotions. International Journal of Critical Psychology.
Can an HIV positive woman find true love? Romance in the stories of women living with HIV
Squire, C. 2003. Can an HIV positive woman find true love? Romance in the stories of women living with HIV. Feminism & Psychology. 13 (1), pp. 73-100.
Reading Narratives
Squire, C. 2005. Reading Narratives. Group Analysis. 38 (1), pp. 91-107.